{"id":61,"date":"2011-04-05T22:29:26","date_gmt":"2011-04-05T22:29:26","guid":{"rendered":"https:\/\/grupo.us.es\/iberjoyce\/?p=61"},"modified":"2013-10-11T15:25:57","modified_gmt":"2013-10-11T13:25:57","slug":"informacion-sobre-los-ultimos-encuentros","status":"publish","type":"post","link":"https:\/\/grupo.us.es\/iberjoyce\/informacion-sobre-los-ultimos-encuentros\/","title":{"rendered":"Informaci\u00f3n sobre los \u00faltimos Encuentros"},"content":{"rendered":"<p>Incluimos informaci\u00f3n sobre los \u00faltimos Encuentros, as\u00ed como algunas fotos.<br \/>\n\u00abSalamangra\u00bb<\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Salagroup.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-62\" alt=\"OLYMPUS DIGITAL CAMERA\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Salagroup-1024x768.jpg\" width=\"1024\" height=\"768\" srcset=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Salagroup-1024x768.jpg 1024w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Salagroup-300x225.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>Alonso Gir\u00e1ldez, Jos\u00e9 Miguel, \u0093Presencias de James Joyce y su obra en la literatura espa\u00f1ola actual\u0094.<\/p>\n<p>Amenedo Costa, M\u00f3nica, \u0093Social Participation of Irish Military Men: Case Studies in Galicia\u0094.<\/p>\n<p>D\u00edez, M\u00aa Jos\u00e9 y Antonio L\u00f3pez Santos, \u0093La incoherente l\u00f3gica del absurdo en Freefall, de Michael West\u0094.<\/p>\n<p>Est\u00e9vez Sa\u00e1, Margarita y Jos\u00e9 Mar\u00eda Tejedor Cabrera, Mar\u00eda Luisa Venegas Lag\u00fc\u00e9ns \u0093James Joyce y la historia de la literatura irlandesa de autor\u00eda femenina\u0094.<\/p>\n<p>Est\u00e9vez-Sa\u00e1, Jos\u00e9 Manuel, \u0093La herencia de Joyce: \u0091Simony\u0092,\u0092 Gnomon\u0092 y \u0091Paralysis\u0092 en la narrativa breve de Edna O\u0092Brien\u0094.<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael, \u0093Un Ulises en Sevilla y Joyce: comparaciones obvias.\u0094<\/p>\n<p>Garc\u00eda Tortosa, Francisco, \u0093Finnegans Wake en retrospectiva.\u0094<\/p>\n<p>Louro Teresa, \u0093Trafficking in the Wrong Costume: Cross-Dressing in James Joyce&#8217;s &#8216;Circe&#8217;\u0094.<\/p>\n<p>Navarrete Franco, Ricardo, \u0093Joyce en carta.\u0094<\/p>\n<p>Pereira Ares, Noem\u00ed y Margarita Est\u00e9vez Sa\u00e1, \u0093 \u0091Simplemente tendremos que vestir al personaje\u0092: La vestimenta en la obra de James Joyce\u0094<\/p>\n<p>R\u00edo Molina, Benigno del, \u0093Rudy en \u0091Circe\u0092: El hijo como construcci\u00f3n art\u00edstica\u0094.<\/p>\n<p>Rodr\u00edguez, Carmen, \u0093Don Giovanni en Ulises\u0094<\/p>\n<p>Sanz, Guillermo, \u00abWagnerian Leitmotif as Characterisation Technique in Ulysses: Leitmotif Parallax (or Polysemous Leitmotif) Vs. Thematic Parallax (or Polymorphic Theme)\u00bb<\/p>\n<p>Simons, Jefferey,. \u0093Stephen Dedalus, Lyric Poet (Continued)\u0094.<\/p>\n<p>Toro, Antonio Ra\u00fal del, \u0093Sombras peregrinas a Compostela en la obra de Joyce\u0094.<\/p>\n<p>Torres, Cristina, \u00abEveline y sus signos\u0094.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Incluimos informaci\u00f3n sobre los \u00faltimos Encuentros, as\u00ed como algunas fotos. \u00abSalamangra\u00bb Alonso Gir\u00e1ldez, Jos\u00e9 Miguel, \u0093Presencias de James Joyce y su obra en la literatura espa\u00f1ola actual\u0094. Amenedo Costa, M\u00f3nica, \u0093Social Participation of Irish Military Men: Case Studies in Galicia\u0094. D\u00edez, M\u00aa Jos\u00e9 y Antonio L\u00f3pez Santos, \u0093La incoherente l\u00f3gica del absurdo en Freefall, de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-61","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-noticias","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/posts\/61","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/comments?post=61"}],"version-history":[{"count":5,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/posts\/61\/revisions"}],"predecessor-version":[{"id":472,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/posts\/61\/revisions\/472"}],"wp:attachment":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/media?parent=61"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/categories?post=61"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/tags?post=61"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}