Theory and History of Social Memory and its Mediations
We are interested in the theoretical study of memory, as well as its trajectory and how representations of the past have been used, throughout history and in different geographical contexts, for identity construction and the justification of 'present' policies. These representations have historically been disseminated through various media, such as museums, textbooks, cinema, and the press, but also through the urban landscape and social networks.
This approach analyzes how media, narratives, and social rhetoric contribute to the formation and evolution of collective representations of the past, as well as the shaping of group identities through symbolic and discursive communication.
This approach examines the selection, manipulation, and reinterpretation of past events to construct a political identity, justify contemporary decisions, and shape collective perception, highlighting the intersection between historiography, political communication, and social memory in the political context.
This approach examines how memory narratives can motivate action, raise social awareness, and advocate for justice, highlighting the reciprocal influence between memory preservation, activist engagement, and the promotion of human rights in historical and contemporary contexts. It seeks to understand how past experiences inform and shape human rights movements today.
This approach explores how collective memory is created, reproduced, reinterpreted, or destroyed for propagandistic purposes. It examines how historical narratives are consolidated based on political or religious objectives, highlighting the crucial role of media in the construction and consolidation of certain interpretations of the past.
This approach analyzes how media address and present historical, traumatic, or significant events. It examines how the selection of stories, editorial focus, and language used by the media shape and affect the preservation of historical memory.
This approach analyzes how media address and communicate collective traumatic experiences, such as armed conflicts, genocides, or disasters. This subline of research seeks to understand the ethics and psychosocial impact of the media representation of traumas, as well as its contribution to the construction of cultural identity and social memory.
This approach examines how government strategies and media policies affect the construction and dissemination of collective memory. Additionally, it explores how the structures and developments of governmental communication evolve historically, their absences, debts, and comparative impacts, as well as the existence of mechanisms for citizen participation in official memories.
This approach analyzes how collective memory and historical representation have relegated the experiences, contributions, and struggles of women. It seeks to address challenges related to gender equity in social memory, highlighting the importance of incorporating feminist perspectives and empowering female voices in historical narrative and collective memory.
This approach analyzes how films address historical events, traumas, or cultural aspects, examining the intersection between cinematic narrative, social memory, and the creation of historical meaning. This subline of research seeks to understand how cinema shapes public perception of the past, contributing to the preservation and reinterpretation of cultural memory through visual and narrative elements.