{"id":571,"date":"2013-11-11T21:22:21","date_gmt":"2013-11-11T19:22:21","guid":{"rendered":"https:\/\/grupo.us.es\/iberjoyce\/?page_id=571"},"modified":"2017-05-03T09:53:59","modified_gmt":"2017-05-03T07:53:59","slug":"ponencias","status":"publish","type":"page","link":"https:\/\/grupo.us.es\/iberjoyce\/ponencias\/","title":{"rendered":"Ponencias"},"content":{"rendered":"<p>Ofrecemos un listado de las ponencias presentadas en los Encuentros Anuales<\/p>\n<p style=\"text-align: center;\"><b>PROGRAMA XXVIII ENCUENTROS JAMES JOYCE <\/b><\/p>\n<p style=\"text-align: center;\"><b>A CORU\u00d1A, 21 Abril 2017 Lugar de celebraci\u00f3n: <i>Facultade de Filolox\u00eda, Sal\u00f3n de Graos (1\u00aa planta)<\/i><\/b><\/p>\n<p><b>9:15<\/b>. Entrega de documentaci\u00f3n<\/p>\n<p><b>9:30<\/b>. Acto de apertura<\/p>\n<p><b>9:45-11:30. Moderadora Dra. Margarita Est\u00e9vez<\/b><\/p>\n<p>1. Guillermina Heredia Campos,\u00a0 \u201cBreve introducci\u00f3n a la Astronom\u00eda\u00a0 de la mano de Bloom\u201d<\/p>\n<p>2. Macarena Mart\u00edn Mart\u00ednez, \u00abDrawing the <i>Wake<\/i>\u00bb<\/p>\n<p>3. Margarita Est\u00e9vez-Sa\u00e1, \u201cJoyce\u2019s Women in Marilar Aleixandre\u2019s \u2018L\u00e1 Marion\u2019\u201d<\/p>\n<p>4. Elena Canido Mu\u00ed\u00f1o, <i>\u00abArtistic Identity in Joyce&#8217;s A Portrait of the Artist as a Young Man\u00bb<\/i><\/p>\n<p><b>11:30-12.00 Descanso-Caf\u00e9<\/b><i> <\/i><\/p>\n<p><b>12:00-1:30. Moderador Dr. Jos\u00e9 Manuel Est\u00e9vez<\/b><\/p>\n<p>1. Teresa Caneda\/Nieves P\u00e9rez, \u201cJoyce and the Politics of Song: Musical Intertexts in \u2018The Dead\u2019\u201d<\/p>\n<p>2. Jos\u00e9 Manuel Est\u00e9vez-Sa\u00e1, \u201cJoyce, Trauma and the Easter Rising\u201d<\/p>\n<p>3. Carmelo Medina Casado, \u201cFW: \u2018There is nothing that cannot be translated\u2019 (<i>JJII<\/i> 632)\u201d<\/p>\n<p>4. Esther de la Pe\u00f1a, <i>\u00abCities of Signature: Auria, Dublin and Tangier in the eyes of Blanco-Amor, Joyce y V\u00e1zquez\u00bb<\/i>\u00a0<b><\/b><\/p>\n<p><b>1:30-3:30<\/b>. <i>COMIDA <\/i><\/p>\n<p><b>TARDE<\/b><\/p>\n<p><b>3:30-4:45.\u00a0\u00a0 Moderador Dr. David Clark<\/b><\/p>\n<p>1. Ricardo Navarrete Franco, \u201c1962: Cincuenta y Cinco a\u00f1os de <i>Tiempo de Silencio <\/i>y de <i>Las Ciegas Hormigas<\/i>\u201d<\/p>\n<p>2. Mar\u00eda Jes\u00fas Lorenzo, \u201cRelaciones entre los velatorios gallegos e irlandeses en la literatura\u201d<\/p>\n<p>3. David Clark, \u201cRichard Head and the Irish Picaresque\u201d<\/p>\n<p><b>4:45-5:15.<\/b><b> <\/b><b>Descanso-Caf\u00e9<\/b><b><\/b><\/p>\n<p><b>5:15-6:45<\/b>. <b>Moderadora Manuela Palacios Gonz\u00e1lez<\/b><b> <\/b><\/p>\n<p>1. Anita Morgan, \u201cMocking and Transcending Binaries in the Words and Music of Northern Irish Singer-songwriters, Tommy and Colum Sands\u201c<\/p>\n<p>2. Manuela Palacios Gonz\u00e1lez, \u201cEavan Boland&#8217;s \u2018Woman of Achill\u2019\u201d<\/p>\n<p>3. Bego\u00f1a Lasa, \u201cFrances Sheridan and Her Afterlife in Nineteenth-Century Biographical Works\u201d<\/p>\n<p><b>7:00. <\/b><b>\u00a0<\/b>CLAUSURA Y ASAMBLEA DE LA ASOCIACI\u00d3N<\/p>\n<p style=\"text-align: center;\">9:00. Cena de clausura (Hotel Zenit, 20\u20ac persona)<\/p>\n<p style=\"text-align: center;\">Organiza: Instituto Universitario de Investigaci\u00f3n de Estudios Irlandeses <i>Amergin<\/i>. UDC y Universidad de Santiago de Compostela<\/p>\n<p style=\"text-align: center;\">Colabora: Facultade de Filolox\u00eda. UDC<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>XXVII Encuentros de la Asociaci\u00f3n Espa\u00f1ola James Joyce<\/strong><br \/>\n<strong> Alicante, 15 de abril de 2016<\/strong><br \/>\n<strong> Sede Universidad de Alicante. Aula Rafael Altamira<\/strong><br \/>\n<strong><\/strong><strong><\/strong><\/p>\n<p style=\"text-align: center;\"><strong>\u00abalick and alack!\u00bb (<em>FW<\/em> 166.30)<\/strong><\/p>\n<p><strong>09:30 horas ACTO DE APERTURA<\/strong><br \/>\n<strong> 10:00 horas PONENCIA INAUGURAL<\/strong><\/p>\n<p>Homenaje a Rosa Mar\u00eda Bosinelli<\/p>\n<p>Mar\u00eda Teresa Caneda<\/p>\n<p><strong> <\/strong><br \/>\n<strong> COMUNICACIONES<br \/>\n<\/strong><\/p>\n<p>Olga Fern\u00e1ndez Vicente<br \/>\n\u201cLucia Joyce: \u2018The Lightgiver\u2019: Genius in Madness?\u201d<\/p>\n<p>Esther de la Pe\u00f1a<br \/>\n\u201cThe Past upon the Living in Bernard MacLaverty\u2019s <em>The Ring<\/em> and James Joyce\u2019s \u2018The Dead\u2019\u00bb<\/p>\n<p>M. Teresa Caneda Cabrera<br \/>\n\u201cRelational Joyce: Refashioning Intertextuality through Translation\u201d<\/p>\n<p>Margarita Est\u00e9vez Saa<br \/>\n\u201cReading Joyce in the Twenty-First Century:A Review of Recent Critical Approaches\u201d<\/p>\n<p><strong><\/strong>Juan Ignacio Oliva<br \/>\n\u201c\u20181916\u2019 in Contemporary Irish Narrative: From Utopian Romanticism to Dystopian Pragmatism\u201d<\/p>\n<p>Jos\u00e9 Manuel Est\u00e9vez-Saa<br \/>\n\u201cPortals to Other Worlds: Dublin City again in Caitriona Lally\u2019s Eggshells\u201d<\/p>\n<p>Rafael Garc\u00eda Le\u00f3n<br \/>\n\u201cLo que no ocurri\u00f3 el 16 de Junio de 1904\u201d<br \/>\n<strong><\/strong><\/p>\n<p>John D. Sanderson<br \/>\n\u201cAsuntos de familia: el punto de vista narrativo de los Huston en la versi\u00f3n cinematogr\u00e1fica de \u2018The Dead\u2019 (1987)\u201d<\/p>\n<p>Macarena Mart\u00edn Mart\u00ednez, Ricardo Navarrete y Gloria Reina Ram\u00edrez<br \/>\n\u201c\u00bfEl h\u00e1bito hace a la monja?: el maquillaje en Joyce\u201d<\/p>\n<p>Carmelo Medina Casado<br \/>\n\u201c<em>Finnegans Wake:<\/em> una propuesta modesta\u201d<\/p>\n<div>\n<div>\n<div>\n<div>\n<div>\n<section>\u00a0<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><!-- end .slide-image --><!-- end ul.slides --><!-- end .flexslider --><!-- end #genesis-responsive-slider --><\/p>\n<section id=\"text-13\">\n<div style=\"text-align: center;\"><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/palos.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-787\" alt=\"palos\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/palos.jpg\" width=\"259\" height=\"194\" \/><\/a><\/div>\n<\/section>\n<div>\n<article itemprop=\"blogPost\" itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/BlogPosting\">\n<header>\n<h1 itemprop=\"headline\"><\/h1>\n<\/header>\n<div itemprop=\"text\">\n<p><strong>XXV Encuentros de la <em>Asociaci\u00f3n Espa\u00f1ola James Joyce<\/em><\/strong> <strong>Santiago de Compostela, 29 y 30 de abril, 2014<\/strong> Organizan: Universidade da Coru\u00f1a, Universidade de Santiago de Compostela y Universidade de Vigo Lugar: Sal\u00f3n de Graos, Facultade de Filolox\u00eda (USC)<\/p>\n<p>\u00bfEs James Joyce el genio literario del siglo XX? (Coord., Jos\u00e9 Manuel Est\u00e9vez-Sa\u00e1)<\/p>\n<p>MESA REDONDA: Jos\u00e9 Antonio \u00c1lvarez Amor\u00f3s, Francisco Garc\u00eda Tortosa, Margarita Est\u00e9vez-Sa\u00e1<\/p>\n<p>Antecessors, Contemporaries and Successors of James Joyce (Coord., Margarita Est\u00e9vez-Sa\u00e1)<\/p>\n<p>MESA REDONDA: M\u00aa Luisa Venegas Lag\u00fcens , Jos\u00e9 Manuel Est\u00e9vez-Sa\u00e1\u00a0 y Margarita Est\u00e9vez-Sa\u00e1<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Irlanda, Joyce y Galicia<\/strong> (Coord., Jos\u00e9 Manuel Est\u00e9vez-Sa\u00e1)<\/p>\n<p>V\u00edctor Freixanes y trads. (Editorial GALAXIA), Presentaci\u00f3n de la traducci\u00f3n de <em>Ulysses<\/em> al gallego. Antonio Ra\u00fal de Toro Santos y Jos\u00e9 Miguel Alonso-Gir\u00e1ldez, \u201cJames Joyce habla en gallego casi cien a\u00f1os despu\u00e9s: algunos aspectos culturales de la traducci\u00f3n de <em>Ulysses<\/em> a la lengua gallega.\u201d<\/p>\n<p>C\u00e9sar P. Dom\u00ednguez Prieto, \u201cEl laboratorio traductol\u00f3gico de Ram\u00f3n Otero Pedrayo: Algunas precisiones sobre el <em>Ulysses<\/em> de 1926.\u201d<\/p>\n<p><strong>Irish Literature<\/strong> (Coord., Noem\u00ed Pereira Ares)<\/p>\n<p>Antonio Ballesteros Gonz\u00e1lez, \u201cTerrores hib\u00e9rnicos: fundamentos irlandeses de la vida y la obra de Bram Stoker.\u201d<\/p>\n<p>Bego\u00f1a Lasa \u00c1lvarez ,\u201cFrances Sheridan in the Spanish Literary Milieu at the End of the Eighteenth Century and the Beginning of the Nineteenth Century.\u201d<\/p>\n<p><strong>Atlantic Voyages I<\/strong> (Coord., Laura M\u00aa Lojo Rodr\u00edguez)<\/p>\n<p>Mar\u00eda Jes\u00fas Lorenzo Modia, \u201cWomen\u2019s Mobility in Atlantic European Literatures in English.\u201d<\/p>\n<p>Manuela Palacios Gonz\u00e1lez , \u201cIrish Women\u2019s Migrations: What\u2019s in a Pic?\u201d<\/p>\n<p>Marta Portela Fern\u00e1ndez, \u201cCrossing Boundaries: Transgressions in N\u00ed Dhuibhne\u2019s <em>The Dancers Dancing<\/em>.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Iberjoyce<\/strong> (Coord., Ricardo Navarrete Franco) Mar\u00eda Elena Carpintero Torres-Quevedo, Christian Maireles, Rafael Garc\u00eda Le\u00f3n\u00a0 y Ricardo Navarrete Franco\u00a0 \u201cPresentaci\u00f3n de la nueva p\u00e1gina web de la Asociaci\u00f3n Espa\u00f1ola James Joyce.\u201d<\/p>\n<p><strong>Joyce and Irish Literature<\/strong> (Coord., Teresa Caneda Cabrera)<\/p>\n<p>Anne Fogarty,\u201cThe odour of dusty cretonne\u201d: The Transmission of Affects in <em>Dubliners<\/em>.\u201d<\/p>\n<p>David Clark, \u201cFreeman Wills Crofts and the Birth of the Police Procedural.\u201d<\/p>\n<p><strong>Joyce and Comparative Studies<\/strong> (Coord., Jorge Sacido Romero)<\/p>\n<p>M\u00aa Esmeralda Vicente Casta\u00f1ares, \u201cJoyce &amp; Beckett, two Dubliners outside Dublin.\u201d<\/p>\n<p>Olga Fern\u00e1ndez Vicente, \u201cQuests for Independence: A Comparative Study of James Joyce and P\u00edo Baroja\u2019s Attempts to Break Boundaries.\u201d<\/p>\n<p>Esther de la Pe\u00f1a Puebla, \u201c\u2018Shattered by her nimble Mind\u2019: Dora Marsden and James Joyce.\u201d<\/p>\n<p><strong>James Joyce<\/strong> (Coord., Margarita Est\u00e9vez-Sa\u00e1)<\/p>\n<p>\u00c1ngela L\u00f3pez Pereira, \u201cJoyce y el Servicio 1.\u201d<\/p>\n<p>Ricardo Navarrete Franco, \u201cJoyce y el Servicio 2.\u201d<\/p>\n<p>Rafael Garc\u00eda Le\u00f3n, \u201c<em>U<\/em>1, 2, 3 en <em>U<\/em>4\u201d<\/p>\n<p>Carmelo Medina Casado , \u201cLas lenguas de <em>Finnegans Wake<\/em>.\u201d<\/p>\n<p><strong>Atlantic Voyages II<\/strong> (Coord., Manuela Palacios Gonz\u00e1lez)<\/p>\n<p>Teresa Caneda Cabrera, \u201cTranslation and Mobility: The Parallel Universe of Trans\/Atlantic Joyce.\u201d<\/p>\n<p>Jos\u00e9 Carregal, \u201cBetween Action and Reflection: Female Mobility in Colm T\u00f3ib\u00edn\u2019s <em>Brooklyn<\/em> and James Joyce\u2019s \u2018Eveline.\u2019\u201d<\/p>\n<p>Noem\u00ed Pereira Ares, \u201cTransculturalism and Cultural Translation in Cauvery Madhavan\u2019s <em>Paddy Indian<\/em>.\u201d<\/p>\n<p><strong>Cultura irlandesa<\/strong> (Coord., Noem\u00ed Pereira Ares)<\/p>\n<p>Montero Ameneiro, Lidia Mar\u00eda\u00a0\u201c\u2018Here comes the famine too\u2019: conciliaci\u00f3n del estudio de la Great Irish Famine desde el punto de vista literario y el cient\u00edfico en la elaboraci\u00f3n de una unidad did\u00e1ctica de ingl\u00e9s m\u00e9dico.\u201d<\/p>\n<p>Jarazo \u00c1lvarez, Rub\u00e9n.\u00a0\u201cIrlanda, ideolog\u00eda y nacionalismo en las columnas period\u00edsticas de Manuel Rivas.\u201d<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/article>\n<\/div>\n<p style=\"text-align: center;\"><strong>XXIV Encuentros\u00a0 James Joyce<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Universidad Aut\u00f3noma de Barcelona, Instituto de Estudios Catalanes. Barcelona, 2013.<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/catalan.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-613\" alt=\"catalan\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/catalan.jpg\" width=\"275\" height=\"183\" \/><\/a><\/p>\n<p style=\"text-align: left;\">Caneda Cabrera, M\u00aa Teresa.\u00a0 \u00abIn Remembrance of the Lost Language: History, Memory and Trauma in &#8216;The Dead`\u00bb<\/p>\n<p style=\"text-align: left;\">Est\u00e9vez Sa\u00e1, Margarita. \u00abJames Joyce and his Female Predecessors\u00bb<\/p>\n<p style=\"text-align: left;\">Garc\u00eda Le\u00f3n, Rafael I. \u00ab`Mullocky&#8217;:\u00a0 Algunas notas sobre Buck Mulligan\/Oliver St. John Gogarty\u00bb<\/p>\n<p style=\"text-align: left;\">Garc\u00eda Tortosa, Francisco.\u00a0 \u00abEcos catalanes en <em>Finnegans Wake<\/em>\u00ab<\/p>\n<p style=\"text-align: left;\">Gir\u00e1ldez, Jos\u00e9 M. \u00ab&#8216;Anna Livia Plurabelle&#8217;: posibilidad e imposibilidad de la traducci\u00f3n\u00bb<\/p>\n<p style=\"text-align: left;\">Iribarren, Teresa. \u00abJosep Pla y James Joyce\u00bb<\/p>\n<p style=\"text-align: left;\">Mallafr\u00e9, Joaquim. \u00abSound and tales in <em>Ulysses<\/em> as reflected in Catalan\u00bb<\/p>\n<p style=\"text-align: left;\">Medina Casado, Carmelo.\u00a0 \u00abDa\u00f1os colaterales en el seguimiento de la prohibici\u00f3n de <em>Ulysses<\/em> en el RE (1922-1936).\u00a0 El caso Frank R. Leavis<\/p>\n<p style=\"text-align: left;\">Navarrete Franco, Ricardo. \u00abDr. Alzheimer meets Earwicker\u00bb<\/p>\n<p style=\"text-align: left;\">Pujol, Didac.\u00a0 \u00abEditing and Translating\u00a0 Joyce&#8217;s <em>Letters<\/em> into Catalan: my personal perspective\u00bb<\/p>\n<p style=\"text-align: left;\">R\u00edo Molina, Benigno del. \u00abEstar enterrado vivo en <em>Ulysses<\/em>\u00ab<\/p>\n<p style=\"text-align: left;\">Toro Santos, Antonio Ra\u00fal. \u00abLos cl\u00e1sicos en el <em>Ulysses <\/em>de James Joyce\u00bb<\/p>\n<p style=\"text-align: center;\"><strong>XXIII Encuentros James\u00a0 Joyce<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Universidad de Sevilla 2012<\/strong><\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/aisle.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-615 alignleft\" alt=\"aisle\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/aisle.jpg\" width=\"180\" height=\"263\" \/><\/a><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/LEstrada.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-616\" alt=\"LEstrada\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/LEstrada.jpg\" width=\"259\" height=\"194\" \/><\/a><\/p>\n<style><!--\nst1\\:*{behavior:url(#ieooui) }\n--><\/style>\n<p>&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"text-indent: 0cm; line-height: normal; text-align: center;\" align=\"left\"><strong><span style=\"font-size: 11pt; font-family: Arial;\">Exposici\u00f3n de Bloomsday en la prensa espa\u00f1ola<\/span><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Alonso Gir\u00e1ldez, Jos\u00e9 Miguel. \u201cJoyce y el ego: egocentrismo, ego\u00edsmo y egotismo en tiempos de \u2018The Egoist\u2019\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Bretones Mart\u00ednez, Carmen.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>\u201cElementos de Joyce en <i>The Awakening<\/i> de Kate Chopin: Influencias y convergencias\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">Caneda, Teresa. \u201c\u2019Because you were so foreign from the others\u2019: Joyce\u2019s Foreign Dubliners\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">Clark, David. \u201cFreeman Wills Crofts and the early police: a procedure novel\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Est\u00e9vez S\u00e1a, Jos\u00e9 Manuel. \u201cJulia O\u2019Faolain\u2019s Portrai<\/span><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">t of Young Irish Women and <i>Women in Godded and Codded<\/i>\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Est\u00e9vez S\u00e1a, Margarita. <\/span><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">\u201cJames Joyce Haunts the Twentty-First Irish Novel\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Garc\u00eda Le\u00f3n, Rafael I. \u201cLa huella del <i>Ulysses<\/i> de <\/span><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">James Joyce en <i>El Mercurio<\/i> de J. M. Guelbenzu\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">Gronow, Michael J. \u201c\u2019A Mother\u2019: Collage in Audio\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Heredia Campos, Guillermina. \u201cPaseo por los anticuarios, tiendas y hogares de la mano de Joyce\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Iribarren i Donadeu, Teresa. \u201cJames Joyce en Catalu\u00f1a a final del siglo XX: alta cultura y cultura popular\u201d <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Jarazo \u00c1lvarez, Rub\u00e9n.\u00a0 \u201c\u2019Your Battles Inspired Me..\u2019 La presencia y obra de James Joyce en algunas de las im\u00e1genes y esculturas m\u00e1s representivas del siglo XX\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">L\u00e1zaro Lafuente. Luis Alberto. \u201c\u2019The Cats of Copenhagen\u2019 de James Joyce: pirater\u00eda o difusi\u00f3n cultural\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">Losada Friend, Mar\u00eda. \u201cThe Trace of Joyce in Edna O\u2019Brian\u2019s <i>Lantern Sides<\/i>\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Medina Casado, Carmelo. \u201cIndagando sobre Joyce\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Molina S\u00e1nchez, Esther. \u201cBeckett y Joyce: Correspondencia in\u00e9dita en <i>The Letters of Samuel Beckett<\/i>\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Navarrete, Ricardo. <\/span><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">\u201cBloomsday en Espa\u00f1a: Una aproximaci\u00f3n a la lectura del <i>Ulysses<\/i> a trav\u00e9s de la prensa de la \u00e9poca\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Pe\u00f1a, Esther de la. \u201cAproximaciones a un estudio comparativo entre <i>La vida perra de Juanita Narboni<\/i> y <i>Ulysses<\/i>\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">Pereira<\/span><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\"> Ares, Noem\u00ed \u201c\u2019Scrupulously and Meanly Dressed\u2019: On the Function of Dress in <i>Dubliners<\/i>\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Porcel Garc\u00eda, Mar\u00eda Isabel. \u201cJames Joyce: de \u2018Made in Paris\u2019 a \u201cRemake en Sevilla\u201d <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Reyes Fern\u00e1ndez, Mar\u00eda y Jos\u00e9 Cuadrado Moreno. \u201cLos cambios de la traducci\u00f3n de <i>Dublineses<\/i> de James Joyce\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">R\u00edo Molina, Benigno del. \u201cParalelismos hom\u00e9ricos antes de <i>Ulysses<\/i>\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Rodr\u00edguez, Carmen. \u201cCanciones populares en <i>Ulysses<\/i>\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Sanz Gallego, Guillermo. \u201cTranslating Ulysses for Franco and Per\u00f3n\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-ansi-language: ES;\">Simmons, Jefferey.<\/span><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">. <\/span><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">\u201cCredible Resonance\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Tejedor Cabrera, Jos\u00e9 M\u00aa. <\/span><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">\u201cThe centenary (2004) biography of James Joyce\u201d <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Toro Santos, Antonio Ra\u00fal de. <\/span><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">\u201cLa interacci\u00f3n de literatura y m\u00fasica en escritores irlandeses del siglo XX\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-family: Arial; mso-ansi-language: ES;\">\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><b><span style=\"font-size: 11.0pt; font-family: Arial; mso-ansi-language: ES;\">Mesa redonda<\/span><\/b><span style=\"font-size: 11.0pt; font-family: Arial; mso-ansi-language: ES;\">. \u201cComprensi\u00f3n y ense\u00f1anza de <i>Ulises<\/i>\u201d. <span style=\"mso-spacerun: yes;\">\u00a0<\/span>Francisco Garc\u00eda Tortosa, Jefferey Simons y Rafael I. Garc\u00eda Le\u00f3n<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><strong><span style=\"font-size: 11pt; font-family: Arial;\">Presentaci\u00f3n de libros<\/span><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><i><span style=\"font-size: 11.0pt; font-family: Arial; mso-ansi-language: ES;\">JoycesSbylia: Miscel\u00e1nea de estudios joycenos<\/span><\/i><span style=\"font-size: 11.0pt; font-family: Arial; mso-ansi-language: ES;\">. <span style=\"mso-spacerun: yes;\">\u00a0<\/span><\/span><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Mar\u00eda Isabel Porcel Garc\u00eda y Benigno del R\u00edo Molina<\/span><\/p>\n<p style=\"text-align: center;\"><strong>XXII Encuentros James Joyce<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Universidad de Salamanca 2011<\/strong><\/p>\n<p><strong>\u00abSalamangra\u00bb<\/strong><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Anayita.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-582 aligncenter\" alt=\"Anayita\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Anayita-300x225.jpg\" width=\"300\" height=\"225\" srcset=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Anayita-300x225.jpg 300w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Anayita.jpg 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><span style=\"font-family: Times New Roman; font-size: medium;\">Alonso Gir\u00e1ldez, Jos\u00e9 Miguel, \u201cPresencias de James Joyce y su obra en la literatura espa\u00f1ola actual\u201d.<\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">Amenedo Costa, M\u00f3nica, \u201cSocial Participation of Irish Military Men: Case Studies in Galicia\u201d.<\/span><\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">D\u00edez, M\u00aa Jos\u00e9 y Antonio L\u00f3pez Santos, \u201cLa incoherente l\u00f3gica del absurdo en <i>Freefall,<\/i> de Michael West\u201d. <\/span><\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">Est\u00e9vez Sa\u00e1, Margarita y Jos\u00e9 Mar\u00eda Tejedor Cabrera, Mar\u00eda Luisa Venegas Lag\u00fc\u00e9ns \u201cJames Joyce y la historia de la literatura irlandesa de autor\u00eda femenina\u201d.<\/span><\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">Est\u00e9vez-Sa\u00e1<strong>,<\/strong><strong> <\/strong>Jos\u00e9 Manuel, \u201cLa herencia de Joyce: \u2018Simony\u2019,\u2019 Gnomon\u2019 y \u2018Paralysis\u2019 en la narrativa breve de Edna O\u2019Brien\u201d.<strong><\/strong><\/span><\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">Garc\u00eda Le\u00f3n, Rafael, \u201c<i>Un Ulises en Sevilla<\/i> y Joyce: comparaciones obvias.\u201d<\/span><\/span><\/p>\n<p><span style=\"font-family: Times New Roman; font-size: medium;\">Garc\u00eda Tortosa, Francisco, \u201c<i>Finnegans Wake<\/i>\u00a0en retrospectiva.\u201d <\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">Louro Teresa, \u201cTrafficking in the Wrong Costume: Cross-Dressing in James Joyce&#8217;s &#8216;Circe&#8217;\u201d. <\/span><\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">Navarrete Franco, Ricardo, \u201cJoyce en carta.\u201d <\/span><\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">Pereira Ares, Noem\u00ed y Margarita Est\u00e9vez Sa\u00e1, \u201c \u2018Simplemente tendremos que vestir al personaje\u2019: La vestimenta en la obra de James Joyce\u201d <\/span><\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">R\u00edo Molina, Benigno del, \u201cRudy en \u2018Circe\u2019: El hijo como construcci\u00f3n art\u00edstica\u201d. <\/span><\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">Rodr\u00edguez, Carmen, \u201cDon Giovanni en <em>Ulises<\/em>\u201d <\/span><\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">Sanz, Guillermo, \u00abWagnerian Leitmotif as Characterisation Technique in <em>Ulysses<\/em>: Leitmotif Parallax (or Polysemous Leitmotif) Vs. Thematic Parallax (or Polymorphic Theme)\u00bb<\/span><\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">Simons, Jefferey,. \u201cStephen Dedalus, Lyric Poet (Continued)\u201d.<\/span><\/span><\/p>\n<p><span style=\"font-family: Times New Roman; font-size: medium;\">Toro, Antonio Ra\u00fal del, \u201cSombras peregrinas a Compostela en la obra de Joyce\u201d.<\/span><\/p>\n<p><span style=\"font-size: medium;\"><span style=\"font-family: Times New Roman;\">Torres, Cristina, \u00abEveline y sus signos\u201d.<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><strong>XXI ENCUENTROS JAMES JOYCE<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Universidad Complutense, Madrid 2010<\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">Alonso Gir\u00e1ldez, Jos\u00e9 Miguel. <\/span><span lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN;\">\u201cJames Joyce, from the Self to the Real World: Mass Observation, <\/span><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">Modernism and \u201cOne-day novels\u201d<span style=\"mso-spacerun: yes;\">\u00a0 <\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">Ballesteros, Antonio \u00abRetratos del artista frustrado: la sombra de James Joyce en la obra de J. M. Coetzee\u00bb. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">Barros,<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Eduardo <\/span><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">\u201cEscrituras de Espacialidades en el Cine Irland\u00e9s Contempor\u00e1neo\u201d <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Caneda, Teresa. \u201cArte, revoluci\u00f3n y frijoles: \u2018Joyce a la Cubana\u2019 \u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">Carrera, Na\u00edr. \u201cJoyce, Irish contemporary poetry and ecocriticism\u00bb<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-indent: 0cm; line-height: normal;\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-ansi-language: EN-GB;\">Clark, David.<i> <\/i>\u201c<i>The Dead<\/i>, <i>The Undead <\/i>and Seamus Joyce: Joyce in Contemporary Irish Crime Fiction\u00bb <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Est\u00e9vez Saa, Jose Manuel \u201cA Dublin Bloom de Dermot Bolger: Lectura humanista de <i>Ulysses<\/i>\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Est\u00e9vez S\u00e1a, Margarita. \u201c\u2018Echo, read ending!\u2019 (<i>FW <\/i>468.20): Inconclusividad en la obra de James Joyce\u201d <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-indent: 0cm; line-height: normal;\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Fern\u00e1ndez Vicente, Olga. \u201cBreaking boundaries: Baroja the modernist ve<\/span><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">rsus Joyce the modern\u201d <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Garc\u00eda Tortosa, Francisco. <span style=\"mso-spacerun: yes;\">\u00a0<\/span>\u00abMolly Bloom, Anna Livia e Isolde, estudio gen\u00e9tico\u00bb. <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">Gualberto, Rebeca \u201cMythic Time and Simultaneity in \u201cNausicaa\u201d\u201c <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; color: black; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN; mso-bidi-font-style: italic;\">Jarazo \u00c1lvarez, Rub\u00e9n. <\/span><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; color: black; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">\u201cShakespeare&#8217;s Hamletian references in James Joyce&#8217;s\u201d <i>Ulysses.<\/i>\u201d<i> <\/i><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-indent: 0cm; line-height: normal;\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">Lozano, Mar\u00eda. \u201cOeil D\u2019\u00e2me: An Unfinished letter to Mr. Joyce that keeps losing his g<\/span><span lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN;\">lasses\u201d\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-indent: 0cm; line-height: normal;\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Medina Casado, Carmelo. \u201cEl espa\u00f1ol en los <i>Finnegans Wake Notebooks<\/i> at Buffalo\u00bb <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Navarrete, Ricardo. \u201cAs\u00ed Andan en Joyce.\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Oliva, Juan Ignacio. \u201cJames Joyce en Sud\u00e1frica: <i>Embrace<\/i>, de Mark Behr, y la tradici\u00f3n europea\u00a0de retratar al artista adolescente\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Paradela Mac\u00eda, Raquel. \u201cLa novella Sonora de Maturin: Melmoth the Wanderer\u201d<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">R\u00edo Molina, Benigno del \u201cLapidum Cupiditas: Primitivismo en Joyce y en las Artes Visuales\u201d <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: EN-GB; mso-fareast-language: ZH-CN;\">S\u00e1nchez-Pardo, Esther. \u201cMaterial Convergences: Joyce and Stein\u201d (Universidad Complutense de Madrid)<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-indent: 0cm; line-height: normal;\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Silva Fern\u00e1ndez, Vanessa. \u201cJoyce&#8217;s Other Portraits\u201d <\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-indent: 0cm; line-height: normal;\"><span lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: Arial; mso-ansi-language: EN-GB;\">Simmons, Jefferey. \u00abStephen Dedalus, Lyric Poet\u00bb <span style=\"mso-spacerun: yes;\">\u00a0<\/span><\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES; mso-fareast-language: ZH-CN;\">Tejedor Cabrera, Jos\u00e9 M\u00aa. \u00abLos n\u00fameros de <em>Chamber Music<\/em>\u00ab<\/span><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left; text-indent: 0cm; line-height: normal;\" align=\"left\"><span lang=\"ES-TRAD\" style=\"font-size: 11.0pt; font-family: Arial; mso-fareast-font-family: SimSun; mso-ansi-language: ES-TRAD; mso-fareast-language: ZH-CN;\">Toro Santos, Antonio Ra\u00fal de. \u00ab&#8216;The Given Note&#8217;, de Seamus Heaney: poes\u00eda y m\u00fasica\u00bb <\/span><\/p>\n<p style=\"text-align: center;\"><strong>XX ENCUENTROS JAMES JOYCE<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Universidad de Deusto 2009<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/deusto.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-580\" alt=\"deusto\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/deusto.jpg\" width=\"300\" height=\"111\" srcset=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/deusto.jpg 300w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/deusto-270x100.jpg 270w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>-Alonso Gir\u00e1ldez, Jos\u00e9 Miguel.\u00a0 \u201c\u2019The Croppy Boy\u2019 in \u2018Sirens\u2019:\u00a0 the Visible and the Invisible in \u2018the lonely Ormond Hall\u2019\u201d<\/p>\n<p>-Araguas, Vicente.\u00a0 \u201cJames Joyce, tan nuevo y tan antiguo\u201d<\/p>\n<p>-Bradley, Bruce. \u201c\u2019Allude to me a Jesuit\u2019: James Joyce and his Educators\u201d<\/p>\n<p>-Carrera Mart\u00ednez, Nair. \u201cAlusiones y juicios a la identidad irlandesa eb la versi\u00f3n f\u00edlmica de <i>Dublineses<\/i>: el conflicto entre la tradici\u00f3n y la modernidad\u201d<\/p>\n<p>-Clark, David. Finnegans wake-up call: \u201cJoyce, Tourism and Travel Narration\u201d<\/p>\n<p>-Est\u00e9vez Sa\u00e1, Jos\u00e9 Manuel. \u201cWomen and Affective Relationships in James Joyce\u2019s and William Trevor\u2019s Work\u201d<\/p>\n<p>-Est\u00e9vez Sa\u00e1, Margarita. \u201cCould We Speak About an Eco-Feminist Joyce?\u201d<\/p>\n<p>-Fogarty, Anne. \u201c\u2019I Will Not Linger on the Past\u2019: History and Memory in \u2018The Dead\u2019\u201d<\/p>\n<p>-Garc\u00eda Le\u00f3n, Rafael I. \u201cBloomsday: \u2018the blue book of Eccles\u2019\u00bb<\/p>\n<p>-Garc\u00eda Tortosa, Francisco.\u00a0 \u201cEl vascuence en I. iv de <i>Finnegans Wake<\/i>\u201d<\/p>\n<p>-Jarazo \u00c1lvarez, Rub\u00e9n.\u00a0 \u201cLa gesti\u00f3n y explotaci\u00f3n del patrimonio literario en Irlanda: James Joyce y su obra como caso de estudio\u201d<\/p>\n<p>-Cort\u00e1zar, Juan.\u00a0 \u201cRelaciones intersist\u00e9micas entre la literatura irlandesa y vasca\u201d<\/p>\n<p>-L\u00e1zaro Lafuente, Alberto &amp; Teresa Iribarren. \u201cShedding Light on th Mistery of the First Catalan <i>Ulysses<\/i>: The Joycean Letters of F. J. Vidal Jov\u00e9\u201d<\/p>\n<p>-MacCarthy, Anne.\u00a0 \u201cA Catholic Literature for Ireland:\u00a0 James Duffy\u00a0 and Duffy\u2019s Irish Catholic Magazine\u201d<\/p>\n<p>-Mallafr\u00e9, Joaquim.\u00a0 \u201c<i>Ulysses<\/i>\/<i>Ulisses<\/i>: Digging for Common Ground\u201d<\/p>\n<p>-Mart\u00ednez Torres, Francisco &amp; Ian Mac Candless. \u201cInterpretacions of Musical Form in \u2018Sirens\u2019\u201d<\/p>\n<p>-Montero Ameneiro, Lidia Mar\u00eda.\u00a0 \u201cLa construcci\u00f3n de una identidad \u2018nacional\u2019 como elemento \u2018natural\u2019 a trav\u00e9s de la m\u00fasica y la tradici\u00f3n en <i>The Wild Irish Girl<\/i> de Lady Morgan\u00bb<\/p>\n<p>-Morales Ladr\u00f3n, Marisol.\u00a0 \u201cJames Joyce\u2019s Early Writings and Ecocritical theory. A New Turn?\u201d<\/p>\n<p>-Morat\u00f3 Agrafojo, Yolanda. \u201cDr. Lewis and Mr. Joyce: \u2018An Analysis of the Mind of James Joyce\u2019 in <i>Time and Western Mind<\/i>\u00a0 by Wyndham Lewis\u201d<\/p>\n<p>-Rabad\u00e9 L\u00f3pez, Paula &amp; Raquel Paradela Mac\u00eda.\u00a0 \u201cInfluencia de la narrativa g\u00f3tica en el relato \u2018The Dead\u2019 de James Joyce\u201d<\/p>\n<p>-R\u00edo Molina, Benigno del.\u00a0 \u201c<i>Ulysse<\/i>s: libro de portentos y monstruos\u201d<\/p>\n<p>-Senn, Fritz. \u201cJoyce\u2019s Narrative Handling of Time\u201d<\/p>\n<p>-Simon, Jefferey. \u201cA Lyric Weakling in the <em>Wake<\/em>\u201d<\/p>\n<p>-Tejedor Cabrera, Jos\u00e9 Mar\u00eda.\u00a0 \u201cJames, pero no Joyce?\u201d<\/p>\n<p align=\"center\"><em>\u00a0<\/em><\/p>\n<p align=\"center\"><b>XIX ENCUENTROS JAMES JOYCE<br \/>\n<\/b><\/p>\n<p align=\"center\"><b>Vigo 2008<\/b><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Vigo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-161 aligncenter\" alt=\"Vigo poster\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Vigo-300x182.jpg\" width=\"300\" height=\"182\" srcset=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Vigo-300x182.jpg 300w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Vigo.jpg 666w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Alonso Gir\u00e1ldez, Jos\u00e9 M. \u201cCuando la obsesi\u00f3n es lenguaje y cuando el lenguaje es la obsesi\u00f3n\u201d<\/p>\n<p>Barros Grela, Eduardo. \u201cConfrontaci\u00f3n de espacialidades a trav\u00e9s de la par\u00e1lisis en \u2018The Sisters\u2019\u201d<\/p>\n<p>Caneda Cabrera, Teresa. \u201cRepresentaciones modernistas de la ciudad: el Dubl\u00edn de Joyce y el Berl\u00edn de Ruttmann\u00bb<\/p>\n<p>Carrera Mart\u00ednez, Na\u00edr. \u201cVisiones desmitificadoras y anteic\u00f3nicas de la mujer en Irlanda: los casos de Eavan Boland, Mary O\u2019Donnell, Paula Meehan y Nuala N\u00ed Dhomhnaill\u201d<\/p>\n<p>Clark, David . \u201cCome on in my Kitchen\u201d: Gender, Food and Space in Joyce\u2019s Ulysses and Judith Kitchen\u2019s The House on Eccles Road\u201d<\/p>\n<p>Del R\u00edo Molina, Benigno. \u201cEl hombre misterioso de la playa: claves hom\u00e9ricas para la ocultaci\u00f3n de la identidad de Bloom en \u2018Nausicaa\u2019\u201d<\/p>\n<p>Dom\u00ednguez Pena, Susana. \u201cFrustraci\u00f3n y p\u00e9rdida de identidad: Eavan Boland y Nuala N\u00ed Dhomhnaill\u201d<\/p>\n<p>Est\u00e9vez Sa\u00e1, J.M. \u201cM\u00e1s que ecos joyceanos en \u2018Two More Gallants\u2019 de William Trevor\u201d<\/p>\n<p>Est\u00e9vez Sa\u00e1, Margarita. \u201c[T]he voce of Shaun, vote of the Irish, voise from afar\u201d<\/p>\n<p>Fern\u00e1ndez Rodr\u00edguez, Carmen M\u00aa. \u201cEdgeworth, Joyce e Irlanda\u201d<\/p>\n<p>Fern\u00e1ndez Vicente, Olga. \u201cCrisis de Fin de Siglo en Joyce y Baroja\u201d<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael I. \u201cNotas sobre Joyce y la ret\u00f3rica en <em>Ulysses<\/em>\u201d<\/p>\n<p>Garc\u00eda Tortosa, Francisco. \u201cVico y Vigo: confluencias y ramificaciones\u201d<\/p>\n<p>G\u00f3mez Seoane, Almudena \u201cGinebra y la diosa irlandesa Madb: herencias de leyenda\u201d<\/p>\n<p>Iglesias, Guillermo. \u201cYoung Dubliners, Restless and Alive: The Commitments according to Alan Parker\u201d<\/p>\n<p>Llantada D\u00edaz, Fanny. \u00ab\u2018Adventure for readers\u2019: Dorothy Richardson lee <em>Finnegans Wake<\/em>\u201d<\/p>\n<p>MacCarthy, Anne. \u00abJoyce and James Clarence Mangan: The Same but Different\u201d<\/p>\n<p>Medina Casado, Carmelo. \u201cUna cata para un estudio gen\u00e9tico del espa\u00f1ol en <em>Finnegans Wake<\/em>\u201d<\/p>\n<p>Montero Ameneiro, Lidia.\u00a0 \u201cAbsurdidad y decadencia en la \u201cBig House Fiction\u201d de Molly Keane\u201d<\/p>\n<p>Morales Ladr\u00f3n, Marisol \u201cEcos de Joyce en La caza salvaje de Jon Juaristi\u201d<\/p>\n<p>Navarrete Franco, Ricardo. \u201cMemoria: el p\u00e1rrafo de Quinet en <em>FW<\/em>\u201d<\/p>\n<p>Paradela Mac\u00eda, Raquel. \u201cCiclos mitol\u00f3gicos en Escocia e Irlanda\u201d<\/p>\n<p>P\u00e9rez Dur\u00e1n, Gabriel. \u201cLa cultural port\u00e1til: Joyce y la m\u00fasica irlandesa bajo el ojo de la paratraducci\u00f3n\u201d<\/p>\n<p>P\u00e9rez Pico, Susana. \u201cRelato modernista frente a relato naturalista: la paradoja de la adaptaci\u00f3n cinematogr\u00e1fica de \u2018The Dead\u2019\u201d<\/p>\n<p>Pi\u00f1eiro Santorun, Amelia \u201cRepresi\u00f3n y sexualidad femenina en \u2018Carmilla\u2019, de J. S. LeFanu\u201d<\/p>\n<p>R\u00e1bade L\u00f3pez, Paula.\u00a0 \u201cLa importancia de la forma y la cuesti\u00f3n socio-pol\u00edtica: punto de encuentro entre S\u00f3focles, Yeats y Heaney\u201d<\/p>\n<p>Rosende, Aida. \u201cResistant Bodies: Subversive Strategies and Feminist Politics in Amanda Coogan\u2019s Visual Practice\u201d<\/p>\n<p>Ruiz Mas, Jos\u00e9. \u201cCarlos E. Zavaleta, un traductor peruano de <em>Pomes Penyeach<\/em>\u201d<\/p>\n<p>Seco Gonz\u00e1lez, Carlos. \u201cJoyce\u2019s \u2018silence, exile and cunning\u2019 Revisited in Joseph O\u2019Connor\u2019s <em>Star of the Sea<\/em>\u201d<\/p>\n<p>Silva Fern\u00e1ndez, Vanessa.\u00a0 \u201cPalabras de doble filo: James Joyce y las poetas irlandesas contempor\u00e1neas\u201d<\/p>\n<p>Simons, Jefferey. \u201cThe Modernist J (continued)\u201d<\/p>\n<p><strong>Review:<\/strong> <em>Papers on Joyce<\/em> 14 (2008)<\/p>\n<p align=\"center\"><b>XVIII ENCUENTROS JAMES JOYCE<\/b><\/p>\n<p align=\"center\"><strong>Universidad de Sevilla 2007<\/strong><\/p>\n<p align=\"center\"><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/giralda.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-576\" alt=\"giralda\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/giralda.jpg\" width=\"100\" height=\"133\" \/><\/a><\/p>\n<p align=\"center\"><b>\u00abNot Rose, Sevilla nor Citronelle\u00bb (<i>FW<\/i> 223.06)<br \/>\n<\/b><b><\/b><b><\/b><\/p>\n<div id=\"attachment_154\" style=\"width: 306px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Sev.gif\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-154\" class=\"size-medium wp-image-154\" alt=\"Sevilla poster 2007\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Sev-296x300.gif\" width=\"296\" height=\"300\" \/><\/a><p id=\"caption-attachment-154\" class=\"wp-caption-text\">Sevilla poster 2007<\/p><\/div>\n<p align=\"center\">\u00a9Jes\u00fas Tejedor<\/p>\n<p align=\"center\"><b><br \/>\nConference of the James Joyce Spanish Society<\/b><\/p>\n<p align=\"center\"><b>Universidad de Sevilla \/ University of Seville (Spain)<\/b><\/p>\n<p align=\"center\"><b>12-14 Abril\/April 2007<\/b><\/p>\n<p align=\"center\"><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/fabricatabacos.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-577\" alt=\"fabricatabacos\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/fabricatabacos.jpeg\" width=\"118\" height=\"77\" \/><\/a><\/p>\n<p align=\"center\"><b>Conferencias<\/b><\/p>\n<p>Est\u00e9vez Sa\u00e1, Margarita. \u00ab\u00bfPor qu\u00e9 leer a Joyce en el siglo XXI?\u00bb<br \/>\nRodr\u00edguez Fern\u00e1ndez, M\u00aa Carmen. \u00abRostros con historias: un viaje al mundo de &#8216;Los Muertos&#8217; Seg\u00fan J. Joyce y J. Huston.\u00bb<br \/>\nG\u00f3mez L\u00f3pez, Jes\u00fas Isa\u00edas. \u00ab<i>Ulysses<\/i> y <i>A Portrait<\/i> seg\u00fan Joseph Strick: cuando la controversia tambi\u00e9n salta al celuloide.\u00bb<br \/>\nLosada Friend, Mar\u00eda. \u00abJames Joyce y la Composite Novel.\u00bb<br \/>\nGarc\u00eda Tortosa, Francisco. \u00abCaminos a Joyce: reminiscencias y deslices.\u00bb<\/p>\n<div align=\"center\">\n<hr align=\"center\" size=\"2\" width=\"100%\" \/>\n<\/div>\n<p>Alonso Gir\u00e1ldez, Jos\u00e9 Miguel. \u00ab&#8216;The s\u00fag\u00e1n rope \/ The sugawn road&#8217;: una cuerda y un camino para unir la memoria de Seamus Heaney y Bernard O\u2019Donoghue.\u00bb<br \/>\nCarrera Mart\u00ednez, Na\u00edr. \u00abVisiones de la Irlanda real en la poes\u00eda de Mary O\u2019Donnell.\u00bb<br \/>\nClark, David. \u00abNot just Doyle: Joyce and his Legacy in Recent Irish Fiction.\u00bb<br \/>\nEst\u00e9vez Sa\u00e1, Margarita (USC): \u00abLefanu (Sheridan&#8217;s) old \u00abHouse by the Coachyard\u00bb and Joyce&#8217;s <i>Finnegans Wake<\/i>.\u00bb<br \/>\nFern\u00e1ndez S\u00e1nchez, Jos\u00e9 Francisco. \u00ab\u00bfActo de rebeld\u00eda o prueba de admiraci\u00f3n? Beckett parodiando a Joyce.\u00bb<br \/>\nGarc\u00eda Le\u00f3n, Rafael I. \u00abLa verdadera historia de James Joyce (segunda parte).\u00bb<br \/>\nGronow, Michael, \u00abThe U.S.A. and Joyce\u2019s Awareness of the Potential of Narrative: The Example of\u00a0 &#8216;Sirens&#8217;.'\u00bb<br \/>\nJarazo \u00c1lvarez, Rub\u00e9n. \u00abSangre, sudor y l\u00e1grimas: edici\u00f3n, repercusi\u00f3n y recepci\u00f3n de la obra de Lord Dunsany en Irlanda y Espa\u00f1a.\u00bb<br \/>\nLe\u00f3n T\u00e1vora, Ana.\u00bbJoyce el ario: la esv\u00e1stica en <i>Finnegans Wake<\/i>.\u00bb<br \/>\nLosada Friend, Mar\u00eda \u00abDesmantelando el cuerpo femenino: La emoci\u00f3n objetiva de <i>Mary Hooligan<\/i> de Edna O\u2019Brien y Molly Bloom de James Joyce.\u00bb<br \/>\nMaccandless Carrey, Robert Ian y Francisco Mart\u00ednez Torres. \u00abSimbolog\u00eda mas\u00f3nica en Bloom a trav\u00e9s de Mozart.\u00bb<br \/>\nMedina Casado, Carmelo. \u00ab<i>FW<\/i> bajo el peso de la ley.\u00bb<br \/>\nNavarrete Franco, Ricardo. \u00abLos puntos de Joyce.\u00bb<br \/>\nOlivares Sanz, Ram\u00f3n. \u00abLa <i>Gaelic Athletic Association<\/i>: del &#8216;renacimiento irland\u00e9s&#8217; al &#8216;tigre c\u00e9ltico'\u00bb<br \/>\nOviedo Moral, F\u00e9lix: \u00abPreparando el lienzo: el germen pict\u00f3rico de <i>Ulysse<\/i>s.\u00bb<br \/>\nParadela Mac\u00eda, Raquel. \u00abFeis Ceoil o el renacer de la m\u00fasica irlandesa.\u00bb<br \/>\nPazos V\u00e1zquez, Paula Mar\u00eda. \u00abChernobyl vs Innisfree: la Irlanda de ayer y hoy en <i>This is My Father<\/i>.\u00bb<br \/>\nPorcel Garc\u00eda, M\u00aa Isabel. \u00ab&#8216;Elletrouvetout&#8217; en el &#8216;Pairanymphs&#8217;: el espa\u00f1ol afrancesado de <i>Finnegans Wake<\/i>.\u00bb<br \/>\nPozo Monta\u00f1o, M\u00aa \u00c1ngeles. \u00abTr\u00edpticos sobre el escenario: un recorrido por la producci\u00f3n dram\u00e1tica de Edna O\u2019Brien.\u00bb<br \/>\nR\u00e1bade L\u00f3pez, Paula. \u00abPresencia de la m\u00fasica tradicional irlandesa en la obra de Seamus Heaney.\u00bb<br \/>\nReyes Fern\u00e1ndez, Mar\u00eda. \u00abTraducciones al espa\u00f1ol de &#8216;The Boarding House.'\u00bb<br \/>\nR\u00edo Molina, Benigno del. \u00abRepresentar lo no visto: desde antiguos atlas anat\u00f3micos hasta <i>Ulysses<\/i>.\u00bb<br \/>\nSalorio D\u00edaz, Marta. \u00abLectura triling\u00fce de una selecci\u00f3n de Fragmentos de Ulises, 1926 de Ram\u00f3n Otero Pedrayo\u00bb<br \/>\nSanz Gallego, Guillermo. \u00ab<i>Ulysses<\/i> as a Musical Composition: Structure, Key, and Cadence.\u00bb<br \/>\nSimons, Jefferey. \u00abThe Modernist J.\u00bb<br \/>\nToro Santos, Antonio Ra\u00fal de. \u00abStephen Dedalus regresa a Compostela: De Bloomsday a Bl\u00famsdei, pasando por <i>Tic-Tac<\/i> de Suso de Toro.\u00bb<br \/>\nZurbano Garc\u00eda, Daniel. \u00abThe Reader\u2019s Response to &#8216;A Mother&#8217;.'\u00bb<\/p>\n<p align=\"center\"><b>Proyecciones<\/b><\/p>\n<p><i>Molly\u2019s Gibraltar<\/i> de M\u00aa Isabel Porcel Garc\u00eda y Jos\u00e9 M\u00aa Tejedor Cabrera.<br \/>\n<i>Nora <\/i>de Pat Murphy.<br \/>\n<i>The Dead<\/i> de John Houston.<br \/>\n<i>Bloom<\/i> de Sean Walsh.<\/p>\n<p align=\"center\"><b>Espect\u00e1culo musical<\/b><\/p>\n<p>Las Siete y Cuarto: \u00abSongs from Joyce&#8217;s <i>Chamber Music<\/i> y <i>Ulysses<\/i>.\u00bb<\/p>\n<p align=\"center\"><b>XVII ENCUENTROS JAMES JOYCE <\/b><\/p>\n<p align=\"center\"><b>Uniersidad de Las Palmas 2006<\/b><\/p>\n<p align=\"center\"><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/diapo_4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-169\" alt=\"diapo_4\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/diapo_4-300x207.jpg\" width=\"300\" height=\"207\" srcset=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/diapo_4-300x207.jpg 300w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/diapo_4.jpg 650w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<b>\u00a0\u00abfrom those palms of perfection\u00bb (<i>FW<\/i> 227.13)<\/b><\/p>\n<p align=\"center\">Acto de Apertura Oficial de los XVII Encuentros James Joyce a cargo del Excmo. Sr Rector Magfco. de la Universidad de Las Palmas de Gran Canaria, Ilmo. Sr. Presidente de la Asociaci\u00f3n James Joyce en Espa\u00f1a, Excmo. Sr. Consejero de Cultura y Patrimonio Hist\u00f3rico del Excmo. Cabildo de Gran Canaria y Sr. C\u00f3nsul Honorario de Irlanda en Gran Canaria.<\/p>\n<p align=\"center\"><b>Ponencias<\/b><\/p>\n<p>M\u00aa del Carmen Mart\u00edn Santana, \u201cTaller de Literatura y Traducci\u00f3n\u201d.<\/p>\n<p>Ricardo Navarrete Franco y M\u00aa del Carmen Mart\u00edn Santana, \u201cSi Dubl\u00edn fuera Las Palmas\u201d.<\/p>\n<p>Antonio Ra\u00fal del Toro Santos, \u201cEl Irish Literary Revival en la literatura del s.XX espa\u00f1ola\u201d.<\/p>\n<p>Francisco Garc\u00eda Tortosa, \u201cLa hija del jud\u00edo y los jud\u00edos en <em>Ulysses<\/em> \u201d.<\/p>\n<div align=\"center\">\n<hr align=\"center\" size=\"2\" width=\"100%\" \/>\n<\/div>\n<p align=\"center\"><b>Comunicaciones<\/b><\/p>\n<p>Alonso Giraldez, Jos\u00e9 Miguel.\u00a0 \u201cEl lenguaje del deseo y de la frustraci\u00f3n en el <i>Ulysses<\/i> de Joyce\u201d.<\/p>\n<p>Clark, David. \u201c\u2018Seedcake warm and chewed\u2019: Anticipation, Mastication and Defecation in <i>Ulysses<\/i>\u201d.<\/p>\n<p>Dom\u00ednguez Pena, Susana.\u00a0 \u201cPatr\u00f3n de comportamiento de la figura del sacerdote en la narrativa breve de Sean O\u2019Faolain\u201d.<\/p>\n<p>Est\u00e9vez Sa\u00e1, Jos\u00e9 Manuel. \u201cLa lecci\u00f3n de Dermot Bolger: releer <i>Ulises<\/i> a los 90\u201d.<\/p>\n<p>Est\u00e9vez Sa\u00e1, Margarita. \u201cEl fantasma de Lucia en\/y la obra de James Joyce\u201d.<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael. \u201cIm\u00e1genes taurinas en <i>Ulysses <\/i>y la verdadera historia de James Joyce\u201d.<\/p>\n<p>Gonz\u00e1lez Cruz, M\u00aa Isabel. \u201cAlgunos aspectos socioling\u00fc\u00edsticos en los relatos de <i>Dubliners<\/i>\u201d.<\/p>\n<p>Gonz\u00e1lez Morales, Bel\u00e9n. \u201c<i>Dubliners<\/i> y el territorio tramado: apolog\u00eda de la textura urbana\u201d.<\/p>\n<p>Hart Robertson, Margaret. \u201cIs there an Interpretative Community for the Work of James Joyce?\u201d.<\/p>\n<p>Henr\u00edquez Jim\u00e9nez, Santiago J.\u00a0 \u201cVitalidad de la literatura irlandesa posterior al cuadrinomio Oscar Wilde, William Butler Yeats, James Joyce y Samuel Beckett\u201d.<\/p>\n<p>Hern\u00e1ndez Guerra, Concepci\u00f3n. \u201cDiseccionando \u2018The Dead\u2019: an\u00e1lisis desde el punto de vista discursivo de la<\/p>\n<p>Jarazo \u00c1lvarez, Rub\u00e9n. \u201cUn viaje a Irlanda en la literatura gallega\u201d.<\/p>\n<p>L\u00e1zaro Lafuente, Luis Alberto.\u00a0 \u201cEl misterio del <i>Ulysses<\/i> catal\u00e1n\u201d.<\/p>\n<p>MacCarthy, Anne. \u201cJoyce, Mangan and the Man in the Mackintosh\u201d.<\/p>\n<p>Mart\u00ednez Sariego, M\u00f3nica Mar\u00eda. \u201cHuellas del cap\u00edtulo 13 del <i>Ulysses<\/i> en una novela de Esther Tusquets\u201d.<\/p>\n<p>Meco Medina, Joaqu\u00edn. \u201cEl amor de Giacomo\u201d.<\/p>\n<p>Montero Ameneiro, Lidia M\u00aa .\u00a0 \u201cA bird on its wings over water: Two Days in Aragon de Molly Keane\u201d.<\/p>\n<p>Monterrey, Tom\u00e1s. \u201cLas armon\u00edas pict\u00f3ricas de \u2018The Dead\u2019\u201d.<\/p>\n<p>Mulligan, Maureen. \u201cIrish Music and the musical background to Joyce\u201d.<\/p>\n<p>Oliva Cruz Ignacio. \u201cJoycean Echoes and Intertextualities in Indo-English Confessional Writings\u201d.<\/p>\n<p>Petisco Mart\u00ednez, Sonia. \u201cMon\u00f3logo de Molly Bloom: disoluci\u00f3n del alma\u201d.<\/p>\n<p>Porcel Garc\u00eda, Mar\u00eda Isabel. \u201cJames Joyce y Val\u00e9ry Larbaud: la historia de una amistad\u201d.<\/p>\n<p>R\u00edo Molina Benigno del.\u00a0 \u201cReading &#8216;Nestor&#8217; Through Ezra Pound&#8217;s &#8216;Usura Canto&#8217;\u201d.<\/p>\n<p>Rodr\u00edguez Herrera, Jos\u00e9 Manuel.\u00a0 \u201cEl modernismo de Joyce\u201d.<\/p>\n<p>Simons, Jefferey. \u201cThe literate Gusts of Aeolus\u201d.<\/p>\n<p>Tejedor, Jos\u00e9 M\u00aa. \u201cDel quincunce y otras distribuciones en \u2018Grace\u2019\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\" align=\"center\"><b><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">XVI ENCUENTROS JAMES JOYCE <\/span><\/b><\/p>\n<p style=\"text-align: center;\" align=\"center\"><b><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Universidad de Santiago 2005<\/span><\/b><\/p>\n<div id=\"attachment_152\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Santiapost.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-152\" class=\"size-medium wp-image-152\" alt=\"Santiago poster 2005\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Santiapost-300x224.jpg\" width=\"300\" height=\"224\" srcset=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Santiapost-300x224.jpg 300w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Santiapost.jpg 959w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-152\" class=\"wp-caption-text\">Santiago poster 2005<\/p><\/div>\n<p style=\"text-align: center;\" align=\"center\"><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\"><br \/>\n<\/span><b><span lang=\"EN-GB\" style=\"font-family: Arial; color: #70b08f; mso-ansi-language: EN-GB;\">\u00a0\u00abCompost liffe in Dufblin\u00bb (<i>FW<\/i> 447.23)<\/span><\/b><\/p>\n<p style=\"text-align: center;\" align=\"center\"><b><span style=\"font-family: Arial; color: black;\">Seminario Introductorio I<\/span><\/b><span style=\"font-family: Arial; color: black;\">:<br \/>\n-Dra. Susana Dom\u00ednguez Pena (U. Santiago de Compostela), \u201cIntroducci\u00f3n a la Literatura Irlandesa del S. XX\u201d <\/span><\/p>\n<p style=\"text-align: center;\" align=\"center\"><b><span style=\"font-family: Arial; color: black;\">Seminario Introductorio I<\/span><\/b><span style=\"font-family: Arial; color: black;\">I:<br \/>\n-Dra. Margarita Est\u00e9vez Sa\u00e1 (U. Santiago de Compostela), \u201cEl impacto de la figura y la obra de James Joyce en la literatura y cultura irlandesas\u201d <\/span><\/p>\n<p style=\"text-align: center;\" align=\"center\"><b><span style=\"font-family: Arial; color: black;\">Proyecci\u00f3n de la pel\u00edcula <i>Ulysses<\/i><\/span><\/b><span style=\"font-family: Arial; color: black;\"><br \/>\n(Dir. Joseph Strick, 1967) <\/span><\/p>\n<p style=\"text-align: center;\" align=\"center\"><b><span style=\"font-family: Arial; color: black;\">Conferencia Plenaria I:<\/span><\/b><span style=\"font-family: Arial; color: black;\"><br \/>\n-Dr. Francisco Garc\u00eda Tortosa (U. Sevilla), \u00ab<i>Ulises<\/i>: novela de diversi\u00f3n y estudio\u201d <\/span><\/p>\n<p style=\"text-align: center;\" align=\"center\"><b><span style=\"font-family: Arial; color: black;\">Conferencia Plenaria II:<\/span><\/b><span style=\"font-family: Arial; color: black;\"><br \/>\n-Dr. Antonio Ra\u00fal de Toro Santos (U. A Coru\u00f1a), \u201cEl viaje de Pl\u00e1cido R. Castro a las islas Blasket en <\/span><span style=\"font-family: Arial; color: black;\">1920\u201d<\/span><\/p>\n<p style=\"text-align: center;\" align=\"center\"><b><span style=\"font-family: Arial; color: black;\">Sesi\u00f3n Musical<\/span><\/b><span style=\"font-family: Arial; color: black;\">:<br \/>\nXavier G\u00f3mez, \u201cConcierto de arpa c\u00e9ltica\u201d<\/span><\/p>\n<hr align=\"center\" size=\"2\" width=\"100%\" \/>\n<p>&nbsp;<\/p>\n<p class=\"MsoNormal\">\u00a0<span style=\"font-family: Arial; color: black;\">Alonso Gir\u00e1ldez, Jos\u00e9 Miguel, \u201cCervantes, Borges y Joyce: tres en compa\u00f1\u00eda\u201d <\/span><\/p>\n<p>\u00a0<span style=\"font-family: Arial; color: black;\">Barbeito Varela, Jos\u00e9 Manuel, \u201cSistema esot\u00e9rico y estructura po\u00e9tica en Yeats\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Caneda, Teresa , \u201cThe Reconfiguration of Joyce across Cultures: Two Different Portraits of <i>A Portrait<\/i>\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Cissell, Matthew, \u201cThe Ludic Element in Joycean Texts\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Clark, David y M\u00aa Vidal Rodr\u00edguez-Sabio, \u201cJoyce como material did\u00e1ctico. El ejemplo de \u2018Clay\u2019\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Est\u00e9vez-Sa\u00e1, Jos\u00e9 Manuel (U. Sevilla), \u201c\u2018Peque\u00f1as nubes\u2019 en la obra de James Joyce y de Joseph O\u2019Connor\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Fern\u00e1ndez Rdguez, Carmen M\u00aa. , \u201c\u2018Like an Angry Stone Image\u2019: acci\u00f3n y par\u00e1lisis femenina en <i>Dubliners<\/i>\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Garc\u00eda Le\u00f3n, Rafael I. , \u201cJoyce el pesado\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Garc\u00eda Seijas, Nazareth , \u201cLa visi\u00f3n epif\u00e1nica como tropo fantasmag\u00f3rico en la poes\u00eda de W. B. Yeats\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">G\u00f3mez, M\u00aa Dolores y Amelia Fraga, \u201cOn Classical References in Contemporary Irish Drama: A Brief Analysis\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Jarazo, Rub\u00e9n, \u201cLa recepci\u00f3n de la figura de James Joyce en la obra de \u00c1lvaro Cunqueiro\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Lasa, Bego\u00f1a, \u201c<i>The Children of the Abbey<\/i> (1796): A Nineteenth-Century Best-Seller\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Lorenzo Modia, M\u00aa Jes\u00fas, \u201cMedbh McGuckian and the History of <\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Ireland<\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">MacCandless, Ian y Francisco Mart\u00ednez Torres, \u201cLa melod\u00eda infinita y \u2018stream of consciousness\u2019: posibles influencias de Richard Wagner en James Joyce\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Marina Filgueira, \u201c<i>The Life and Adventures of the Lady Lucy<\/i> by Penelope Aubin: An Eighteenth-Century Novel Set in <\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Ireland<\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Medina\u00a0 Casado, Carmelo ,\u201cLos demonios de la perversi\u00f3n, depravaci\u00f3n y obscenidad: La censura legal contra Joyce\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Montero, Lidia M\u00aa, \u201cLa imagen de la \u2018Big House\u2019 en la literatura irlandesa contempor\u00e1nea\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Morales Ladr\u00f3n, Marisol, \u201cDel centro literario a los m\u00e1rgenes: <i>The Dalkey Archive<\/i> de Flann O\u2019Brien y la ficci\u00f3n metajoyceana\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Morat\u00f3, Yolanda, \u201cCuando tu enemigo es \u2018el enemigo\u2019\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Navarrete Franco, Ricardo, \u201cHermano Joyce\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Palacios Gonz\u00e1lez, Manuela , \u201cContemporary Women\u2019s Poetry in Galicia and in Ireland\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">P\u00e9rez Sim\u00f3n, Andr\u00e9s, \u201cEl mon\u00f3logo de Molly Bloom: la transferencia semi\u00f3tica desde la narrativa al teatro\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Porcel, Maribel, \u201c<i>Chez<\/i> Joyce: su biblioteca en franc\u00e9s\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Pozo Monta\u00f1o M\u00aa \u00c1ngeles, \u201cEdna O\u2019Brien o el retrato period\u00edstico de la artista escarlata\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">R\u00edo\u00a0 Molina, Benigno del, \u201cEl caballero Bloom y las danzas de la muerte\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Salorio, Marta, \u201cHistorias de Joyce y La rosa de piedra\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Sanjurjo<\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">, <\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Victoria<\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">, \u201cWas Heathcliff Irish?\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Simons Jefferey, \u201cOrality, Literacy and Joyce\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Sixto Rey, Teresa, \u201cGothic Paralysis in James Joyce\u2019s <i>Dubliners<\/i>: An Analysis of Three Stories\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Tejedor Cabrera, Jos\u00e9 M\u00aa , \u201cAlgunas ventanas en Joyce\u201d <\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">\u00a0<b>XV Encuentros James Joyce<\/b><\/p>\n<p align=\"center\"><b>\u00a0Almer\u00eda\u00a0 2004<\/b><\/p>\n<div id=\"attachment_115\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Alpos.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-115\" class=\"size-medium wp-image-115\" alt=\"Almer\u00eda poster\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Alpos-300x201.jpg\" width=\"300\" height=\"201\" srcset=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Alpos-300x201.jpg 300w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Alpos-1024x689.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-115\" class=\"wp-caption-text\">Almer\u00eda poster<\/p><\/div>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Clark, David M.\u00a0 \u201cThe Poetics of\u00a0 Paralysis: Eoin McNamee\u2019s The Blue Tango\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Costela P\u00e9rez, Susana. \u201cOscar Wilde y el culto a la belleza: The Picture of Dorian Gray\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Dom\u00ednguez Pena, Susana. \u201cAn\u00e1lisis literario del personaje de Gar O\u00b4Donnell en <em>Philadelphia, Here I Come!<\/em> de Brian Friel\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Est\u00e9vez Sa\u00e1, Margarita. \u201cThe Spectre of Joyce\u2019s \u2018Inartistic\u2019 Portraits of the Artist\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Garc\u00eda Le\u00f3n, Rafael I. \u201cJoyce el alcoh\u00f3lico\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Garc\u00eda Ram\u00edrez, Paula. \u201cDid Stephen Dedalus Reincarnate in Buddha\u2019s Son?\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Garc\u00eda Seijas, Nazareth. \u201cBeing Caught Between the Pull: W. B. Yeats, el poeta en conflicto con el hombre. Una cuesti\u00f3n de g\u00e9nero\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Garc\u00eda Tortosa, Francisco. \u201cNotas sobre Joyce y Marxismo\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">L\u00e1zaro Lafuente, Luis Alberto. \u201cLa poes\u00eda de James Joyce y el Santo Oficio espa\u00f1ol\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">L\u00f3pez C\u00f3rdoba, M\u00aa Jos\u00e9 . \u201cEl ingenio period\u00edstico de Brian O\u2019Nolan\/Myles na Gopaleen\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">MacCarthy, Anne. \u201cLady Morgan and William Carleton: Two Writers of National Tales\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Mosquera Gende, Ingrid. \u201cEstudio traductol\u00f3gico diacr\u00f3nico-comparativo de la obra de Yeats: <i>Cathleen Ni Houlilhan<\/i>. Gallego y castellano\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Navarrete Franco, Ricardo. \u201cEnvejecer con Joyce\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Oliva Cruz, Juan Ignacio. <\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">\u201cRewriting \u2018Portraits\u2019: the Joycean K\u00fcnstleroman in Indo-English Epyphanic Postcolonialism\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Oviedo Moral, F\u00e9lix. \u201cJoyce meets Budgen: G\u00e9nesis pict\u00f3rica y poder de evocaci\u00f3n\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Pascual Soler, Nieves. \u201cEavan Boland\u2019s Famine\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Porcel Garc\u00eda, Maribel. \u201cSobre Ninfas\/Nymphs\/Nymphets\/Lolitas en <i>Ulysses<\/i> de James\u00a0 Joyce\u201d <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Praga Terente, In\u00e9s. \u201c\u2018Those five brave Glenties women\u2019: Ecos lorquianos en <i>Dancing at Lughnasa<\/i>\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Quintana \u00c1lvarez, Francisco Javier. \u201cToreros anacr\u00f3nicos en <i>Ulysses<\/i>\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Redondo Olmedilla, Jos\u00e9 Carlos. \u201cLa moderna edad media en James Joyce: de los bestiarios medievales al campo unificado en <i>Ulises<\/i>\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">R\u00edo, Benigno del. \u201c<i>Ulysses<\/i>, Las Meninas, y el misterio de las obras maestras\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Sainero S\u00e1nchez, Ram\u00f3n. \u201c<i>Sir Gawayn and the Green Knight<\/i> en los manuscritos irlandeses: su origen indo-europeo\u201d <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Soto V\u00e1zquez, Luis. \u201cIrlanda desde <i>Castle Rackrent<\/i>\u201d <\/span><\/p>\n<p style=\"margin-bottom: 12.0pt;\"><span style=\"font-family: Arial; color: black;\">V\u00e1zquez Marruecos, Jos\u00e9 Luis e Inmaculada del \u00c1rbol Fern\u00e1ndez. \u201cEl mundo cl\u00e1sico en la poes\u00eda irlandesa contempor\u00e1nea\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\" align=\"center\"><b><span style=\"font-family: Arial; color: black;\">Presentaciones<\/span><\/b><span style=\"font-family: Arial; color: black;\"><br \/>\n-Exposici\u00f3n que se celebrar\u00e1 en el C\u00edrculo de Bellas Artes de<br \/>\nMadrid: \u201cJoyce y Espa\u00f1a\u201d, Carlos Garc\u00eda Santa Cecilia<br \/>\n&#8211;<i><a>Silverpowdered Olivetrees<\/a><\/i>, Jos\u00e9 Mar\u00eda Tejedor Cabrera <\/span><\/p>\n<p style=\"text-align: center;\" align=\"center\"><b><span style=\"font-family: Arial; color: black;\">\u00a0Concierto<\/span><\/b><span style=\"font-family: Arial; color: black;\"><br \/>\n\u00abEl <i>Ulises<\/i> de James Joyce y la \u00f3pera\u00bb<\/span><\/p>\n<p align=\"center\"><b>XIV Encuentros James Joyce<\/b><\/p>\n<p align=\"center\"><b>\u00a0La Coru\u00f1a 2003<\/b><\/p>\n<p>Alonso Gir\u00e1ldez, Jos\u00e9 Miguel. \u201cPresencias de Seamus Heaney en la poes\u00eda de Bernard O\u2019Donoghue\u201c<\/p>\n<p>Caneda Cabrera, M\u00ba Teresa. \u201c<i>A Portrait of the Artist as a Young Man<\/i>: de la pesadilla de la historia al compromiso con la realidad\u201d<\/p>\n<p>Clark, David. \u201cBloom and Mr Mack: Jamie O\u2019Neil plays with\/at Joyce\u201d<\/p>\n<p>Costela P\u00e9rez, Susana. \u201cSperanza of <i>The Nation<\/i>: \u2018Jacta Alea Est\u2019\u201d<\/p>\n<p>Dom\u00ednguez, Susana. \u201cSimbolog\u00eda tem\u00e1tica en \u2018Tear\u2019 de Thomas Kinsella y \u2018The Woman in the House\u2019 de Richard Murphy\u201d<\/p>\n<p>Est\u00e9vez Sa\u00e1, Jos\u00e9 Manuel \u201c<i>Star of the Sea<\/i> de Joseph O\u2019Connor: \u00bfun nuevo hito en la literatura irlandesa?\u201d<\/p>\n<p>Est\u00e9vez Sa\u00e1, Margarita. \u201cAmor matris [\u2026] the only true thing in life\u201d<\/p>\n<p>Fern\u00e1ndez, Carmen Mar\u00eda. \u201cLas figuras femeninas en la literatura angloirlandesa: <i>Castle Rackrent<\/i> de Maria Edgeworth\u00bb<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael I. \u201cTodo Joyce es un escenario o el gran teatro de Joyce\u201d<\/p>\n<p>Garc\u00eda Tortosa, Francisco. \u201cOr\u00edgenes del espa\u00f1ol en\u00a0 <i>Ulysses<\/i>\u201d<\/p>\n<p>Jaime de Pablos, M\u00aa Elena. \u201cCelibato Femenino en <i>A Drama in Muslin<\/i>: existencia en la \u201cNada\u201d<\/p>\n<p>L\u00e1zaro Lafuente, Luis Alberto y Antonio Ra\u00fal de Toro Santos. \u201cPresentaci\u00f3n del libro <i>Joyce in Spain: A Critical Bibliography<\/i>\u201d<\/p>\n<p>Lorenzo Modia, M\u00aa Jes\u00fas. \u201cMary Davys versus Jonathan Swift: A Literary Relationship?\u201d<\/p>\n<p>Mac Candless, Ian. \u201cBeckett on Painting\/ Beckett Painting\u201d<\/p>\n<p>MacCarthy, Anne. \u201cA Biography of an Irish Translator\u201d<\/p>\n<p>Medina Casado, Carmelo. \u201cJames Joyce v. Henry Carr (\u00bfPrivate\u2019): Juicio civil y criminal en la jurisdicci\u00f3n cantonal de Z\u00fcrich\u201d<\/p>\n<p>Montero Ameneiro, Lidia M\u00aa .\u201cThe Journey in Contemporary Irish Poetry\u201d<\/p>\n<p>Mosquera Gende, Ingrid. \u201cAn Analysis and Translation into Spanish of Joyce\u2019s Poem\u00a0 \u2018Lean Out the Window\u2019\u201d<\/p>\n<p>Oviedo Moral, F\u00e9lix \u201cEl <i>Ulises<\/i> Pintado\u201d<\/p>\n<p>Parcero Souto, Eva. \u201cTeaching James Joyce\u2019s <i>Dubliners<\/i>: A Learning Experience\u201d<\/p>\n<p>P\u00e9rez Sim\u00f3n, Andr\u00e9s .\u201c<i>Dubliners<\/i> y <i>Winesburg, Ohio<\/i> (Sherwood Anderson): estampas de muerte y par\u00e1lisis\u201d<\/p>\n<p>Porcel Garc\u00eda, Maribel y Jos\u00e9 M\u00aa Tejedor Cabrera. \u201cMolly&#8217;s Gibraltar \/ El Gibraltar de Molly\u201c<\/p>\n<p>R\u00e1ez Padilla, Juan. \u201cOn \u2018tundish\u2019, \u2018thole\u2019 and other epiphanies: Joyce\u2019s and Heiney\u2019s Irish assertion through linguistic repossession\u201d<\/p>\n<p>Sainero, Ram\u00f3n \u201cSimilitudes y diferencias entre el primitivo Ciclo Osi\u00e1nico irland\u00e9s y el Ciclo Osi\u00e1nico de James MacPherson\u201d<\/p>\n<p>Salorio, Marta et al. \u201cLectura de fragmentos de <i>Exiles<\/i>\u201d<\/p>\n<p>Simons, Jefferey. \u201cJoyce&#8217;s Solitary, Capital &#8216;O&#8217;\u201d<\/p>\n<p>Toro Santos, Antonio Ra\u00fal de. \u201cEl Yes final de <i>Ulysses<\/i> y las <i>Rubbaiy\u00e1y<\/i> de Omar Khayy\u00e1m\u201d<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><b>XIII Encuentros James Joyce<\/b><\/p>\n<p align=\"center\"><b>\u00a0Huelva\u00a0 2002<\/b><\/p>\n<div id=\"attachment_129\" style=\"width: 221px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Huelposter.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-129\" class=\"size-medium wp-image-129\" alt=\"Huelva poster\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Huelposter-211x300.jpg\" width=\"211\" height=\"300\" srcset=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Huelposter-211x300.jpg 211w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Huelposter-721x1024.jpg 721w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Huelposter.jpg 875w\" sizes=\"auto, (max-width: 211px) 100vw, 211px\" \/><\/a><p id=\"caption-attachment-129\" class=\"wp-caption-text\">Huelva poster<\/p><\/div>\n<p align=\"center\">\u00a0 <b>Conferencias Plenarias:<\/b><\/p>\n<p align=\"center\">\u00abEl lirismo de Joyce\u00bb,<br \/>\nDr. Jefferey Simons, Universidad de Huelva<\/p>\n<p align=\"center\">\u00abEl salto al exilio: De <i>Dubliners<\/i> a <i>A Portrait<\/i>\u00ab,<br \/>\nDr. Jos\u00e9 Mar\u00eda Tejedor, Universidad de Sevilla<\/p>\n<p align=\"center\">\u00abUna aproximaci\u00f3n a <i>Finnegans Wake<\/i>\u00ab,<br \/>\nDr. Ricardo Navarrete, Universidad de Sevilla<\/p>\n<p align=\"center\">\u00a0\u00abJoyce en espa\u00f1ol\u00bb,<br \/>\nDr. Francisco Garc\u00eda Tortosa, Universidad de Sevilla<\/p>\n<p align=\"center\">\u00abPoes\u00eda y m\u00fasica en <i>Chamber Music<\/i>\u00ab,<br \/>\nDr. Carmelo Medina Casado (Universidad de Ja\u00e9n), y los guitarristas Jos\u00e9 Gregorio Trujillo Paredes y Manuel Jimena Vaquero<\/p>\n<p>Lectura biling\u00fce en voz alta de la obra joyceana: Miembros de la <i>Asociaci\u00f3n Espa\u00f1ola James Joyce<\/i> leyeron fragmentos en espa\u00f1ol e ingl\u00e9s de <i>Pomes Pennyeach<\/i>, <i>Chamber Music<\/i>, <i>Dubliners<\/i>, <i>A Portrait of the Artist as a Young Man<\/i>, <i>Ulysses<\/i> y <i>Finnegans Wake<\/i><\/p>\n<div align=\"center\">\n<hr align=\"center\" size=\"2\" width=\"100%\" \/>\n<\/div>\n<p>\u00c1vila Elviro, Sonia: \u00ab&#8216;Who Is He When He Is at Home?&#8217; and &#8216;Matchaman&#8217;s Masterstroke of Revenge'\u00bb<\/p>\n<p>Bravo Morales, Luis: \u00ab&#8216;You might remove that handsome article&#8217;: Lightfe, deathrkness y velas en <i>Dubliners<\/i>\u00bb<\/p>\n<p>Cabello Pino, Manuel: \u00abLa influencia de James Joyce en Gabriel Garc\u00eda M\u00e1rquez\u00bb<\/p>\n<p>Clark, David: \u00abBloom in Dublin; Dublin in Bloom\u00bb<\/p>\n<p>Costela P\u00e9rez, Susana: \u00abJane y Oscar Wilde: la presencia materna en Oscar\u00bb<\/p>\n<p>Est\u00e9vez Saa, Margarita: \u00abThe Ghost of Identity in <i>Finnegans Wake<\/i>\u00bb<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael I.: \u00abJoyce el mentiroso\u00bb<\/p>\n<p>G\u00f3mez-L\u00f3pez, Isa\u00edas: \u00abLa diosa Molly de \u2018Penelope\u2019: una lectura did\u00e1ctica\u00bb<\/p>\n<p>L\u00e1zaro Lafuente, Luis Alberto: \u00abBibliograf\u00eda cr\u00edtica de Joyce en Espa\u00f1a (1970-2002):\u00a0 datos, valoraciones y curiosidades\u00bb<\/p>\n<p>Le\u00f3n T\u00e1vora, Ana: \u00ab&#8216;The game goes on. Cookcook! Search me&#8217;: divertimentos y juegos \u00bfde ni\u00f1os? en <em>Finnegans Wake<\/em>\u00bb<\/p>\n<p>L\u00f3pez,\u00a0 Mar\u00eda Jos\u00e9: \u00abB\u00fasqueda de identidad en la narrativa de Samuel Beckett\u00bb<\/p>\n<p>Losada Friend, Mar\u00eda: \u00abPasi\u00f3n por el maestro: el James Joyce de Edna O&#8217;Brien\u00bb<\/p>\n<p>MacCarthy, Anne: \u00abThe Wandering Odysseus\u00bb<\/p>\n<p>Mart\u00edn del Pino, Carmen Mar\u00eda: \u00abJames Joyce a trav\u00e9s de los ojos de Italo Svevo\u00bb<\/p>\n<p>Morales Ladr\u00f3n, Marisol: \u00abGonzalo Torrente Ballester lee y escribe sobre Joyce\u00bb<\/p>\n<p>Mosquera Gende, Ingrid:\u00a0 \u00abJames Joyce: An Appreciation by Edwin Muir\u00bb<\/p>\n<p>Oviedo Moral, F\u00e9lix: \u00abCubist Theory and a Reading of Joyce\u2019s <i>Ulysses<\/i>\u00bb<\/p>\n<p>Pascual Soler, Nieves: \u00abTo the Sublime through Fasting\u00bb<\/p>\n<p>Porcel Garc\u00eda, Maribel: \u00ab<i>Luna Benamor<\/i> de Vicente Blasco Ib\u00e1\u00f1ez y &#8216;Penelope&#8217; en <em>Ulysses<\/em>: un estudio comparativo\u00bb<\/p>\n<p>Ram\u00f3n Torrijos,\u00a0 Mar\u00eda del Mar: \u00abEl universo narrativo de C. S. Lewis: imaginaci\u00f3n, tradici\u00f3n y humor en su relato \u2018Prince Caspian\u2019\u00bb<\/p>\n<p>Redondo Olmedilla, Jos\u00e9 Carlos: \u00abLinks through Exile and Detachment: James Joyce and Christopher Isherwood\u00bb<\/p>\n<p>Reyes Fern\u00e1ndez, Mar\u00eda: \u00abLas traducciones en espa\u00f1ol de &#8216;An Encounter'\u00bb<\/p>\n<p>R\u00edo Molina, Benigno del: \u00abEl sentido del olfato en <i>Dubliners<\/i>\u00bb<\/p>\n<p>Sainero S\u00e1nchez, Ram\u00f3n: \u00abEl esp\u00edritu bardo primitivo en James Joyce\u00bb<\/p>\n<p>Salorio D\u00edaz, Mar\u00eda Marta: \u00abInfluencia de Joyce en <i>The Waste Land<\/i>, de T. S. Eliot<\/p>\n<p>Sim\u00f3n, Andr\u00e9s P: \u00abPresentaci\u00f3n de la p\u00e1gina Web \u2018James Joyce: el oc\u00e9ano del caos\u2019\u00bb<\/p>\n<p>Toro Santos, Antonio Ra\u00fal de\u00a0 y Ana Cristina Barrero Amor, Universidade da Coru\u00f1a: \u00abNoticias de Joyce y su obra en la prensa espa\u00f1ola\u00bb<\/p>\n<p>Venegas Caro, Jos\u00e9 Luis: \u00abSubjetividad y Alteridad en <i>The Picture of Dorian Gray<\/i> y <i>A Portrait of the Artist as a Young Man<\/i>\u00bb<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><b>XII Encuentros James Joyce<\/b><\/p>\n<p align=\"center\"><b>\u00a0UNED, \u00c1vila 2001<\/b><\/p>\n<div id=\"attachment_144\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Medal.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-144\" class=\"size-medium wp-image-144\" alt=\"\u00c1vila's medal\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Medal-300x153.jpg\" width=\"300\" height=\"153\" srcset=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Medal-300x153.jpg 300w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Medal.jpg 450w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-144\" class=\"wp-caption-text\">\u00c1vila&#8217;s medal<\/p><\/div>\n<p><span style=\"font-family: Arial; color: black;\">Alonso Gir\u00e1ldez, Jos\u00e9 Miguel. \u00abDe Mossbawn a Belfast: la Irlanda m\u00edtica y la Irlanda cotidiana en la poes\u00eda de Seamus Heaney.\u00bb <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">\u00c1vila Elviro, Sonia. \u00abSombras fantasmales de una realidad social.\u00bb <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Ballesteros Gonz\u00e1lez, Antonio. \u00abMenchu y Molly se confiesan: una horas con Mario y Leopold.\u00bb <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Bigatel-Abeniacar, Bridget L. \u00abNausicaa: A Joycian Question of Duality.\u00bb <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Clark, David M. \u00abA Quiet Man?: Re-reading Maurice Walsh.\u00bb <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Costela P\u00e9rez, Susana. \u00abLady Wilde: Nacionalismo y folklore en su obra <i>Ancient Legends, Mystic Charms and Supertitions of <\/i><\/span><i><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Ireland<\/span><\/i><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">.\u00bb <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Cotto Ben\u00edtez, Ruth A. \u00abLa huella femenina en las obras de J. M. Synge: <i>The Shadow of the Glenn<\/i>.\u00bb <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Est\u00e9vez Sa\u00e1, Margarita. \u00abEl artista joyceano: &#8216;s\u00ed mismo como otro&#8217;.\u00bb <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Fern\u00e1ndez Vicente, Olga.\u00a0 \u00abEl mito de la partenog\u00e9nesis (autocton\u00eda) en Joyce.\u00bb <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Garc\u00eda Le\u00f3n, Rafael I. \u00abJoyce el herm\u00e9tico.\u00bb <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Garc\u00eda Le\u00f3n, Rafael I., Ricardo Navarrete Franco y Jos\u00e9 M\u00aa. Tejedor Cabrera. \u00abIberjoyce\u00bb: presentaci\u00f3n de la p\u00e1gina Web oficial de la <i>Asociaci\u00f3n James Joyce<\/i>. <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Garc\u00eda Tortosa, Francisco. \u00abJoyce a distancia.\u00bb <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">L\u00f3pez C\u00f3rdoba, M\u00aa Jos\u00e9. \u00abEl ascendente de James Joyce en la obra de Brian O&#8217;Nolan: la ansiedad de la influencia.\u00bb <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">MacCarthy, Anne. \u00ab&#8216;The Coming Event&#8217;: A Group of Poems by James Clarence Mangan.\u00bb <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Medina<\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\"> Casado, Carmelo. \u00abThe James Joyce-Paul <\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Leon<\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\"> Papers in The National Library of <\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Ireland<\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">.\u00bb <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Morales Ladr\u00f3n, Marisol. \u00abEl concepto de unidad-totalidad en las est\u00e9ticas del tiempo de Antonio Machado y James Joyce.\u00bb <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Navarrete Franco, Ricardo.\u00a0 \u00abSt. Jim of the Cross.\u00bb <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Ortiz, Jos\u00e9 Mar\u00eda. \u00abSomething Wilde: A Possible Force of Signification.\u00bb <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Pajares Tosca, Susana. \u00abWorking by the Light of One or Two Ideas: James Joyce y el hipertexto.\u00bb <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Pascual Soler, Nieves. \u00abGreedy or Incontinent? The Prolixity of Modernist Texts.\u00bb <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">P\u00e9rez Garc\u00eda, Leonardo. \u00abEcos del Dubl\u00edn de Joyce en la novela irlandesa contempor\u00e1nea.\u00bb <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Ram\u00f3n Torrijos, M\u00aa del Mar. \u00abUn cierto sabor amargo: Interrogantes, pasiones y miedos en <i>Under the Net<\/i> de Iris Murdoch.\u00bb <\/span><\/p>\n<p><span style=\"font-family: Arial; color: black;\">Sainero, Ram\u00f3n. \u00abLa influencia ga\u00e9lica en la literatura anglo-irlandesa.\u00bb <\/span><\/p>\n<p><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Simmons, Jefferey. \u00abSoft Bloom, Dulce Bloom.\u00bb <\/span><\/p>\n<p>Toro Santos, Antonio Ra\u00fal de. \u00ab&#8216;The Cracked Looking Glass of a Servant&#8217;: James Joyce, Seamus Heaney y la lengua inglesa.\u00bb<\/p>\n<p><span style=\"font-family: Arial; color: black;\">Venegas Caro de la Barrera, Jos\u00e9 Luis. <\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">\u00ab<\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">Berkeley<\/span><span lang=\"EN-GB\" style=\"font-family: Arial; color: black; mso-ansi-language: EN-GB;\">&#8216;s Mental Monism and James Joyce&#8217;s Conception of Authorship.\u00bb <\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><b>XI Encuentros James Joyce<\/b><\/p>\n<p align=\"center\"><b>Universidad Rovira i Virgili, 2000<\/b><\/p>\n<p>Aura Jorro, Francisco. \u00ab<i>Ulises<\/i> desde la Filolog\u00eda Griega.\u00bb<\/p>\n<p>Clark, David M. \u00ab&#8216;Homage to Catatonia? Hugh Mac Diarmid&#8217;s &#8216;In Memoriam James Joyce&#8217;.\u00bb<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael I. \u00abHay que leer el Ulises.\u00bb<\/p>\n<p>Garc\u00eda Tortosa, Francisco. \u00abRecepci\u00f3n en la prensa, revistas especializadas y herederos de Joyce de la \u00faltima traducci\u00f3n de <i>Ulises<\/i>.\u00bb<\/p>\n<p>L\u00e1zaro, Luis Alberto. \u00abJames Joyce y la censura espa\u00f1ola.\u00bb<\/p>\n<p>Le\u00f3n Tavora, Ana. \u00abBusque y compare: publicidad y difusi\u00f3n en las obras de Joyce.\u00bb<\/p>\n<p>L\u00f3pez C\u00f3rdoba, M\u00aa Jos\u00e9. \u00abReflejo de la educaci\u00f3n cat\u00f3lica y tratamiento del catolicismo irland\u00e9s en la obra de James Joyce.\u00bb<\/p>\n<p>Medina Casado, Carmelo. \u00abAlzamiento de la prohibici\u00f3n oficial existente en el Reino Unido para la publicaci\u00f3n del <i>Ulysses<\/i> de James Joyce.\u00bb<\/p>\n<p>Mallafr\u00e9, Joaquim. \u00abLiteraridad y equivalencia en la traducci\u00f3n castellana de Joyce.\u00bb<\/p>\n<p>Navarrete Franco, Ricardo. \u00abJoyce y el exilio interior.\u00bb<\/p>\n<p>Pardo, Pedro Javier. \u00ab<i>Ulysses<\/i> como s\u00e1tira de erudici\u00f3n: Stephen, los Shandy, y otros pedantes dieciochescos.\u00bb<\/p>\n<p>P\u00e9rez Garc\u00eda, Leonardo. \u00abAustin Clarke y James Joyce: dos dublineses.\u00bb<\/p>\n<p>Simons, Jefferey. \u00abThe Accoustics of Bloom.\u00bb<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><b>X Encuentros James Joyce<\/b><\/p>\n<p align=\"center\"><b>Universidad de Salamanca 1999<\/b><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Salaposter.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-151 aligncenter\" alt=\"Salamanca poster 99\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Salaposter-209x300.jpg\" width=\"209\" height=\"300\" srcset=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Salaposter-209x300.jpg 209w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/09\/Salaposter.jpg 488w\" sizes=\"auto, (max-width: 209px) 100vw, 209px\" \/><\/a><\/p>\n<p>Inauguraci\u00f3n de los Encuentros por parte del Magfco. y Excmo. Sr. Rector de la Universidad de Salamanca y del Excmo. Sr. Embajador de Irlanda<\/p>\n<p>_____________________________________________<\/p>\n<p>Clark, David M. \u00ab&#8216;<i>A Joyce Tae Prick Ilka Pluke&#8217;<\/i>: The Importance of Joyce in the Scottish Renaissance.\u00bb<\/p>\n<p>Est\u00e9vez Sa\u00e1, Margarita. \u00abJames Joyce&#8217;s &#8216;Fabulous Opera&#8217;: Subjectivity and Characterization in <i>Ulysses<\/i>.\u00bb<\/p>\n<p>Fern\u00e1ndez Vicente, Olga. \u00abMade Not Begotten.\u00bb<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael I. \u00ab\u00bfPor qu\u00e9 hay un barco al final del cap\u00edtulo 3 de <i>Ulysses<\/i>?\u00bb<\/p>\n<p>Garc\u00eda Santacecilia, Carlos. \u00abLa odisea de traducir a Joyce: navegantes y n\u00e1ufragos.\u00bb<\/p>\n<p>G\u00f3mez L\u00f3pez, Jes\u00fas Isa\u00edas. \u00ab&#8216;A Painful Case&#8217;, el delirante momento final de un cuento y una pel\u00edcula.\u00bb (<i>in absentia<\/i>)<\/p>\n<p>Le\u00f3n Tavora, Ana y Jennifer Wooten, \u00abDedalus\/Dal\u00ed: la desintegraci\u00f3n de la memoria como medio de (re)creaci\u00f3n.\u00bb<\/p>\n<p>Lozano, An\u00edbal. \u00abLa seducci\u00f3n del cap\u00edtulo 7: ecos entre <i>Ulysses<\/i> de Joyce y <i>Rayuela<\/i> de Julio Cort\u00e1zar.\u00bb<\/p>\n<p>Medina Casado, Carmelo. \u00abLos papeles internos del <i>British Home Office s<\/i>obre la prohibici\u00f3n del <i>Ulysses<\/i> de Joyce en el Reino Unido\u00bb.<\/p>\n<p>Morales Ladr\u00f3n, Marisol. \u00abLo que queda de Joyce en los sesenta: <em>La bestia <\/em>de Manuel Siles.\u00bb<\/p>\n<p>Navarrete Franco, Ricardo. \u00abEl profesor Stephen Dedalus o ense\u00f1anza y deseo en Joyce.\u00bb<\/p>\n<p>Ortiz, Jos\u00e9 M\u00aa. \u00abA Time for Time.\u00bb<\/p>\n<p>Praga Torrente, In\u00e9s. \u00abLa M\u00fasica en <i>Dubliners<\/i>.\u00bb<\/p>\n<p>Pastor Com\u00edn, Juan Jos\u00e9. \u00abJames Joyce: hacia una articulaci\u00f3n musical de la obra literaria.\u00bb<\/p>\n<p>Ruiz Ruiz, Jos\u00e9 M\u00aa. \u00abEl l\u00e9xico nip\u00f3n en la obra de James Joyce.\u00bb<\/p>\n<p>Simons, Jefferey. \u00ab&#8216;I&#8217;m another now and yet the same&#8217;: Multiple Stephanitas in &#8216;The Telemachiad&#8217;.\u00bb<\/p>\n<p>Tejedor Cabrera, Jos\u00e9 M\u00aa. \u00abJoyce matem\u00e1tico.\u00bb<\/p>\n<p>Toro Santos, Antonio Ra\u00fal de. \u00abPresentaci\u00f3n del v\u00eddeo <i>Dedalus en Compostela<\/i>.\u00bb<\/p>\n<p><b>Performance<\/b>: Denis Rafter. \u00abJames Joyce From Text to Stage.\u00bb<\/p>\n<p><b>Presentaci\u00f3n de libros:<\/b> Francisco Garc\u00eda Tortosa. <i>Ulise<em>s<\/em><\/i>. Publicado por Ediciones C\u00e1tedra-Letras Universales. Edici\u00f3n de Francisco Garc\u00eda Tortosa.<\/p>\n<p><b>Mesa redonda:<\/b> \u00abJoyce transcultural\u00bb. Francisco Garc\u00eda Tortosa,\u00a0 Antonio Ra\u00fal de Toro Santos, Carlos Garc\u00eda Santacecilia y Luis Alberto L\u00e1zaro Lafuente.<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><b>IX Encuentros James Joyce<\/b><\/p>\n<p align=\"center\"><b>Universidad de Ja\u00e9n 1998<\/b><\/p>\n<p>&nbsp;<\/p>\n<p>Inauguraci\u00f3n a cargo del Ilmo. Vicerrector de Investigaci\u00f3n Dr. D. Adolfo S\u00e1nchez-Rodrigo<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/jaenposter.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-585 aligncenter\" alt=\"jaenposter\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/jaenposter-137x300.jpg\" width=\"137\" height=\"300\" srcset=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/jaenposter-137x300.jpg 137w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/jaenposter-468x1024.jpg 468w, https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/jaenposter.jpg 887w\" sizes=\"auto, (max-width: 137px) 100vw, 137px\" \/><\/a><\/p>\n<p>Aguilera Linde, Mauricio D. \u00abDe &#8216;Pebble Writing&#8217; a &#8216;Tiger Language&#8217;: Saroyan, Joyce y las vanguardias narrativas americanas de los a\u00f1os treinta.\u00bb<\/p>\n<p>Arnal G\u00e9ly, Anne Marie. \u00abJoyce y el <i>noveau roman.<\/i>\u00bb<\/p>\n<p>Ballesteros Gonz\u00e1lez, Antonio. \u00abJoyce en Borges.\u00bb<\/p>\n<p>Cobos Fern\u00e1ndez, Inmaculada. \u00abExilio, arte, libertad: la conexi\u00f3n literaria entre James Joyce y Djuna Barnes.\u00bb<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael I. \u00ab&#8216;Coming Events Cast Their Shadows Before&#8217; or &#8216;The Events Which Cast Their Shadow&#8217;.\u00bb<\/p>\n<p>Garc\u00eda Santacecilia, Carlos. \u00abCuatro espa\u00f1oles que conocieron a Joyce.\u00bb<\/p>\n<p>Garc\u00eda Tortosa, Francisco. \u00abA vueltas con los bueyes del sol.\u00bb<\/p>\n<p>G\u00f3mez L\u00f3pez, Jes\u00fas Isa\u00edas. \u00abLa creaci\u00f3n del &#8216;Seeing Sound&#8217; en <i>Passages from \u00abFinnegans Wake\u00bb<\/i>, una reacci\u00f3n a la novela.\u00bb<\/p>\n<p>L\u00e1zaro, Luis Alberto. \u00abLa elocuencia de los convidados de piedra en los cuentos de James Joyce.\u00bb<\/p>\n<p>Le\u00f3n T\u00e1vora, Ana. \u00abModernismo\/Antimodernismo: contradicciones y paradojas de Bloom en <i>Ulysses<\/i>.\u00bb<\/p>\n<p>L\u00f3pez-Pel\u00e1ez Casellas, Jes\u00fas. \u00abA Jungian Approach to Joyce&#8217;s Fiction.\u00bb<\/p>\n<p>Medina Casado, Carmelo. \u00abJoyce y la ley.\u00bb<\/p>\n<p>Morales Ladr\u00f3n, Marisol. \u00abMetaficci\u00f3n joyceana: el gran juego de <i>Finnegans Wake<\/i> en &#8216;Joyce al fin superado&#8217; de Luis Goytisolo.\u00bb<\/p>\n<p>Navarrete Franco, Ricardo. \u00abAceite de Joyce.\u00bb<\/p>\n<p>Ortiz, Jos\u00e9 M\u00aa. \u00abA Look at Na\u00efvety.\u00bb<\/p>\n<p>Pascual Soler, Nieves. \u00abArt, Food and Sex.\u00bb<\/p>\n<p>P\u00e9rez Valverde, Cristina. \u00ab&#8216;Homer is My Example&#8217;, The Modern Ulysses and the Divinized Psyche.\u00bb<\/p>\n<p>Simons, Jefferey. \u00abWhat is &#8216;Keen Wind&#8217;? Young Joyce and the Air.\u00bb<\/p>\n<p>Tejedor Cabrera, Jos\u00e9 M\u00aa. \u00ab&#8216;A Mother&#8217; y una hija.\u00bb<\/p>\n<p>Toro Santos, Antonio Ra\u00fal de. \u00abEl debate sobre la traducci\u00f3n en la prensa espa\u00f1ola en el primer tercio del siglo XX y las primeras versiones de las obras de Joyce.\u00bb<br \/>\n<b>Mesa redonda:<\/b> Francisco Serrano Valverde, Mariano Antol\u00edn Rato, Francisco Garc\u00eda Tortosa, Carmelo Medina Casado, Carlos Garc\u00eda Santacecilia y Jos\u00e9 Antonio \u00c1lvarez Amor\u00f3s.<\/p>\n<p><b>Conferencia:<\/b> Mariano Antol\u00edn Rato. \u00abRegreso a Ithaca, circuito tur\u00edstico organizado.\u00bb<\/p>\n<p><b>Proyecciones de pel\u00edculas:<\/b> <i>The Dead<\/i>, de John Houston y <i>Ulysses<\/i> de Joseph Strick.<\/p>\n<p align=\"center\">\u00a0<b><br \/>\n<\/b><\/p>\n<p align=\"center\"><b>VIII Encuentros James Joyce<\/b><\/p>\n<p align=\"center\"><b>Universidad de Granada 1996<\/b><\/p>\n<p>Aguilera Linde, Mauricio D. \u00abUlises en Tennyson, Joyce y Saroyan: el mito desmitificado.\u00bb<\/p>\n<p>Ballesteros Gonz\u00e1lez, Antonio. \u00abMohamed Chukri o el anti-retrato del artista adolescente.\u00bb<\/p>\n<p>Costa Palacios, Luis. \u00abOnom\u00e1stica y evocaci\u00f3n en <i>Ulysses<\/i>.\u00bb<\/p>\n<p>Cruz Casado, Antonio. \u00abNotas para la recepci\u00f3n y difusi\u00f3n de la obra de Joyce en Espa\u00f1a (los comentarios de Crist\u00f3bal de Castro, 1932 y 1947).\u00bb<\/p>\n<p>Da\u00f1obeitia Fern\u00e1ndez, M\u00aa Luisa. \u00abGabriel, \u00bf\u00daltima anunciaci\u00f3n? Algunas consideraciones en torno a &#8216;The Dead&#8217;.\u00bb<\/p>\n<p>Garc\u00eda G\u00e1llego, M\u00aa Dolores. \u00abFuentes textuales de &#8216;Proteo&#8217;, tercer episodio del <i>Ulises<\/i> de James Joyce.\u00bb<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael. \u00ab<i>Ulysses<\/i> 1. 555-57 and 2. 151-52: Joyce&#8217;s Absurd? Syllogism\u00bb.<\/p>\n<p>Garc\u00eda Tortosa, Francisco. \u00abJoyce transcultural.\u00bb<\/p>\n<p>G\u00f3mez L\u00f3pez, Jes\u00fas Isa\u00edas. \u00abJames Joyce y el cine. Breves apuntes para una valoraci\u00f3n hist\u00f3rica de su obra literaria en el cinemat\u00f3grafo.\u00bb<\/p>\n<p>L\u00e1zaro, Luis Alberto. \u00abLa visi\u00f3n sat\u00edrica del nacionalismo en James Joyce y Juan Goytisolo.\u00bb<\/p>\n<p>L\u00f3pez-Pel\u00e1ez Casellas, Jes\u00fas. \u00abThe Formation of the Artist in Joyce&#8217;s <i>Portrait <\/i>and in the Narrative of Muhammad Shukri: A Comparative Approach.\u00bb<\/p>\n<p>Morales Ladr\u00f3n, Marisol. \u00abDubl\u00edn y Madrid, reconstrucci\u00f3n y reescritura de la ciudad en las obras de James Joyce y Luis Mart\u00edn Santos.\u00bb<\/p>\n<p>MacCandless, Ian. \u00abJames Joyce: algunas influencias literarias.\u00bb<\/p>\n<p>Navarrete Franco, Ricardo. \u00abAna Livia cuando besa.\u00bb<\/p>\n<p>Olmo Puertas, Francisco. \u00abUn estudio de las referencias musicales en &#8216;The Dead&#8217;.\u00bb<\/p>\n<p>Ortiz Mart\u00ednez, Jos\u00e9 Mar\u00eda. \u00abThe Human Age Versus The Divine Age. The Irony of It All.\u00bb<\/p>\n<p>Toro Santos, Antonio Ra\u00fal de. \u00abStephen Dedalus, Adrian Solovio, Marti\u00f1o Dumbr\u00eda y otros peregrinos.\u00bb<\/p>\n<p align=\"center\">\u00a0<b><br \/>\n<\/b><\/p>\n<p align=\"center\"><b>VII Encuentros James Joyce<\/b><\/p>\n<p align=\"center\"><b>Universidad de Castilla-La Mancha, Almagro 1995<\/b><\/p>\n<p>Aguilera Linde, Mauricio D. \u00abSubtexto hom\u00e9rico y Nautical Drama: algunos problemas en la decodificaci\u00f3n m\u00edtica de <i>Ulysses<\/i>.\u00bb<\/p>\n<p>Almagro Jim\u00e9nez, Manuel. \u00abSer y no ser: la necesidad de una re-escritura.\u00bb<\/p>\n<p>\u00c1lvarez Amor\u00f3s, Jos\u00e9 Antonio. \u00abNuevas reflexiones en torno al funcionamiento del <i>Uncle Charles Principle<\/i> en la obra de Joyce.\u00bb<\/p>\n<p>Araguas, Vicente. \u00abJoyce-Pessoa.\u00bb<\/p>\n<p>Ardanaz, Margarita. \u00abConsideraciones en torno a la obra po\u00e9tica de James Joyce.\u00bb<\/p>\n<p>Ballesteros Gonz\u00e1lez, Antonio. \u00abRetratos del artista adolescente: P\u00e9rez de Ayala y James Joyce.\u00bb<\/p>\n<p>D\u00edez Medrano, Conchita. \u00abD. H. Lawrence y James Joyce.\u00bb<\/p>\n<p>Est\u00e9vez Sa\u00e1, Margarita. \u00abMi demonio familiar, detr\u00e1s de m\u00ed, llam\u00e1ndome, Steeeeeeephen!.\u00bb<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael I. \u00ab<i>Tripertita tabella ulixea.<\/i>\u00bb<\/p>\n<p>Garc\u00eda Tortosa, Francisco. \u00ab&#8216;<i>Scentaminted&#8217;<\/i> Joyce o la m\u00e1scara de un estilo.\u00bb<\/p>\n<p>L\u00f3pez, D\u00e1maso. \u00abLos c\u00edclopes: lenguaje figurado y parodia.\u00bb<\/p>\n<p>MacCarthy, Anne. \u00abJames Joyce the Celt.\u00bb<\/p>\n<p>Morales Ladr\u00f3n, Marisol. \u00abJames Joyce proyectado en la \u00faltima etapa de Juan Ram\u00f3n Jim\u00e9nez.\u00bb<\/p>\n<p>Navarrete Franco, Ricardo. \u00abEl fantasma de Finnegans.\u00bb<\/p>\n<p>Olsen, Vickie. \u00ab(I)magical Interior Monologues: Adapting Joyce to Film.\u00bb<\/p>\n<p>Ortiz, Jos\u00e9 Mar\u00eda. \u00abThe Human Age: Signs in the Intellectual Dialogue Betweeen James Joyce and Percy Wyndham Lewis.\u00bb<\/p>\n<p>P\u00e9rez Valverde, Cristina. \u00abJohn McGahern on Joyce&#8217;s Portraits: Critical Evaluations.\u00bb<\/p>\n<p>Porcel Garc\u00eda, M\u00aaIsabel. \u00ab\u00bfQui\u00e9n escribe &#8216;Pen\u00e9lope&#8217;?.\u00bb<\/p>\n<p>Sainero, Ram\u00f3n. \u00abLa par\u00e1lisis de James Joyce en el vertiginoso mundo irland\u00e9s de comienzos del siglo XX.\u00bb<\/p>\n<p>Venegas Lag\u00fcens, M\u00aa Luisa. \u00abRepetitions, Echoes, Overtones in the Translation of <i>Ulysses<\/i>.\u00bb<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><b>VI Encuentros James Joyce<\/b><\/p>\n<p align=\"center\"><b>Universidad de Alcal\u00e1 de Henares, 1994<\/b><\/p>\n<p>Aguilera Linde, Mauricio D. \u00abEscritos subnormales: Montalb\u00e1n, Joyce y el &#8216;velatorio&#8217; de la est\u00e9tica realista.\u00bb<\/p>\n<p>Ballesteros Gonz\u00e1lez, Antonio. \u00abEn la penumbra: el extra\u00f1amiento de las formas narrativas en James Joyce y Juan Benet.\u00bb<\/p>\n<p>Da\u00f1obeitia Fern\u00e1ndez, Mar\u00eda Luisa. \u00abProfesor, novelista e influencias documentadas: El laberinto de los imp\u00edos.\u00bb<\/p>\n<p>De Toro Santos, Antonio Ra\u00fal. \u00abAproximaci\u00f3n al influjo de Joyce en <i>Devalar<\/i> de R. Otero Pedrayo.\u00bb<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael I. \u00abLeopold Bloom y Stephen Dedalus empapados.\u00bb<\/p>\n<p>Lozano, Mar\u00eda. \u00ab&#8216;La voz que resucita\u00a0 a los muertos&#8217;: &#8216;The Dead&#8217; en <i>Mrs. Dalloway<\/i>.\u00bb<\/p>\n<p>MacCarthy, Anne. \u00abJames Joyce and the Divided Mind: His Importance in Irish and Galician Literature.\u00bb<\/p>\n<p>Morales Ladr\u00f3n, Marisol. \u00abVida, muerte y par\u00e1lisis en <i>Pedro P\u00e1ramo<\/i> de Juan Rulfo y &#8216;The Dead&#8217; de James Joyce.\u00bb<\/p>\n<p>Navarrete Franco, Ricardo. \u00ab&#8216;<i>The Mar of Murmury Mermers&#8217;<\/i>: aliteraci\u00f3n y lectura en <i>Finnegans Wake<\/i>.\u00bb<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><b>V Encuentros James Joyce<\/b><\/p>\n<p style=\"text-align: center;\"><b>Universidad de La Coru\u00f1a, 1993<\/b><\/p>\n<p>Aguilera Linde, Mauricio D. \u00abCarlyle en <em>Ulysses<\/em>: utilizaci\u00f3n y parodia de una ret\u00f3rica.\u00bb<\/p>\n<p>\u00c1lvarez Amor\u00f3s, Jos\u00e9 Antonio. \u00abThree Post-Mimetic Ruptures in <em>Ulysses<\/em>.\u00bb<\/p>\n<p>Ballesteros Gonz\u00e1lez, Antonio. \u00abLa digresi\u00f3n par\u00f3dica en dos modelos narrativos: <em>Rayuela<\/em> y <em>Ulysses<\/em>.\u00bb<\/p>\n<p>Blanco Out\u00f3n, Cristina. \u00abTwo Connecting Aspects Betweeen James Joyce&#8217;s &#8216;A Little Cloud&#8217;, &#8216;Clay&#8217;, &#8216;A Painful Case&#8217;, and &#8216;The Dead&#8217;.\u00bb<\/p>\n<p>Carnero Gonz\u00e1lez, Jos\u00e9. \u00abNotas sobre una propuesta de lectura: <em>WIP<\/em> y <em>Finnegans Wake<\/em>.\u00bb<\/p>\n<p>Crowley, Juan Carlos. \u00abJames Joyce y la reconstrucci\u00f3n de la funci\u00f3n paterna.\u00bb<\/p>\n<p>Da\u00f1obeitia Fern\u00e1ndez, Mar\u00eda Luisa. \u00abUn mosaico de santos. An\u00e1lisis de la negaci\u00f3n: un estudio de &#8216;Eveline&#8217;.\u00bb<\/p>\n<p>De La Rosa, Julio. \u00abJames Joyce en Espa\u00f1a.\u00bb<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael I. \u00abEstudio comparativo de <em>Ulysses<\/em> y el <em>Quijote<\/em>.\u00bb<\/p>\n<p>Garc\u00eda Sabell, Domingo. \u00abJames Joyce y el lenguaje del ser.\u00bb<\/p>\n<p>Garc\u00eda Tortosa, Francisco. \u00abLa funci\u00f3n de lo espa\u00f1ol en <em>Finnegans Wake<\/em>.\u00bb<\/p>\n<p>L\u00e1zaro, Luis Alberto. \u00abEcos de James Joyce en <em>Reivindicaci\u00f3n del Conde Don Juli\u00e1n<\/em> de Juan Goytisolo.\u00bb<\/p>\n<p>MacCarthy, Anne. \u00ab&#8216;Ireland is the Old Sow that Eats Her Farrow&#8217;.\u00bb<\/p>\n<p>Morales Ladr\u00f3n, Marisol. \u00abEl demiurgo\u00a0 como base\u00a0 para las teor\u00edas est\u00e9ticas de James Joyce y Ram\u00f3n del Valle-Incl\u00e1n\u00bb.<\/p>\n<p>Navarrete Franco, Ricardo. \u00ab&#8216;<i>Qui vive sparanto qua muore contanto&#8217;<\/i>: autoridad y muerte en <em>Finnegans Wake<\/em>.\u00bb<\/p>\n<p>Oliva Cruz, Juan Ignacio. \u00abEl postmodernismo seg\u00fan James Joyce.\u00bb<\/p>\n<p>Rodr\u00edguez L\u00f3pez-V\u00e1zquez, Alfredo. \u00abHamlet, Laforgue y Joyce.\u00bb<\/p>\n<p>Toro Santos, Antonio Ra\u00fal de. \u00abLa huella de Joyce en Galicia.\u00bb<\/p>\n<p>Toro Santos, Suso de. \u00abEscribir despu\u00e9s de Joyce.\u00bb<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><b>III Encuentros James Joyce<\/b><\/p>\n<p align=\"center\"><b>Universidad de Alicante, 1992<\/b><\/p>\n<p>Aguilera Linde, Mauricio D. \u00abBloom as an Outsider: An Interpretation of His Symbolic Characterization and Ideological Function in <i>Ulysses<\/i>.\u00bb<\/p>\n<p>\u00c1lvarez Amor\u00f3s, Jos\u00e9 Antonio \u00abTexto, unidad y enciclopedismo en la obra de James Joyce.\u00bb<\/p>\n<p>Ballesteros Gonz\u00e1lez, Antonio. \u00abParodia metaliteraria en <i>The Unfortunate Traveller<\/i> y <i>Ulysses<\/i>.\u00bb<\/p>\n<p>Garc\u00eda Le\u00f3n, Rafael I. \u00abCaballos en <i>Ulysses<\/i>.\u00bb<\/p>\n<p>Garc\u00eda Tortosa, Francisco. \u00abFundamentos ling\u00fc\u00edsticos de la distorsi\u00f3n textual en <i>Finnegans Wake<\/i>.\u00bb<\/p>\n<p>Gisbert Maceda, M\u00aa Teresa. \u00abEliza and Nannie Flynn versus Julia and Kate Markan. Complements and Counterparts in &#8216;The Sisters&#8217; and &#8216;The Dead&#8217;.\u00bb<\/p>\n<p>Gleeson, Mary. \u00abDark Angels: Observations on Joyce and Rimbaud.\u00bb<\/p>\n<p>L\u00e1zaro, Luis Alberto y Marisol Morales Ladr\u00f3n. \u00abT\u00e9cnicas narrativas en James Joyce y Luis Mart\u00edn Santos: estudio comparativo de <i>Ulises y Tiempo de Silencio<\/i>.\u00bb<\/p>\n<p>P\u00e9rez Valverde, Cristina. \u00abSolipsism and Self-Communion in Joyce&#8217;s Introverts.\u00bb<\/p>\n<p>Ruiz Ruiz, Jos\u00e9 Mar\u00eda. \u00ab&#8216;The Mookse and the Gripes&#8217;: Religion and Politics.\u00bb<\/p>\n<p>Sainero, Ram\u00f3n. \u00abJames Joyce y la par\u00e1lisis irlandesa.\u00bb<\/p>\n<p align=\"center\"><b>II Encuentros James Joyce<\/b><\/p>\n<p align=\"center\"><b>Universidad de Sevilla, 1991<\/b><\/p>\n<p>\u00c1lvarez Amor\u00f3s, Jos\u00e9 Antonio. \u00abEstructura temporal de <i>Dubliners<\/i>.\u00bb<\/p>\n<p>Ant\u00f3n Pacheco, Luisa y James Lawley. \u00abHelping Students Get into &#8216;Araby&#8217;: A Close Reading of &#8216;Araby&#8217;.\u00bb<\/p>\n<p>Ballesteros Gonz\u00e1lez, Antonio. \u00abEl espejo y la l\u00e1mpara: simbolog\u00eda m\u00edtica en &#8216;The Dead&#8217;.\u00bb<\/p>\n<p>Barbeito Varela, Jos\u00e9 Manuel. \u00ab<i>Dubliners<\/i>: A Style of Scrupulous Meanness.\u00bb<\/p>\n<p>Da\u00f1obeitia Fern\u00e1ndez, Mar\u00eda Luisa. \u00abAusencia de tacto en los dublineses.\u00bb<\/p>\n<p>De La Rosa, Julio. \u00abLectura de <i>Dublineses<\/i>.\u00bb<\/p>\n<p>Gim\u00e9nez Bon, Margarita. \u00abThe Feminine Figure in <i>Dubliners<\/i>.\u00bb<\/p>\n<p>Hern\u00e1ndez Hern\u00e1ndez, Manuel \u00c1ngel. \u00abSilencio, exilio y astucia en los dos primeros cap\u00edtulos de <i>A Portrait<\/i>.\u00bb<\/p>\n<p>L\u00e1zaro, Luis Alberto. \u00abProblem\u00e1tica y ex\u00e9gesis del simbolismo en &#8216;The Dead&#8217;: apuntes para el lector espa\u00f1ol\u00bb.<\/p>\n<p>Rodr\u00edguez Palomero, Luisa Fernanda. \u00abNocturno y cadencia final: &#8216;The Dead&#8217;.\u00bb<\/p>\n<p>Rodr\u00edguez Palomero, Luisa Fernanda. \u00abNotas sobre al versi\u00f3n espa\u00f1ola de la biograf\u00eda de Ellmann.\u00bb<\/p>\n<p>Sainero S\u00e1nchez, Ram\u00f3n. \u00ab&#8216;The Dead&#8217; y sus posibles relaciones.\u00bb<\/p>\n<p>Toro Santos, Antonio Ra\u00fal de. \u00abLa m\u00fasica en la narrativa joyceana.\u00bb<br \/>\n<b>Mesa redonda:<\/b> \u00abJames Joyce en Espa\u00f1a.\u00bb Francisco Garc\u00eda Tortosa, Julio de la Rosa, Jos\u00e9 Antonio \u00c1lvarez Amor\u00f3s y Jos\u00e9 Carnero Gonz\u00e1lez.<\/p>\n<p><b>Sesi\u00f3n de v\u00eddeo:<\/b> Toro Santos, Antonio Ra\u00fal de. \u00abLa m\u00fasica en <i>Ulises<\/i>.\u00bb<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ofrecemos un listado de las ponencias presentadas en los Encuentros Anuales PROGRAMA XXVIII ENCUENTROS JAMES JOYCE A CORU\u00d1A, 21 Abril 2017 Lugar de celebraci\u00f3n: Facultade de Filolox\u00eda, Sal\u00f3n de Graos (1\u00aa planta) 9:15. Entrega de documentaci\u00f3n 9:30. Acto de apertura 9:45-11:30. Moderadora Dra. Margarita Est\u00e9vez 1. Guillermina Heredia Campos,\u00a0 \u201cBreve introducci\u00f3n a la Astronom\u00eda\u00a0 de [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"class_list":{"0":"post-571","1":"page","2":"type-page","3":"status-publish","5":"entry","6":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/pages\/571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/comments?post=571"}],"version-history":[{"count":21,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/pages\/571\/revisions"}],"predecessor-version":[{"id":785,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/pages\/571\/revisions\/785"}],"wp:attachment":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/media?parent=571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}