{"id":3617,"date":"2021-11-02T10:34:28","date_gmt":"2021-11-02T10:34:28","guid":{"rendered":"http:\/\/grupo.us.es\/compoliticas\/?p=3617"},"modified":"2021-11-02T10:34:28","modified_gmt":"2021-11-02T10:34:28","slug":"call-for-practice-musicology-on-screen-special-issue","status":"publish","type":"post","link":"https:\/\/grupo.us.es\/compoliticas\/call-for-practice-musicology-on-screen-special-issue\/","title":{"rendered":"Call for Practice: Musicology on Screen Special Issue"},"content":{"rendered":"<p><strong>Abiertas las suscripciones de <i>Screenworks <\/i>para investigaciones pr\u00e1cticas.<\/strong><\/p>\n<p><strong>N\u00famero especial &#8211; Musicology on Screen.<\/strong><\/p>\n<p><strong>Las contribuciones podr\u00e1n estar en cualquier idioma, a\u00f1adiendo una transcripci\u00f3n en ingl\u00e9s.<\/strong><\/p>\n<p><strong>El n\u00famero ser\u00e1 editado por nuestra investigadora Estrella Sendra, as\u00ed como por los editores invitados Barley Norton y Joseph Owen Jackson<\/strong><\/p>\n<p>&#8212;<\/p>\n<p>This guest-edited Special Issue of&nbsp;<i>Screenworks<\/i>&nbsp;invites practitioner-researchers to submit audiovisual works of any length exploring the theme: Musicology on Screen.&nbsp; We particularly welcome work conducted in regions across the Global South and underrepresented communities. Capturing the sounds and images of music practices, festivities and rituals throughout the world contributes to the preservation of different forms of intangible heritage while, at the same time, promoting the dissemination of this localised knowledge across fixed geographical borders. Artistic engagement thus offers a spectrum of innovative, diverse and accessible visual, sonic and haptic ways of communicating and analysing music that may incorporate \u2013 yet also extend beyond \u2013 the written word through myriad nonverbal forms of communication.<\/p>\n<p>By focusing on music practices on screen, we encourage practice-led scholarship on the intersection between sound and image, and the challenges and opportunities of documenting sound through both still and moving images. Statements supporting the submissions should share critical reflection about issues of access and positionality conducting fieldwork, and the process of developing academic arguments through screen media practice and new digital media.<\/p>\n<p>Topics may include (but are not restricted to):&nbsp;<\/p>\n<ul>\n<li>\u2013 Music festivals and rituals<\/li>\n<li>\u2013 Filming queer music practices<\/li>\n<li>\u2013 Music and\/as multilingualism<\/li>\n<li>\u2013 Learning about\/through music practices&nbsp;<\/li>\n<li>\u2013 Theorising music through film and multimedia<\/li>\n<li>\u2013 Multimodality, music and new digital media&nbsp;<\/li>\n<li>\u2013 Listening through viewing<\/li>\n<li>\u2013 Decolonising methodologies and ethical considerations in fieldwork<\/li>\n<li>\u2013 Accessing, filming and archiving endangered music practices&nbsp;<\/li>\n<li>\u2013 Musicology, digitalisation and the pandemic<\/li>\n<\/ul>\n<p>Submissions should be composed of screen media practice research supported by a 2,000-word research statement, and be submitted by completing the&nbsp;<a href=\"https:\/\/forms.gle\/e6ueeMzJ6C5CCcTf6\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/forms.gle\/e6ueeMzJ6C5CCcTf6&amp;source=gmail&amp;ust=1635934356927000&amp;usg=AFQjCNFTRELXL3i4YPQK-gGjT_y3genX8A\">Online Submission Form<\/a>.&nbsp;Please read the&nbsp;<a href=\"https:\/\/screenworks.org.uk\/submissions\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/screenworks.org.uk\/submissions&amp;source=gmail&amp;ust=1635934356927000&amp;usg=AFQjCNHZghOeCgFr1m9xFNs4CdSp1XHyHw\">submissions guidelines<\/a>&nbsp;for further details.&nbsp;<i>Screenworks<\/i>&nbsp;is committed to accessibility, so please also check our&nbsp;<a href=\"https:\/\/screenworks.org.uk\/about-2\/accessibility-policy\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/screenworks.org.uk\/about-2\/accessibility-policy&amp;source=gmail&amp;ust=1635934356927000&amp;usg=AFQjCNHwP7VWSuF-eeJgEkWA-SUSMlZtkw\">Accessibility policy<\/a>, which requires accepted work to be captioned and complemented by a descriptive transcript.&nbsp;<\/p>\n<p>The deadline for submissions is&nbsp;<strong>1 February 2022<\/strong>&nbsp;for publication in&nbsp;<strong>July 2022<\/strong>.<\/p>\n<p><i>Screenworks&nbsp;<\/i>is the online journal for peer-reviewed screen media practice research, supported by the Digital Cultures Research Centre, UWE Bristol.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Abiertas las suscripciones de Screenworks para investigaciones pr\u00e1cticas. N\u00famero especial &#8211; Musicology on Screen. Las contribuciones podr\u00e1n estar en cualquier idioma, a\u00f1adiendo una transcripci\u00f3n en ingl\u00e9s. El n\u00famero ser\u00e1 editado por nuestra investigadora Estrella Sendra, as\u00ed como por los editores invitados Barley Norton y Joseph Owen Jackson &#8212; This guest-edited Special Issue of&nbsp;Screenworks&nbsp;invites practitioner-researchers to [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":3618,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[],"class_list":["post-3617","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/grupo.us.es\/compoliticas\/wp-content\/uploads\/2021\/11\/screenworks.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa0lgR-Wl","_links":{"self":[{"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/posts\/3617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/comments?post=3617"}],"version-history":[{"count":1,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/posts\/3617\/revisions"}],"predecessor-version":[{"id":3619,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/posts\/3617\/revisions\/3619"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/media\/3618"}],"wp:attachment":[{"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/media?parent=3617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/categories?post=3617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/tags?post=3617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}