{"id":305,"date":"2013-09-30T16:16:43","date_gmt":"2013-09-30T16:16:43","guid":{"rendered":"https:\/\/grupo.us.es\/iberjoyce\/?p=305"},"modified":"2013-09-30T16:16:43","modified_gmt":"2013-09-30T16:16:43","slug":"joyce-in-his-palmss","status":"publish","type":"post","link":"https:\/\/grupo.us.es\/iberjoyce\/joyce-in-his-palmss\/","title":{"rendered":"Joyce in His Palms"},"content":{"rendered":"<p>Estudios joyceanos en Canarias: Joyce \u00abin his palms\u00bb<br \/>\n\u00cdndice<br \/>\nNota previa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br \/>\nJames Joyce<br \/>\nXVII Encuentro<br \/>\nEl lenguaje de la frustraci\u00f3n y el deseo en Ulysses de<br \/>\nJames Joyce . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br \/>\nJOS\u00c9 MIGUEL ALONSO GIR\u00c1LDEZ<br \/>\nLa literatura irlandesa en Espa\u00f1a . . . . . . . . . . . . . . . .<br \/>\nANTONIO RA\u00daL DE TORO SANTOS<br \/>\nMoneda y palabra: De Ezra Pound al \u0093Nestor\u0094 de Joyce<br \/>\nBENIGNO DEL R\u00cdO MOLINA<br \/>\nPatr\u00f3n de comportamiento de la figura del sacerdote<br \/>\nen la narraci\u00f3n breve de S. O\u0092Faolain . . . . . . . . . .<br \/>\nMLA. SUSANA DOM\u00cdNGUEZ PENA<br \/>\nLa lecci\u00f3n de Dermot Bolger: Releer Ulises a los 90 . . . .<br \/>\nJOS\u00c9 MANUEL EST\u00c9VEZ SA\u00c1<br \/>\nEl fantasma de Lucia en \/ y la obra de James Joyce. . . .<br \/>\nMARGARITA EST\u00c9VEZ SA\u00c1<br \/>\nJoyce y la alegor\u00eda del mundo como escenario . . . . . . .<br \/>\nRAFAEL GARC\u00cdA LE\u00d3N<br \/>\nLa hija del jud\u00edo y los jud\u00edos en Ulises . . . . . . . . . . . . . .<br \/>\nFRANCISCO GARC\u00cdA TORTOSA<br \/>\nAspectos socioling\u00fc\u00edsticos en los relatos de Dubliners . .<br \/>\nM.\u00aa ISABEL GONZ\u00c1LEZ CRUZ<br \/>\n267<br \/>\nVitalidad de la literatura irlandesa posterior al cuadrinomio<br \/>\nOscar Wilde, William Butler Yeats, James<br \/>\nJoyce y Samuel Beckett. . . . . . . . . . . . . . . . . . . . . .<br \/>\nSANTIAGO J. HENR\u00cdQUEZ JIM\u00c9NEZ<br \/>\nUn viaje a Irlanda en la literatura gallega: Lord Dunsany<br \/>\ny \u00c1lvaro Cunqueiro . . . . . . . . . . . . . . . . . . . . . . . .<br \/>\nRUB\u00c9N JARAZO \u00c1LVAREZ<br \/>\nEl misterio del primer Ulisses catal\u00e1n: la odisea de Joan<br \/>\nFrancesc Vidal Jov\u00e9 . . . . . . . . . . . . . . . . . . . . . . . .<br \/>\nALBERTO L\u00c1ZARO<br \/>\n\u0091A bird on its wings over water\u0092: Two Days in Aragon de . . . . . .<br \/>\nMolly Keane . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br \/>\nLIDIA MAR\u00cdA MONTERO AMENEIRO<br \/>\nIrish Music and the Musical Background to Joyce. . . . .<br \/>\nMAUREEN MULLIGAN<br \/>\nIntertextualidades y ecos joyceanos en la escritura confesional<br \/>\nangloindia . . . . . . . . . . . . . . . . . . . . . . . .<br \/>\nJUAN IGNACIO OLIVA<br \/>\nEl mon\u00f3logo de Molly Bloom: Disoluci\u00f3n del alma . . . .<br \/>\nSONIA PETISCO<br \/>\nLa influencia de Valery Larbaud en James Joyce . . . . .<br \/>\nM.\u00aa ISABEL PORCEL GARC\u00cdA<br \/>\nThe Literate Gusts of \u0093Aeolus\u0094 . . . . . . . . . . . . . . . . . . .<br \/>\nJEFFEREY SIMONS<br \/>\nBiblical Echoes in Chamber Music. . . . . . . . . . . . . . . . .<br \/>\nM.\u00aa DE LA CINTA ZUNINO GARRIDO<br \/>\n268<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Estudios joyceanos en Canarias: Joyce \u00abin his palms\u00bb \u00cdndice Nota previa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Joyce XVII Encuentro El lenguaje de la frustraci\u00f3n y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-305","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-noticias","7":"entry"},"_links":{"self":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/posts\/305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/comments?post=305"}],"version-history":[{"count":2,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/posts\/305\/revisions"}],"predecessor-version":[{"id":684,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/posts\/305\/revisions\/684"}],"wp:attachment":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/media?parent=305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/categories?post=305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/tags?post=305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}