{"id":526,"date":"2013-11-09T09:23:32","date_gmt":"2013-11-09T07:23:32","guid":{"rendered":"https:\/\/grupo.us.es\/iberjoyce\/?page_id=526"},"modified":"2017-06-27T11:06:22","modified_gmt":"2017-06-27T09:06:22","slug":"papers-on-joyce","status":"publish","type":"page","link":"https:\/\/grupo.us.es\/iberjoyce\/papers-on-joyce\/","title":{"rendered":"Papers on Joyce"},"content":{"rendered":"<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/PoJ-13-Joyce-Dialogue-Epiphanies-Hobbs-1-18.pdf\">\u201cJoyce\u2019s Dialogue Epiphanies.\u201d<\/a>\u201cInspiring Dante: The Reasons of Rhyme in Ulysses.\u201d<\/p>\n<div id=\"post-meta\">\n<p><strong>Papers on Joyce es la revista internacional (double peer-reviewed), editada\u00a0por\u00a0la <em>Asociaci\u00f3n<\/em>.\u00a0Esta p\u00e1gina incluye informaci\u00f3n sobre:<\/strong><\/p>\n<p><a href=\"#editorial\">1. Editorial Board<\/a><\/p>\n<p><a href=\"#information\">2. Information, Call for Contributions and Instructions for Authors<\/a><br \/>\n<a name=\"editorial\"><\/a><br \/>\n<a href=\"#impact\">3. Impact and Circulation<\/a><\/p>\n<p><a href=\"#full\">4. Full text in PDF format (of all but the last issue)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>1- EDITORIAL BOARD<\/strong><\/p>\n<p>Editor: Margarita Est\u00e9vez-Sa\u00e1<\/p>\n<p>General Editor:\u00a0Francisco Garc\u00eda Tortosa<br \/>\n<a name=\"information\"><\/a><br \/>\nEditorial Board: Jos\u00e9 A. \u00c1lvarez Amores, Derek Attridge, Jacques Aubert, Antonio Ballesteros, Morris Beja, Rosa Maria Bosinelli, Richard Brown, David Clark, David Hayman, L. Alberto L\u00e1zaro Lafuente, Ricardo Navarrete, David Norris, M\u00aa Isabel Porcel Garc\u00eda, Jean Michel Rabat, Fritz Senn, Jefferey Simons, Jos\u00e9 M\u00aa Tejedor Cabrera, Weldon Thornton, Antonio R. de Toro Santos.<\/p>\n<p>&nbsp;<\/p>\n<p>2.\u00a0<b>INFORMATION, CALL FOR CONTRIBUTIONS AND INSTRUCTIONS FOR AUTHORS<\/b><\/p>\n<p><i>Papers on Joyce, <\/i>an international double peer-reviewed journal published yearly by the Spanish James Joyce Society, is open to contributions in the field of Joycean studies. Reviews of recent books and news of academic events in the field will also be published. Contributions to <i>Papers on Joyce <\/i>must follow the latest <i>MLA Style Manual <\/i>and document sources by means of endnotes. Joyce\u2019s works should be cited parenthetically and follow the abbreviations listed in the inside back cover of the <i>James Joyce Quarterly <\/i>(<a href=\"http:\/\/utulsa.edu\/jjq\/submission.html\">http:\/\/utulsa.edu\/jjq\/submission.html<\/a>)<i>. <\/i>Otherwise, document the edition cited in an endnote.<\/p>\n<p>The next deadline for submissions is <b>31 JANUARY 2016<\/b><br \/>\n<a name=\"impact\"><\/a><br \/>\nSend contributions and books for review to the editor at the following address: Margarita Est\u00e9vez Sa\u00e1 (<a href=\"mailto:margarita.estevez.saa@usc.es\">margarita.estevez.saa@usc.es<\/a>), Departamento de Filolog\u00eda Inglesa, Facultad de Filolog\u00eda, Avda. Castelao s\/n, 15782 Santiago de Compostela (Spain).<\/p>\n<p>&nbsp;<\/p>\n<p>3.\u00a0<b>IMPACT AND CIRCULATION<\/b><\/p>\n<p>All articles and book reviews undergo a double blind peer-review process carried out by members of the Editorial Board and by selected experts in Joyce\u2019s studies.<i> <\/i><i>Papers on Joyce <\/i>fulfils the criteria of scientific and editorial quality mentioned in the Appendix I of the <i>Resoluci\u00f3n del 25 de Octubre de 2005<\/i> (BOE n\u00ba 266, 7 de Noviembre de 2005). Articles published in <i>Papers on Joyce <\/i>are referred to, among others, in the following databases: <i>MLA <\/i>\u201cMaster List of Periodicals\u201d; <i>Annual Bibliography of English Language and Literature, 1920- (ABELL); IASIL Annual Bibliography; Current James Joyce Checklist (James Joyce Quarterly); Bibliography of European Journals for English Studies (BEJES)<\/i>; <i>LATINDEX<\/i> (<i>Sistema Regional de Informaci\u00f3n para las revistas cient\u00edficas de Am\u00e9rica Latina, el Caribe, Espa\u00f1a y Portugal<\/i>); <i>ISOC<\/i> (<i>Base de datos de Ciencias Sociales y Humanidades del CSIC); Ulrich\u2019s Periodicals Directory; MIAR (Matri\u00fa d\u2019Informaci\u00f3 per a l\u2019Avaluaci\u00f3 de Revistes); <a name=\"full\"><\/a> <\/i>and the <i>European Reference Index for the Humanities (ERIH 2007, 2011) as well as ERIH PLUS index.\u00a0<\/i><i><\/i><\/p>\n<h1><\/h1>\n<p>&nbsp;<\/p>\n<p>4.\u00a0<b>FULL TEXT IN PDF FORMAT\u00a0<\/b>(of all but the last issue)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Papers on Joyce<\/em> 19-20 (2013-2014)<\/strong><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\"><img decoding=\"async\" class=\"alignnone size-medium wp-image-1335\" alt=\"POJbarra\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\" \/><\/a><br \/>\n-Editor\u2019s Preface. i-ii.<\/p>\n<p>Noem\u00ed Pereira-Ares. \u00ab&#8216;Scrupulously and Meanly Dressed\u00bb: On the Function of Dress in <em>Dubliners<\/em>.\u00bb 1-16<\/p>\n<p>Alison Lacivita.\u00a0 \u00abJames Joyce &amp; Growing Things.\u00bb 17-38.<\/p>\n<p>Carmelo Medina Casado. \u00abThe <em>Ulysses<\/em> Prosecution in the U.K:.\u00a0 A Collateral Casualty: Frank R. Leavis.\u00bb 39-54.<\/p>\n<p>Jos\u00e9 Carregal Romero and Mar\u00eda Teresa Caneda Cabrera. \u00abFemale Mobility and James Joyce&#8217;s \u00abEveline\u00bb and Colm T\u00f3ibin&#8217;s <em>Brookling<\/em>.\u00bb 55-74.<\/p>\n<p>Olga Fern\u00e1ndez Vicente. \u00abJoyce and Baroja. Facing Modernism.\u00bb 75-110.<\/p>\n<p>Francisco Garc\u00eda Tortosa. \u00abEchoes of Catalonia in <em>Finnegans Wake<\/em>.\u00bb 111-135.<\/p>\n<p>Mar\u00eda Luisa Venegas Lag\u00fcens. \u00abGeorge Egerton, James Joyce and the New Woman.\u00bb 137-169.<\/p>\n<p>Jes\u00fas Isa\u00edas G\u00f3mez L\u00f3pez. \u00abBetween the Ethics of Words and the Aesthetics of Ideas: The Shakespeare Crossroads in James Joyce&#8217;s <em>Ulysses<\/em> and in Aldous Huxleys&#8217;s <em>Brave New World<\/em>.\u00bb 171-194.<\/p>\n<p>Margarita Est\u00e9vez Sa\u00e1 . \u00abMary Lavin&#8217;s Joyce \u00abArrows in Flight : A Reappraisal of the Contribution to the Short Story\u00bb. 195-210.<\/p>\n<p>Jos\u00e9 Manuel Est\u00e9vez Sa\u00e1. \u00abJulia O&#8217;Faolain&#8217;s Joycean Portraits of Young Irish Artists in <em>Godded and Codded<\/em>.\u00bb 211-227.<\/p>\n<p><strong>Interviews<\/strong><\/p>\n<p>\u00abA Journey into History and Language\u00bb: Interview with Francisco Garc\u00eda Tortosa. Olga Fern\u00e1ndez Vicente.\u00a0 229-242.<\/p>\n<p>\u00abFar-fetched byConstitution:\u00bb Conversation with Fritz Senn.\u00a0 Erica Mih\u00e1lycsa and Jolanta Wawrzycka. 243-317.<\/p>\n<p><strong>Reviews<\/strong><\/p>\n<p>Gayle Rogers. <em>Modernism and the New Spain: Britain, Cosmopolitan Europe and Literary History<\/em>. Ricardo Navarrete Franco. 319-324.<\/p>\n<p>Benjamin Boysen.\u00a0 <em>The Ethics of Love: An Essay on James Joyce<\/em>.\u00a0 Carmelo Medina Casado.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 17-18 (2011-2012)<\/strong><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\"><img decoding=\"async\" alt=\"POJbarra\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\" \/><\/a><br \/>\n-Editor\u2019s Preface<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-1-EDITORS-PREFACE.pdf\">.<\/a> i.<\/p>\n<p><strong>1. Joyce\u2019s Work and\/in History<\/strong><br \/>\n-M. Teresa Caneda Cabrera. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-22.pdf\">\u00abThe Translational Poetics of Extraterritorial Joyce.\u00bb<\/a>\u00a03-18.<br \/>\n-Jose Manuel Estevez Sa\u00e1. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-31.pdf\">\u00abFamine, Ghosts and Trauma in James Joyce\u2019s Works.\u00bb <\/a>\u00a019-34.<br \/>\n-Teresa Iribarren i Donadeu. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-41.pdf\">\u00abJames Joyce in Catalonia at the End of the 20th Century: High Culture and Popular Culture.\u00bb<\/a>\u00a035-52.<br \/>\n-Maria Jes\u00fas Lorenzo Modia. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-51.pdf\">\u00abJames Joyce and his Female Predecessors.\u00bb<\/a>53-78.<br \/>\n-Jefferey Simons.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-61.pdf\"><span style=\"color: #0000ff;\"> \u00abCredible Resonance.<\/span>\u00ab<\/a>79-100.<br \/>\n-Antonio Ra\u00fal de Toro Santos. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-71.pdf\">\u00abPilgrim Shadows in Joyce\u2019s Work.\u00bb<\/a>\u00a0101-116.<\/p>\n<p><strong>2. Joyce\u2019s Works and\/in Literature<\/strong><br \/>\n-Jose M. Tejedor Cabrera. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-81.pdf\">\u00abThe Numbers of Chamber Music.\u00bb<\/a>117-144.<br \/>\n-Cristina Iglesias. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-91.pdf\">\u00ab\u201cEveline\u201d and \u201cLas medias rojas\u201d: Joyce, Emilia Pardo Baz\u00e1n, and the Emigration Question.\u00bb <\/a>\u00a0145-158.<br \/>\n-Laura M. Lojo Rodr\u00edguez. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-101.pdf\">\u201cJoyce\u2019s Long Shadow\u201d: \u00c9il\u00eds N\u00ed Dhuibhne\u2019s Short Fiction.\u00bb<\/a>\u00a0159-178.<br \/>\n-Alfred Markey.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-111.pdf\">\u00abLittle Chandler\u2019s Celtic Twilight: Joyce, Arnold and the Rebel Tradition.\u00bb <\/a> 179-202.<br \/>\n-Jorge Sacido Romero. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-121.pdf\">\u00abThe Boy\u2019s Voice and Voices for the Boy in Joyce\u2019s \u201cThe Sisters\u201d.\u00bb<\/a>\u00a0203-242.<br \/>\n-Margarita Estevez Sa\u00e1 &amp; Noem\u00ed Pereira-Ares. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-13.pdf\">\u201cWe\u2019ll simply have to dress the character\u201d: Dressed Bodies Do Matter in James Joyce\u2019s Ulysses.\u00bb<\/a>\u00a0243-268.<br \/>\n-Rafael I. Garc\u00eda Le\u00f3n. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-14.pdf\">\u00ab&#8216;Mercury\u2019s hat&#8217; (U 1.601): Joyce\u2019s Ulysses and Its Traces in J. M. Guelbenzu\u2019s El Mercurio. \u00ab<\/a>269-278.<br \/>\n-Richard Barlow. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-15.pdf\">\u00abJoyce\u2019s Burns Night: The Poetry of Robert Burns in Finnegans Wake.\u00bb <\/a>\u00a0279-312.<br \/>\n-Olga Fern\u00e1ndez Vicente &amp; Richard Jorge. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-16.pdf\">\u00abCreativity and Exodus: The Basque Imprint in Finnegans Wake. \u00ab<\/a>313-332.<br \/>\n-Francisco Garc\u00eda Tortosa. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-17.pdf\">\u00abFinnegans Wake in Retrospective.\u00bb <\/a>333-348.<br \/>\n-M\u00e1rcia Lemos.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-18.pdf\"> \u201c&#8217;Every Telling Has a Tailing&#8217;: Narrative vs. Narrativity in Finnegans Wake. \u00ab<\/a>\u00a0349-370.<br \/>\n-Ricardo Navarrete Franco. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-19.pdf\">\u00abJoyce\u2019s Last Period.\u00bb <\/a>\u00a0371-384.<\/p>\n<p><strong>Review Essay<\/strong><br \/>\n-Guillermo Sanz Gallego.\u00a0<em>New Trends and Methodology in Intertextuality: On Joyce and Flaubert<\/em>. 385-392.<\/p>\n<p><strong>News<\/strong><br \/>\nXXIV Conference of the Spanish James Joyce Society Barcelona, April 24-25, 2013. 393.<br \/>\nZ\u00fcrich James Joyce Foundation: Workshop on \u201cNewspapers\u201d. 394.<\/p>\n<div id=\"post-meta\"><\/div>\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 16 (2010)<\/strong><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\"><img decoding=\"async\" alt=\"POJbarra\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\" \/><\/a><br \/>\n-Editor\u2019s Preface<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-1-Editors-Preface1.pdf\">. <\/a><br \/>\n-Francisco Garc\u00eda Tortosa. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/6-GARCIA-TORTOSA.pdf\">\u00abDawn and Sundown of Anna Livia: A Genetic Approach.\u00bb <\/a>1-18.<br \/>\n-Gerald E. P. Gillespie. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-3.pdf\">\u00abWhy Joyce Is and Is Not Responsible for the Quark in Contemporary Physics.\u00bb <\/a>19-28.<br \/>\n-Jim LeBlanc. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-4.pdf\">\u00abAgoraphobia in James Joyce\u2019s &#8216;Eveline&#8217;.\u00bb<\/a>\u00a029-48.<br \/>\n-Marcia Lemos. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-5.pdf\"> \u00abFinnegans Wake and the Art of Punishing the English Language.\u00bb<\/a>\u00a049-66.<br \/>\n-Teresa Louro. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-6.pdf\">\u00abTrafficking in the Wrong Costume: Cross-dressing in &#8216;Circe&#8217;.\u00bb <\/a>67-80.<br \/>\n-Carmelo Medina Casado. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-7.pdf\">\u00abThe Earliest Translations of Joyce\u2019s Ulysses.\u00bb <\/a>81-92.<br \/>\n-Ricardo Navarrete Franco. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-8.pdf\">\u00abBoots in Ulysses and Finnegans Wake.\u00bb <\/a>\u00a093-109.<br \/>\n-Benigno del Rio Molina.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-9.pdf\">\u00abJoyce between Montaigne and Shakespeare: Caliban, Cannibals and Creaturely Men.\u00bb<\/a> 110-121.<br \/>\n-Eunice Rojas.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-10.pdf\"> \u00abMadness as Redemption in &#8216;Circe&#8217;.\u00bb<\/a>123-137.<br \/>\n-Guillermo Sanz Gallego.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-11.pdf\">\u00abInterpreting the Trauermarsch in &#8216;Hades&#8217;. \u00ab<\/a>139-150.<br \/>\n-Vanessa Silva Fernandez. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJ-12.pdf\">\u00abJoyce\u2019s Other Portraits.\u00bb <\/a>\u00a0151-167.<\/p>\n<p><strong> Review Essay:<\/strong><br \/>\n<strong>-Noem\u00ed Pereira<span class=\"lvfkjiqrto\"> Ares<\/span>.<\/strong> John McCourt. ed.,\u00a0<em>Roll Away the Reel World: James Joyce and Cinema<\/em> 169.<\/p>\n<p><strong>In<span class=\"drkgexdkyu\">Brie<\/span><\/strong><br \/>\nDublin James Joyce Journal 177.<br \/>\nA Guide Through \u201cFinnegans Wake\u201d\u00a0179.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div id=\"comments-meta\">\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 15 (2009)<\/strong><br \/>\n-Editor\u2019s Preface. 1.<br \/>\n-Francisco Garc\u00eda Tortosa. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/1.pdf\">\u00abOn Influence and Joyce.\u00bb<\/a>\u00a01-16.<br \/>\n-John Hobbs.<span class=\"mbgjtfvanyc\">\u00a0 <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/2.pdf\">\u00abAre Joyce\u2019s Dubliners Paralyzed? A Second Opinion.\u00bb<\/a><\/span>\u00a017-29.<br \/>\n-Anne McCarthy.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/3.pdf\">\u00ab&#8216;Cityful Passing Away\u201d: Joyce\u2019s Version of Mutability Contrasted with Mangan\u2019s &#8216;The World\u2019s Changes&#8217;.\u00bb<\/a> 31-47<br \/>\n-Sherry Little. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/4.pdf\">\u00abEroding Structural Borders in Dubliners: The Figure of Woman as Unifying Pattern.\u00bb<\/a>\u00a047-72<br \/>\n-Benigno del R\u00edo Molina. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/5.pdf\">\u00abFulgens, Singularis, Sacra: The Many Facets of Beauty in &#8216;Nausicaa&#8217;.\u00bb<\/a>\u00a073-92.<br \/>\n-Jefferey Simons.<span class=\"drkgexdkyu\">\u00a0 \u00abSpanish Verse Brought to Light in the Cornell Joyce Collection.\u00bb <\/span>93-114.<\/p>\n<p><strong> Review Essays:<\/strong><br \/>\n<strong>-Teresa Caneda Cabrera.<\/strong> Carlos Gamerro,<em> \u00abUlises\u00bb. Clave de lectura. Instrucciones para perderse en el laberinto m\u00e1s complejo de la literatura universal<\/em>. 115.<br \/>\n<strong>-Jose Miguel Alonso Gir\u00e1ldez.<\/strong> Mar\u00eda Luz Su\u00e1rez Casti\u00f1eira, Asier Altuna Garc\u00eda de Salazar and Olga Fern\u00e1ndez Vicente, eds., <em>New Perspectives on James Joyce<\/em>.\u00a0121.<br \/>\n<strong>-Jose Miguel Alonso Gir\u00e1ldez<\/strong> Teresa Caneda Cabrera, Vanessa Silva Fdez and Mart\u00edn Urdiales Shaw, eds., <em>Vigorous Joyce. Atlantic Readings of James Joyce<\/em>. 131.<\/p>\n<p><strong>Reports &amp; News<\/strong><br \/>\n<strong>-Rub\u00e9n Jarazo Alvarez<\/strong>\u00a0James Joyce Espainiako Elkartearen XX. Topaketak , 23-25 April, 2009 20th Conference of the Spanish James Joyce Society<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/11.pdf\">. <\/a>139.<br \/>\n<strong>-Vanessa Silva Fernandez<\/strong>\u00a0Thirteenth Annual Trieste Joyce School, Trieste, 28 June \u2013 4 July, 2009.145.<br \/>\n<strong>Z\u00fcrich James Joyce Foundation<\/strong> \u201cTransWork,\u201d Workshop on specific translation issues, May 8 \u2013 12, 201<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/13.pdf\">0. <\/a>151.<br \/>\n<strong>Z\u00fcrich James Joyce Foundation<\/strong>\u00a0\u201cNurturing Joyce\u201d, Z\u00fcrich Workshop, August 1 \u2013 6, 2010.153.<\/p>\n<p>Rese\u00f1a en <em><a href=\"http:\/\/www.elcorreogallego.es\/tendencias\/ecg\/la-prestigiosa-revista-papers-on-joyce-en-galicia\/idEdicion-2010-10-07\/idNoticia-597591\/\">El Correo Gallego<\/a><\/em>.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 14 (2008)<\/strong><br \/>\nEditors\u2019 Preface<\/p>\n<p><b>-Jacques Aubert.<\/b>\u00a0<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/6-AUBERT.pdf\">\u201cOn Translating Ulysses into French\u201d<\/a>. 1-6<br \/>\n<b>-Idlir Azizi.<\/b><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/7-AZIZI.pdf\">\u201cInterior Monologues of a Ulysses Translator\u201d<\/a>\u00a07-12<br \/>\n<b>-Katarzyna Bazarnik.<\/b>\u00a0<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/8-BAZARNIK.pdf\">\u201cImages of Femininity in \u201cCalypso\u201d. A Case Study of Two Polish Translations\u201d<\/a>. 13-26<br \/>\n<b>-Francisco Garc\u00eda Tortosa.<\/b>\u00a0<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/9-GARCIA-TORTOSA.pdf\">\u201cThe Backdrop of Translating Ulysses\u201d<\/a>. 27-38<br \/>\n<b>-Andr\u00e1s Kappanyos.<\/b><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/10-KAPPANYOS1.pdf\">\u201cAt the End of One\u2019s Witz. (Translation Theory \u2013 And Some Practice)\u201d<\/a>\u00a039-50<br \/>\n<b>-Alberto L\u00e1zaro.<\/b>\u00a0<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/11-LAZARO.pdf\">\u201cThe History of the First Catalan Ulysses, by J.F. Vidal Jov\u00e9\u201d<\/a>. 51-70<br \/>\n<b>-Joaquim Mallafr\u00e9.<\/b>\u00a0<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/12-MALLAFRE.pdf\">\u201cTranslating Ulysses\u201d<\/a>\u00a0 71-84<br \/>\n<b>-Arleen Ionescu and Laurent Milesi.<\/b>\u00a0<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/13-IONESCU-AND-MILESI.pdf\">\u201cThe \u2018Experience\u2019 of Ulysses in Romanian\u201d<\/a>. 85-114<br \/>\n<b>-Iglika Vassileva.<\/b><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/14-VASSILEVA.pdf\">\u201c2004: Ulysses for the First Time in the Bulgarian Language\u201d <\/a>. 115-124<br \/>\n<b>-Jolanta Warwzycka.<\/b> <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/15-WARWZYCKA.pdf\">\u201c\u2018A stride at a time\u2019 (U 3.11): Thoughts on Translating Critical Readings of Ulysses\u201d <\/a>. 125-135<\/p>\n<p><b>A BIBLIOGRAPHY<\/b><\/p>\n<p><b>Ruth Frehner.<\/b>\u00a0From \u00c0ulas to Yurishiisu: <em>Ulysses<\/em> in Translation at the Z\u00fcrich Joyce Foundation. 137-149<\/p>\n<p><b>REVIEW ESSAYS<\/b><\/p>\n<p><b>Teresa Caneda Cabrera.<\/b> Ida Klitgard, <em>Fictions of Hybridity: Translating Style in James Joyce\u2019s \u00abUlysses\u00bb<\/em>.151-156<br \/>\n<b>Jos\u00e9 Manuel Est\u00e9vez-Sa\u00e1.<\/b> <em>James Joyce in Context<\/em>, edited by John McCourt. 157-164<br \/>\n<b>Vanessa Silva Fern\u00e1ndez.<\/b> <em>Irish Modernism and the Global Primitive<\/em>, edited by Maria McGarrity &amp; Claire Culleton. 165-170<\/p>\n<p><b>NEWS<\/b><\/p>\n<p><b>David Clark.<\/b>\u00a0\u201cThe Spanish James Joyce Society Annual Conference\u201d, Vigo, April 11-12, 2008<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/20-CLARK.pdf\">.<\/a> 171-175<br \/>\n<b>Z\u00fcrich James Joyce Foundation.<\/b> \u201cMusicillogical Joyce\u201d International Workshop, August 2-8, 2009. 177-178<\/p>\n<p><b>CONTRIBUTORS<\/b> 179-183<\/p>\n<div id=\"post-meta\"><\/div>\n<div id=\"post\">\n<p>&nbsp;<\/p>\n<p><strong><em>Papers on Joyce<\/em> 13 (2007)<\/strong><br \/>\nEditors\u2019 Preface.<br \/>\n-Hobbs, John.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/PoJ-13-Joyce-Dialogue-Epiphanies-Hobbs-1-18.pdf\">\u201cJoyce\u2019s Dialogue Epiphanies.\u201d<\/a> 1-20.<br \/>\n-O\u2019Neill, Patrick. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/PoJ-Onomastic-Pleasures-ONeill-19-40.pdf\">\u201cOnomastic Pleasures: Name Games in Dubliners .\u201d<\/a>\u00a0PoJ Onomastic Pleasures -ONeill. 19-40\u00a021-42.<br \/>\n-Baron, Scarlett. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/PoJ-13-Gnomonic-Structures-Baron-41-56.pdf\">\u201cGnomonic Structures: Flaubert\u2019s Trois Contes and Joyce\u2019s Dubliners.\u201d<\/a>\u00a043-60.<br \/>\n-Tejedor Cabrera, Jos\u00e9 M\u00aa. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/PoJ-13-Variations-on-the-Quincunx-Tejedor-57-75.pdf\">\u201cVariations on the Quincunx in \u201cGrace\u201d<\/a>. 61-82.<br \/>\n-Caneda Cabrera, Teresa. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/PoJ-13-The-Reconfiguration-Caneda-77-90.pdf\">\u201cThe Reconfiguration of Joyce across Cultures: Two Different Portraits of A Portrait.\u201d<\/a>\u00a083-98.<br \/>\n-Torresi, Ira. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/PoJ-13-Domesticating-Venuti-Torresi-91-102.pdf\">\u201cDomesticating or Foreignizing Foreignization? Joyce Translation as a Test for Venuti\u2019s Theories.\u201d<\/a>\u00a099-112.<br \/>\n-Waldrigues Galindo, Caetano. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/PoJ-13-The-Oxen-of-Joyce-Galindo-103-126.pdf\">\u00abThe Oxen of Joyce.\u201d<\/a>132-36.<\/p>\n<p><strong>BOOK REVIEWS<\/strong><br \/>\n<em>Joyce and\/in Translation, <\/em>edited by Rosa Maria Bollettieri Bosinelli &amp; Ira Torresi. Vanessa Silva Fern\u00e1ndez. 137<br \/>\n<em>Joycean Murmoirs. Fritz Senn on James Joyce, <\/em>edited by Christine O\u2019Neill. Carmelo Medina Casado. 143<br \/>\n<em>Estudios Joyceanos en Gran Canaria: Joyce \u201cIn His Palms<\/em>,\u201d edited by Santiago J. Her\u00edquez Jim\u00e9nez &amp; Carmen Mart\u00edn Santana. Mar\u00eda del Pilar Gonz\u00e1lez de la Rosa 149<\/p>\n<p><strong>NEWS<\/strong><br \/>\n18th Meeting of the Spanish James Joyce Society, Seville, April 2007 Maria Isabel Porcel Garc\u00eda. 155<br \/>\n\u201cGuided Reading\u201d of Ulysses, A Coru\u00f1a, July 2007<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/PoJ-13-NEWS-David-Guided-Reading-153-156.pdf\">.<\/a>\u00a0David Clark. 163<br \/>\nThe James Joyce Graduate Conference, Rome, February 2008.Enrico Terrinoni. 167<br \/>\nZ\u00fcrich International Workshop: errears &amp; erroriboose. August 3-9, 2008.\u00a0Z\u00fcrich James Joyce Foundation. 171<\/p>\n<p>Contributors\u00a0173<\/p>\n<div id=\"post-meta\">\n<h1><em>\u00a0<\/em><\/h1>\n<\/div>\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 12 (2006)<\/strong><br \/>\n<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/3-PoJ12-Gratitude.pdf\">Note of Gratitude 1<\/a><br \/>\n<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/4-PoJ12-Preface1.pdf\">Editors\u2019 Preface<\/a>. 3<br \/>\n-Sayers, William. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/5-PoJ12-Sayers.pdf\">\u00abBest the Mythographer, Dinneen the Lexicographer: Muted Nationalism in &#8216;Scylla and Charybdis'\u00bb<\/a>. 7-24<br \/>\n-R\u00edo Molina, Benigno del. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/6-PoJ12-Benigno.pdf\">\u00abFrom Iconophagy to Anthropophagy: Cannibalising Images in Ulysses.\u00bb<\/a>\u00a025-43<br \/>\n-Sigler, Amanda. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/7-PoJ12-Sigler.pdf\">\u00abMovement and Identity in \u201cCyclops\u201d: Reevaluating Ulysses\u2019s Correspondence to Its Homeric Urtext.\u00bb<\/a>\u00a045-61<br \/>\n-Hobbs, John.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/8-Poj12-Hobbs.pdf\">\u00ab\u201cReading It for Ourselves\u201d: Dialogical Implication in Joyce\u2019s Exiles.\u00bb<\/a>\u00a063-83<br \/>\n-Garc\u00eda Le\u00f3n, Rafael I. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/9-PoJ12-Rafael.pdf\">\u00abRichard Ford\u2019s Gatherings from Spain and Joyce: A Possible Source for Some Spanish Words in Ulysses.\u00bb <\/a>85-92<br \/>\n-Sool, Reet. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/10-PoJ12-Sool.pdf\">\u201c&#8217;Inked Characters Never Fading.'\u00bb<\/a>\u00a093-102.<br \/>\n-Boysen, Benjamin. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/11-PoJ12-Benjamin.pdf\">\u201cThe Gift of Negativity: The Theme of Love in James Joyce\u2019s Exiles .\u201d<\/a>\u00a0103-21.<\/p>\n<p><strong>ADDENDUM:<\/strong>\u00a0<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/12-PoJ12-10-Loss.pdf\">On a Frankly Political Note<\/a> Archie K. Loss 123<\/p>\n<p><strong>BOOK REVIEWS <\/strong><br \/>\n<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/13-PoJ12-Review-Alberto.pdf\">Proust, Mann, Joyce in the Modernist Context<\/a>\u00a0by Gerard Gillespie. Alberto L\u00e1zaro 127.<br \/>\n<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/14-PoJ12-Review-Caneda.pdf\">Polyglot Joyce: Fictions of Translation, by Patrick O\u2019Neill.<\/a>, by Patrick O\u2019Neill.\u00a0M. Teresa Caneda Cabrera 133.<br \/>\n<em>The Scallop of Saint James, An Old Pilgrim\u2019s Hoard: Reading Joyce from the Peripheries \/ Leyendo a Joyce desde las Periferias<\/em>,\u00a0\u00a0edited by Susana Dom\u00ednguez Pena, Margarita Est\u00e9vez Sa\u00e1, and Anne MacCarthy, by Ricardo Navarrete Franco 139.<\/p>\n<p><strong>Notes on Contributors<\/strong>\u00a0145<\/p>\n<div id=\"post-meta\">\n<h1><em>\u00a0<\/em><\/h1>\n<\/div>\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 10 &#8211; 11 (2004 &#8211; 2005)<\/strong><br \/>\nEditors\u2019 Preface<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/2-Preface-Proofed-and-Set.pdf\">.<\/a> 1<br \/>\n-Aubert, Jacques. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/3-Aubert-Proofed-and-Set.pdf\">\u201cThe Letter: From Lacan to Joyce and Back.\u201d<\/a>\u00a07-14<br \/>\n-Beck, Harald and Clive Hart with maps by Ian Gunn. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/4-Beck-and-Hart-Proofed-and-Set.pdf\">\u201cSunwise: The Sun in Ulysses .\u201d<\/a>\u00a015-28.<br \/>\n-Beja, Morris. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/5-Beja-Proofed-and-Set.pdf\">\u201cThe Seim Anew: Time, Memory, and Identity in Joyceand Modernist Literature. \u201d<\/a>\u00a029-44.<br \/>\n-Van Boheemen-Saaf, Christine. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/6-Boheemen-Proofed-and-Set.pdf\">\u201cShape and Satisfaction: The Figure of the Aged Penelopein Dickens and Joyce.\u201d<\/a>\u00a045-56.<br \/>\n-Bowen, Zack.\u00a0<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/7-Bowen-Libretto-Proofed-and-Set.pdf\">\u201cLibretto for the Hibernian Meistersinger: Ulysses as Opera.\u201d<\/a>\u00a057-70.<br \/>\n-Brivic, Sheldon.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/8-Brivic-Proofed-and-Set.pdf\">\u201cDevout Negation in \u2018Araby\u2019.\u201d<\/a>71-77.<br \/>\n-Hayman, David. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/9-Hayman-Proofed-and-Set1.pdf\">\u00abSebastian Joyce?\u00bb<\/a>\u00a079-83.<br \/>\n-Henke, Suzette. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/10-Henke-Proofed-and-Set.pdf\">\u201cJoyce\u2019s Naughty Nausicaa: Gerty MacDowell Refashioned.\u201d<\/a>\u00a085-103.<br \/>\n-Lernout, Geert. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/11-Lernout-Proofed-and-Set.pdf\">\u201cA Horrible Example of Free Thought: God in Stephen\u2019sUlysses.\u201d<\/a>\u00a0105-42.<br \/>\n-Levitt, Morton P. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/12-Levitt-Proofed-and-Set.pdf\">\u201cThe Greatest Jew of All\u201d: James Joyce, Leopold Bloomand the Modernist Archetype.\u201d<\/a>143-62.<br \/>\n-Loss, Archie K. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/13-Loss-Proofed-and-Set.pdf\">\u201cThe Censor Swings Again: Freedom of Inquiryand the Principle of Suppression.\u201d<\/a>163-68.<br \/>\n-Melchiori, Giorgio.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/14-Melchiori-Proofed-and-Set.pdf\">\u201cJoyce and Eternity: From Dante to Vico.\u201d<\/a>169-83.<br \/>\n-Rabat\u00e9, Jean-Michel. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/15-Rabat-Proofed-and-Set.pdf\">\u201cJoyce and Jarry &#8216;Joyeux&#8217;.\u201d<\/a>\u00a0185-95.<br \/>\n-Rathjen, Friedhelm. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/16-Rahtjen-Proofed-and-Set.pdf\">\u201cTOTALITY.ZIP: How Melville, Joyce, and Beckett Unzip the World.\u201d<\/a>\u00a0197-208.<br \/>\n-Senn, Fritz. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/17-Senn-Proofed-and-Set.pdf\">\u201cJoycean Refractions: Around Several Corners.\u201d<\/a>209-39.<\/p>\n<p><strong>Book Reviews<\/strong><br \/>\n<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/18-Review-Saa-Proofed-and-Set2.pdf\">Review of Gu\u00eda a \u201cDublineses\u201d de James Joyce, by Jos\u00e9 Mar\u00eda Tejedor Cabrera. <\/a>Margarita Est\u00e9vez Sa\u00e1. 241-43.<br \/>\n<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/19-Review-Rafael-Proofed-and-Set1.pdf\">Review of Joyce y Espa\u00f1a. <\/a>Rafael I. Garc\u00eda Le\u00f3n. 245-48.<\/p>\n<p><strong>Notes on Contributors<\/strong>\u00a0249-52<br \/>\n<strong>Itinerary<\/strong><br \/>\n<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/21-Itinerary-Proofed-and-Set1.pdf\">The Spanish James Joyce Society Annual Meetings, 1990-2005<\/a>. 253<\/p>\n<div id=\"post-meta\">\n<h1><em>\u00a0<\/em><\/h1>\n<\/div>\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 9 (2003)<\/strong><br \/>\n<strong><span style=\"font-weight: normal;\">-Navarrete Franco, Ricardo.<\/span><\/strong><span style=\"font-weight: normal;\"> <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/2-Navarrete-Proofed-and-Set1.pdf\">\u201cBrothers at War in the Wake: The Iberian Battle of the Languages.\u201d<\/a><\/span><strong><span style=\"font-weight: normal;\">\u00a07-18.<\/span><\/strong><br \/>\n<strong><span style=\"font-weight: normal;\">-Smith, Eric D. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/3-Mulligan-Denial-Proofed-and-Set1.pdf\">\u201cThe Mimetic \u2018Spirit of Denial\u2019: Buck Mulligan and the Cultural Limits of Mockery.\u201d<\/a>\u00a019-33.<\/span><\/strong><br \/>\n-Toro Santos, Antonio Ra\u00fal de. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/de-toro-Proofed-and-Set1.pdf\">\u201cThe Final \u2018Yes\u2019 in Ulysses and Rub\u00e1iy\u00e1t of Omar Khayy\u00e1m.\u201d<\/a>\u00a035-40.<br \/>\n-Garc\u00eda Ram\u00edrez, Paula.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/5-Buddha-Proofed-and-Set1.pdf\">\u201cDid Stephen Dedalus Reincarnate in Buddha\u2019s Son?\u201d<\/a>. 41-57.<br \/>\n-Sullan, Sara. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/6-Inspiring-Dante-Proofed-and-Set1.pdf\">\u201cInspiring Dante: The Reasons of Rhyme in Ulysses.\u201d<\/a>\u00a059-67.<br \/>\n-Redondo Olmedilla, Jos\u00e9 Carlos. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/7-Bestiarios-Proofed-and-Set1.pdf\">\u201cThe Modern Middle Ages in James Joyce: From Medieval Bestiaries to the United Field in Ulysses.\u201d <\/a>69-79.<br \/>\n-Venegas Caro de la Barrera, Jos\u00e9 Luis. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/8-Venegas-Proofed-and-Set.pdf\">\u201cErratic Encyclopedias: Ulysses and the Analitical Language of John Wilkins.\u201d<\/a>\u00a081-98.<br \/>\n-Senn, Fritz. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/9-Senn-Proofed-and-Set.pdf\">\u201c20 Years\u2014Z\u00fcrich James Joyce Foundation.\u201d<\/a>99-101.<\/p>\n<p><strong>Reviews:<\/strong><br \/>\n-M\u00aa Teresa Caneda. Alberto L\u00e1zaro.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/10-Review-1-Proofed-and-Set.pdf\">La est\u00e9tica modernista como pr\u00e1ctica de resistencia en \u201cA Portrait of the Artist as a Young Man.\u201d <\/a>103-105.<br \/>\n-Mar\u00eda Isabel Porcel Garc\u00eda and Antonio Ballesteros Gonz\u00e1lez. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/11-Review-2-Proofed-and-Set1.pdf\">Interrelaciones de los personajes en \u201cUlysses\u201d de James Joyce. <\/a>107-111<br \/>\n-Nazareth Garc\u00eda Seijas and Teresa Sixto Rey. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/13-Contributors-Proofed-and-Set1.pdf\">Silverpowdered Olivetrees: Reading Joyce in Spain, edited by Jefferey Simons, Jos\u00e9 Mar\u00eda Tejedor, Margarita Est\u00e9vez Sa\u00e1 and Rafael I. Garc\u00eda Le\u00f3n<\/a>. 113-116.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Papers on Joyce<\/em> 7-8 (2001 &#8211; 2002)<\/strong><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/1PoJ-Preface-pdf.pdf\">Editor\u2019s Preface (Carmelo Medina Casado)<\/a>. 1-4.<br \/>\n-Garc\u00eda Tortosa, Francisco. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/A.-Tracing-the-Origins-Proofed-and-Set-pdf.pdf\">\u00abTracing the Origins of Spanish in Joyce: A Sourcebook for the Spanish Vocabulary in Buffalo Notebook VI.B.23\u00bb<\/a>\u00a05-15.<br \/>\n-Senn, Fritz. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/A.-Retrosemantics-Proofed-and-Set-pdf.pdf\">\u201cRetrosemantics: How Understanding Trails Behind.\u201d<\/a>\u00a017-43.<br \/>\n-Attridge, Derek.\u00a0<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/A.-Finnegans-Wake-to-Churchill-Proofed-and-Set-pdf.pdf\">\u201cFrom Finnegans Wake to The Striker: Morphing Language in James Joyce and Caril Churchill.\u201d<\/a>\u00a045-53.<br \/>\n-Garc\u00eda Le\u00f3n, Rafael I. and Francisco Javier Quintana \u00c1lvarez.\u00a0<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/A.-Bullfighting-in-Ulysses-Proofed-and-Set-pdf.pdf\">\u201cBullfighting in Ulysses.\u201d<\/a>\u00a055-66.<br \/>\n-MacCarthy, Anne. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/A.-Joyce-and-Mangan-Proofed-and-Set2-pdf.pdf\">\u201cA Study of the Sources for James Joyce\u2019s Essays on James Clarence Mangan.\u201d<\/a>\u00a067-79.<br \/>\n-Natali, Ilaria.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/A.-Mailman-pdf.pdf\"> \u201cWaking Joyce\u2019s Pomes.\u201d<\/a>\u00a081-88.<br \/>\n-Est\u00e9vez Sa\u00e1, Margarita. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/A-The-Spectre-of-Joyce-Proofed-and-Set-pddf.pdf\">\u201cThe Spectre of Joyce\u2019s \u2018Inartistic\u2019 Portraits of the Artist.\u201d<\/a>\u00a089-120.<br \/>\n-P\u00e9rez Sim\u00f3n, Andr\u00e9s. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/A.-Borges-and-Joyce-Proofed-and-Set-pdf.pdf\">\u201cBorges\u2019 Writings on Joyce: From a Mythical Translation to a Polemical Defence of Censorship.\u201d <\/a>121-137.<br \/>\n-Porcel Garc\u00eda, M\u00aa Isabel. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/A-Nymphs-in-Joyce-Proofed-and-Set-pdf.pdf\">\u201cNymphs\/Nymphets\/Lolitas in James Joyce\u2019s Ulysses.\u201d<\/a>139-160.<br \/>\n-L\u00e1zaro, Alberto.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/A-Holy-Office-Proofed-and-Set-pdf.pdf\"> \u201cJames Joyce\u2019s Poetry and the Spanish Holy Office.\u201d<\/a> 161-175.<br \/>\n-Gula, Marianna. \u201cFrom Cuchlin to \u201cThe Man in the Gap\u201d: Hero-Worship in the \u201cCyclops\u201d Episode of James Joyce\u2019s <em>Ulysses<\/em>.\u201d 177-223.<\/p>\n<div id=\"wrapper\" style=\"margin-left: 60px;\">\n<div id=\"post\">\n<div id=\"post-meta\">\n<h1><em>\u00a0<\/em><\/h1>\n<\/div>\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 6 (2000)<\/strong><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\"><img decoding=\"async\" alt=\"POJbarra\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\" \/><\/a><br \/>\n-Bigatel-Abeniacar, Bridget L. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Bigatel.pdf\"><em>\u00abNausicaa<\/em>: A Question of Duality.\u201d<\/a>\u00a03-8.<br \/>\n-Garc\u00eda Le\u00f3n, Rafael I. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Garc\u00b0a_Le\u00a2n2.pdf\">\u201c\u2018Books You Were Going to Write With Letters as Titles\u2019; Writing as a Failure in Ulysses.\u201d<\/a>\u00a09-15.<br \/>\n-G\u00f3mez L\u00f3pez. Jes\u00fas Isa\u00edas. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/G\u00a2mez.pdf\">\u201cFrom Finnegans Wake to Passages from Finnegans Wake: The James Joyce that Mary Ellen Bute Read.\u201d<\/a>\u00a017-31.<br \/>\n-Le\u00f3n T\u00e1vora, Ana. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/T\u2020vora1.pdf\">\u201c\u2018What Can\u2019t Be Coded Can Be Decorded\u2019: Ciphering and Codification in Finnegans Wake.\u201d<\/a>\u00a033-38.<br \/>\n-Mac Carthy, Anne. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/MacCarthy1.pdf\">\u201cThe Reputation of James Joyce in Early Twentieth-Century Irish Writing.\u201d<\/a>\u00a039-48.<br \/>\n-Rademacher, J\u00f6rg W. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Rademacher2.pdf\">\u201c\u2018The Other Side of the Street\u2019: Reinhard Jirgl\u2019s Abschied von den Feinden Read Through Ulysses And Italo Svevo\u2019s \u2018L\u2019Avvenire dei Ricordi\u2019.\u201d<\/a>\u00a049-58.<br \/>\n-Rathjen, Friedhelm. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Rathjen2.pdf\">\u201cWhat Happened to Joyce In Galway and Connemara?: An Attempt to Baedekerize James Joyce.\u201d<\/a>\u00a059-65.<br \/>\n-Venegas Caro de la Barrera, Jos\u00e9 Luis. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Venegas_Caro.pdf\">\u201cBerkeley\u2019s Mental Monism and James Joyce\u2019s Conception of Authorship: The Narrator-Character fron A Portrait to \u2018Proteus\u2019.\u201d<\/a>\u00a067-79.<\/p>\n<p><strong> Reviews:<\/strong><br \/>\nLuis Alberto L\u00e1zaro. Carlos G. Santa Cecilia. <em>La recepci\u00f3n de Joyce en la prensa espa\u00f1ola (1921-1976)<\/em>. Sevilla: PUS, 1997. 348 pp. 81-83.<\/p>\n<div id=\"post-meta\">\n<div id=\"post-meta\">\n<h1><em>\u00a0<\/em><\/h1>\n<\/div>\n<\/div>\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 5 (1999)<\/strong><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\"><img decoding=\"async\" alt=\"POJbarra\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\" \/><\/a><br \/>\n-Clark, David. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Clark.pdf\">\u201c\u201cA Joyce Tae Prick Ilka Pluke\u201d: Joyce and the Scottish Renaissance.\u201d<\/a>\u00a03-12.<br \/>\n-Le\u00f3n T\u00e1vora, Ana. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/T\u2020vora.pdf\">\u201cDeriding the Exotic: Techniques of Defamiliarization in Joseph Conrad, Ernest Hemingway, and James Joyce.\u201d<\/a>\u00a013-21.<br \/>\n-Navarrete Franco, Ricardo. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Navarrete1.pdf\">\u201cThe Apparition of One Sir Ghostus.\u201d<\/a>\u00a023-34.<br \/>\n-Ortiz, Jos\u00e9 M. and Emer Moroney. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Ortiz.pdf\">\u201cA Contribution to Joyce\u2019s Ulysses Using the Notion of the Hypertext: The Spanish Poet Le\u00f3n Felipe on the Revisionist Literary Stance of Joyce and Cervantes.\u201d<\/a>\u00a035-49.<br \/>\n-Porcel Garc\u00eda, Mar\u00eda Isabel. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Porcel.pdf\">\u201cGretta Conroy: The Dead Woman\/The Dead One?.\u201d<\/a>\u00a051-65.<br \/>\n-Rademacher, J\u00f6rg W. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Rademacher1.pdf\">\u201cDoes History Consist of the Biographies of Great Men? Parallel Irish Lives Scrutinised and Contextualised: Collins, Joyce, and Company.\u201d<\/a>\u00a067-90.<br \/>\n-Simons, Jefferey. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Simons1.pdf\">\u201cThe Not-So-Ugly Duckling of the Joyce Oeuvre\u201d<\/a>. 91-106.<br \/>\n-Tronch P\u00e9rez, Jes\u00fas. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Tronch.pdf\">\u201cEditing Ulysses in the Current Debate of Textual Criticism.\u201d<\/a>\u00a0111-116.<\/p>\n<p><strong> Reviews:<\/strong><br \/>\n-Marisol Morales Ladr\u00f3n. <em>Joyce en Espa\u00f1a II<\/em>. Ed. Francisco Garc\u00eda Tortosa y Antonio Ra\u00fal de Toro Santos. La Coru\u00f1a: Universidade da Coru\u00f1a, 1997. Colecci\u00f3n: Cursos, congresos y simposios ISBN84-89694-17-6. 117-119.<\/p>\n<h1><\/h1>\n<\/div>\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 4 (1998)<\/strong><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\"><img decoding=\"async\" alt=\"POJbarra\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\" \/><\/a><br \/>\n-Le\u00f3n T\u00e1vora, Ana. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Le\u00a2n_T\u2020vora.pdf\">\u201cPlagiarism, Reflection, and Process: A Preliminary Approach to the Uses of \u201cSilence\u201d<\/a>\u00a0in<br \/>\n<em>Finnegans Wake<\/em>. \u201d 3-17.<br \/>\n-Milesi, Laurent. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Milesi1.pdf\">\u201cDutch and Double Dutch Trouble Give in Finnegans Wake.\u201d<\/a>\u00a019-24.<br \/>\n-Rathjen, Friedhelm. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Rathjen1.pdf\">\u201cChancelation and Transincidence: How to Deal with Coincidentals in Translating Finnegans Wake.\u201d<\/a>\u00a025-28.<br \/>\n-S\u00e1nchez Calle, M. Pilar. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/S\u2020nchez_Calle.pdf\">\u201cLives of Girls and Women: Female Characters in Dubliners.\u201d<\/a>\u00a029-40.<br \/>\n-Simons, Jefferey. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Simons.pdf\">\u201cLyric on the Lips: Death upon the Tongue.\u201d<\/a>\u00a041-59.<br \/>\n-Vanderbeke, Dirk. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Vanderbeke.pdf\">\u201cMan into Woman into Swine: Transformations in Joyce\u2019s Ulysses and the Odyssey.\u201d<\/a>\u00a061-66.<br \/>\n-Wawrzycka, Jolanta W. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Wawrzycka.pdf\">\u201cApotheosis, Metaphor, and Death: John Huston\u2019s The Dead Again. \u201d<\/a>\u00a067-74.<\/p>\n<div id=\"post-meta\">\n<h1><em>\u00a0<\/em><\/h1>\n<\/div>\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 3 (1997)<\/strong><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\"><img decoding=\"async\" alt=\"POJbarra\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\" \/><\/a><br \/>\n-Garc\u00eda Le\u00f3n, Rafael I. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Garc\u00b0a_Le\u00a2n1.pdf\">\u201cReading Ulysses at a Gallop\u201d<\/a>\u00a03-8.<br \/>\n-Kershner, R. Brandon. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Kershner.pdf\">\u201cModernism and Popular Culture: Joycean and Eliotic Examples.\u201d<\/a>\u00a09-19.<br \/>\n-Lartduyt, Ingeborg. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Landuyt.pdf\">\u201cShaun and His Post: La poste et les moyens de communication in VI.B.16\u2033 <\/a>\u00a021-48.<br \/>\n-Aguilera Linde, Mauricio D. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Aguilera.pdf\">\u201cCarlyle in Ulysses.\u201d<\/a>\u00a049-56.<br \/>\n-Milesi, Laurent. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Milesi.pdf\">\u201c\u00bbIn-Law and Out-Lex: Some Linguistic Aspects of \u201cBarbarity\u201d and Nationalism in Ulysses and Finnegans Wake.\u201d<\/a>\u00a057-71.<\/p>\n<p><strong> Reviews:<\/strong><br \/>\n-Mar\u00eda Jes\u00fas Lorenzo Modia. \u201cJames Joyce\u2019s <em>A Portrait of the Artist As A Young Man<br \/>\n(Retrato del artista adolescente)<\/em>. Ed. Jos\u00e9 Antonio \u00c1lvarez Amor\u00f3s. 73-74.<br \/>\n-Antonio Ballesteros Gonz\u00e1lez. J\u00f6rg Rademacher\u2019s <em>James Joyce\u2019s Other Image: Essays in Joyce\u2019s Criticism<\/em>. 74-77.<\/p>\n<div id=\"post-meta\">\n<h1><em>\u00a0<\/em><\/h1>\n<\/div>\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 2 (1996)<\/strong><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\"><img decoding=\"async\" alt=\"POJbarra\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\" \/><\/a><br \/>\n-Almagro Jim\u00e9nez , Manuel. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Almagro.pdf\">\u201cTo Be and (or?) Not to Be: Joyce\u2019s Rewriting of Shakespeare.\u201d<\/a>\u00a03-18.<br \/>\n-Chin, Sheon-Joo. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Chin.pdf\">\u201cAristotle\u2019s Masterpiece: A Possible Source Book for the \u2018Ithaca\u2019 Episode of Ulysses.\u201d<\/a>\u00a019-24.<br \/>\n-L\u00e1zaro, Luis Alberto. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/L\u2020zaro.pdf\">\u201cJames Joyce and Juan Goytisolo: Echoes from Ulysses in Reivindicaci\u00f3n del conde don Juli\u00e1n.\u201d<\/a>\u00a025-33.<br \/>\n-Lernout, Geert. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Lernout.pdf\">\u201cFurther Notes toward a Reading Proposal: Work in Progress and Finnegans Wake.\u201d<\/a>\u00a035-38.<br \/>\n-MacCarthy, Anne. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/MacCarthy.pdf\">\u201cIreland Is the Old Sow that Eats Her Farrow.\u201d<\/a>\u00a039-46.<br \/>\n-Morales Ladr\u00f3n, Marisol. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Morales.pdf\">\u201cThe Impact of James Joyce on the Work of Juan Ram\u00f3n Jim\u00e9nez\u201d<\/a>\u00a047-64.<br \/>\n-P\u00e9rez-Llantada Aur\u00eda, Carmen. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/perez-llantada.pdf\">\u201cJoyce\u2019s Ulysses: A Writer\u2019s Commitment to the (Scientific) Sign of the Times.\u201d<\/a>\u00a067-77.<br \/>\n-Rademacher, J\u00f6rg. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Rademacher.pdf\">\u201cAnglo-German Adolescent Portraits: Three Fictional Memoirs of the Hapsburg Empire: Robert Musil, James Joyce, and Ingeborg Bachmann.\u201d<\/a>\u00a077-89.<br \/>\n-Rathjen, Friedhelm. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Rathjen.pdf\">\u201cThorne Smith in the Wake: Arno Schmidt\u2019s Neglected Recommendation\u201d<\/a>\u00a091-96.<br \/>\n-Rodr\u00edguez L\u00f3pez-V\u00e1zquez, Alfredo. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Rodr\u00b0guez.pdf\">\u201cHamlet, Laforgue, and Joyce.\u201d <\/a>99-104.<br \/>\n-Senn, Fritz.\u00a0<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Senn2.pdf\">\u00abOff the Mark: The Thematic Dispersion of \u00abHamarte\u00bb\u00bb<\/a> 103-113.<br \/>\n-Slote, Sam. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Slote.pdf\">\u201cSwerving Shores, Bendings Abeyed.\u201d<\/a>\u00a0115-123<\/p>\n<p><strong>Reviews:<\/strong><br \/>\n-Geert Lernout. \u201cJ\u00f6rg Rademacher\u2019s <em>James Joyce\u2019s Own Image:<br \/>\n\u00dcber die allm\u00e4hliche Vefertigung der Begriffe \u2018image\u2019 Und \u2018imagination\u2019 bein Schreiben in \u201cA Portrait\u201d und \u201cUlysses\u201d<\/em>. 125-126.<\/p>\n<div id=\"post-meta\">\n<h1><em>\u00a0<\/em><\/h1>\n<\/div>\n<div id=\"post\">\n<p><strong><em>Papers on Joyce<\/em> 1 (1995)<\/strong><\/p>\n<p><a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\"><img decoding=\"async\" alt=\"POJbarra\" src=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/POJbarra.tiff\" \/><\/a><br \/>\n-Editorial Note. 3-5.-Ballesteros Gonz\u00e1lez, Antonio. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Ballesteros.pdf\">\u201cMetaliterary Parody in The Unfortunate Traveller and Ulysses.\u201d<\/a>\u00a05-12.<br \/>\n-Benstock, Bernard. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Benstock.pdf\">\u201cPaname-Turricum and Tarry Easty: James Joyce\u2019s Citt\u00e0 Immediata.\u201d<\/a>\u00a013-20.<br \/>\n-Carnero Gonz\u00e1lez, Jos\u00e9.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Carnero1.pdf\"> \u00abNotes toward a Reading Proposal: WP and FW\u00bb<\/a> 21-28.<br \/>\n-Garc\u00eda Le\u00f3n , Rafael I. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Garc\u00b0a_Le\u00a2n.pdf\">\u201cThe \u2018Chittering Waters\u2019 of Bloom and Stephen\u201d<\/a>\u00a029-38.<br \/>\n-Hayman, David. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Hayman.pdf\">\u201c\u2018The Pilsener Had the Baar\u2019: HCE\u2019s Sorry Case.\u00bb<\/a>\u00a039-52.<br \/>\n-Navarrete Franco, Ricardo. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Navarrete.pdf\">\u201cAlliteration and Reading in\u00a0<em>Finnegans<\/em>\u00a0Wake.\u201d<\/a>\u00a053-59.<br \/>\n-Senn, Fritz. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Senn.pdf\">\u201cHawlike Man?.\u201d<\/a>\u00a061-66.<br \/>\n-Sullivan, David. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Sullivan.pdf\">\u201cAnswering Joyce\u2019s\u00a0<em>Portrait.\u00bb<\/em><\/a>\u00a067-84.<br \/>\n-Toro Santos, Antonio Ra\u00fal de. <a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/De_Toro.pdf\">\u201cAn Approach to the Influence of Joyce in\u00a0<em>Devalar<\/em>.\u201d<\/a>\u00a085-90<br \/>\n-Venegas Lag\u00fcens, M\u00aa Luisa.<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Venegas.pdf\">\u201cDickens in\u00a0<em>Ulysses<\/em>.\u201d<\/a>\u00a091-98.<br \/>\n<strong> <\/strong><\/p>\n<p><strong>Reviews:<\/strong><br \/>\n-David Hayman. The Arroyo\/R\u00edos Edition of <em>Ulysses<\/em>. 99-104.<br \/>\n-Jos\u00e9 Carnero Gonz\u00e1lez. James Joyce\u2019s \u201c<em>Anna Livia Plurabelle\u201d (\u201dFinnegans Wake\u201d I.viii).<\/em><br \/>\nTrans. Francisco Garc\u00eda Tortosa et al. 105-108.<br \/>\n-Stephen James Joyce. <em>Joyce Images<\/em>. Ed. Bob Cato and Greg Vitiello. 109-110.<\/p>\n<p><strong>Poetry:<\/strong><br \/>\n<a href=\"https:\/\/grupo.us.es\/iberjoyce\/wp-content\/uploads\/2013\/11\/Poetry.pdf\"><em>\u201cA Jejune Joycean\u201d<\/em>\u00a0 by Jefferey Simons. 111<\/a>.<\/p>\n<\/div>\n<p><a name=\"comment-form\"><\/a><\/p>\n<div id=\"comments-meta\"><\/div>\n<\/div>\n<p><a name=\"comment-form\"><\/a><\/p>\n<div id=\"comments-meta\"><\/div>\n<\/div>\n<\/div>\n<p><a name=\"comment-form\"><\/a><\/p>\n<div id=\"comments-meta\"><\/div>\n<div id=\"comments-post\"><\/div>\n<div id=\"comments\"><\/div>\n<\/div>\n<div id=\"footer\"><\/div>\n<h2><\/h2>\n<p>&nbsp;<\/p>\n<div id=\"comments-meta\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"comments-meta\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"__if72ru4sdfsdfruh7fewui_once\" style=\"display: none;\"><\/div>\n<div id=\"__zsc_once\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cJoyce\u2019s Dialogue Epiphanies.\u201d\u201cInspiring Dante: The Reasons of Rhyme in Ulysses.\u201d Papers on Joyce es la revista internacional (double peer-reviewed), editada\u00a0por\u00a0la Asociaci\u00f3n.\u00a0Esta p\u00e1gina incluye informaci\u00f3n sobre: 1. Editorial Board 2. Information, Call for Contributions and Instructions for Authors 3. Impact and Circulation 4. Full text in PDF format (of all but the last issue) &nbsp; 1- [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"class_list":{"0":"post-526","1":"page","2":"type-page","3":"status-publish","5":"entry","6":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/pages\/526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/comments?post=526"}],"version-history":[{"count":186,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/pages\/526\/revisions"}],"predecessor-version":[{"id":1642,"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/pages\/526\/revisions\/1642"}],"wp:attachment":[{"href":"https:\/\/grupo.us.es\/iberjoyce\/wp-json\/wp\/v2\/media?parent=526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}