{"id":69,"date":"1991-09-20T22:41:53","date_gmt":"1991-09-20T22:41:53","guid":{"rendered":"https:\/\/grupo.us.es\/iberjoyce\/?p=69"},"modified":"2013-09-20T22:43:35","modified_gmt":"2013-09-20T22:43:35","slug":"ii-encuentros-james-joyce","status":"publish","type":"post","link":"https:\/\/grupo.us.es\/iberjoyce\/ii-encuentros-james-joyce\/","title":{"rendered":"II ENCUENTROS JAMES JOYCE"},"content":{"rendered":"<blockquote><p>UNIVERSIDAD DE SEVILLA, 1991<\/p><\/blockquote>\n<p>\u00c1lvarez Amor\u00f3s, Jos\u00e9 Antonio. \u00abEstructura temporal de Dubliners.\u00bb<\/p>\n<p>Ant\u00f3n Pacheco, Luisa y James Lawley. \u00abHelping Students Get into &#8216;Araby&#8217;: A Close Reading of &#8216;Araby&#8217;.\u00bb<\/p>\n<p>Ballesteros Gonz\u00e1lez, Antonio. \u00abEl espejo y la l\u00e1mpara: simbolog\u00eda m\u00edtica en &#8216;The Dead&#8217;.\u00bb<\/p>\n<p>Barbeito Varela, Jos\u00e9 Manuel. \u00abDubliners: A Style of Scrupulous Meanness.\u00bb<\/p>\n<p>Da\u00f1obeitia Fern\u00e1ndez, Mar\u00eda Luisa. \u00abAusencia de tacto en los dublineses.\u00bb<\/p>\n<p>De La Rosa, Julio. \u00abLectura de Dublineses.\u00bb<\/p>\n<p>Gim\u00e9nez Bon, Margarita. \u00abThe Feminine Figure in Dubliners.\u00bb<\/p>\n<p>Hern\u00e1ndez Hern\u00e1ndez, Manuel \u00c1ngel. \u00abSilencio, exilio y astucia en los dos primeros cap\u00edtulos de A Portrait.\u00bb<\/p>\n<p>L\u00e1zaro, Luis Alberto. \u00abProblem\u00e1tica y ex\u00e9gesis del simbolismo en &#8216;The Dead&#8217;: apuntes para el lector espa\u00f1ol\u00bb.<\/p>\n<p>Rodr\u00edguez Palomero, Luisa Fernanda. \u00abNocturno y cadencia final: &#8216;The Dead&#8217;.\u00bb<\/p>\n<p>Rodr\u00edguez Palomero, Luisa Fernanda. \u00abNotas sobre al versi\u00f3n espa\u00f1ola de la biograf\u00eda de Ellmann.\u00bb<\/p>\n<p>Sainero S\u00e1nchez, Ram\u00f3n. \u00ab&#8216;The Dead&#8217; y sus posibles relaciones.\u00bb<\/p>\n<p>Toro Santos, Antonio Ra\u00fal de. \u00abLa m\u00fasica en la narrativa joyceana.\u00bb<\/p>\n<p>Mesa redonda: \u00abJames Joyce en Espa\u00f1a.\u00bb Francisco Garc\u00eda Tortosa, Julio de la Rosa, Jos\u00e9 Antonio \u00c1lvarez Amor\u00f3s y Jos\u00e9 Carnero Gonz\u00e1lez.<\/p>\n<p>Sesi\u00f3n de v\u00eddeo: Toro Santos, Antonio Ra\u00fal de. \u00abLa m\u00fasica en Ulises.\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"<p>UNIVERSIDAD DE SEVILLA, 1991 \u00c1lvarez Amor\u00f3s, Jos\u00e9 Antonio. \u00abEstructura temporal de Dubliners.\u00bb Ant\u00f3n Pacheco, Luisa y James Lawley. \u00abHelping Students Get into &#8216;Araby&#8217;: A Close Reading of &#8216;Araby&#8217;.\u00bb Ballesteros Gonz\u00e1lez, Antonio. \u00abEl espejo y la l\u00e1mpara: simbolog\u00eda m\u00edtica en &#8216;The Dead&#8217;.\u00bb Barbeito Varela, Jos\u00e9 Manuel. \u00abDubliners: A Style of Scrupulous Meanness.\u00bb Da\u00f1obeitia Fern\u00e1ndez, Mar\u00eda Luisa. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-69","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-noticias","7":"entry"},"_links":{"self":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/posts\/69","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/comments?post=69"}],"version-history":[{"count":1,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/posts\/69\/revisions"}],"predecessor-version":[{"id":70,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/posts\/69\/revisions\/70"}],"wp:attachment":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/media?parent=69"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/categories?post=69"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/tags?post=69"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}