{"id":3206,"date":"2016-08-17T11:20:56","date_gmt":"2016-08-17T11:20:56","guid":{"rendered":"http:\/\/grupo.us.es\/compoliticas\/?p=3206"},"modified":"2026-10-04T17:01:26","modified_gmt":"2026-10-04T17:01:26","slug":"en-torno-a-las-imagenes-del-horror-montaje-del-conocimiento-en-tierra-sin-pan-y-noche-y-niebla","status":"publish","type":"post","link":"https:\/\/grupo.us.es\/compoliticas\/en-torno-a-las-imagenes-del-horror-montaje-del-conocimiento-en-tierra-sin-pan-y-noche-y-niebla\/","title":{"rendered":"En torno a las im\u00e1genes del horror: Montaje del conocimiento en Tierra sin pan y Noche y niebla"},"content":{"rendered":"<p>Montero S\u00e1nchez, David (2016).<\/p>\n<p><em>Cauce: Revista Internacional de Filolog\u00eda, Comunicaci\u00f3n y sus Did\u00e1cticas<\/em>, 39, 417-434.<\/p>\n<p><a href=\"https:\/\/cvc.cervantes.es\/literatura\/cauce\/pdf\/cauce39\/cauce_39_024.pdf\">Descargar art\u00edculo.<\/a><\/p>\n<p><!--more--><\/p>\n<p>A trav\u00e9s del an\u00e1lisis de Tierra sin pan (Bu\u00f1uel, 1933) y Noche y niebla (Alain Resnais, 1955), las siguientes p\u00e1ginas tienen como finalidad discutir el valor de uso de las im\u00e1genes del horror en ejercicios de \u201cmontaje del conocimiento\u201d. Esta expresi\u00f3n, tomada del trabajo cr\u00edtico de Georges Didi-Huberman, enfatiza tanto la puesta en relaci\u00f3n de estas im\u00e1genes con otros discursos como el valor desestabilizador de las mismas, su capacidad para perturbar narrativas can\u00f3nicas en diferentes \u00e1mbitos. Metodol\u00f3gicamente, la aproximaci\u00f3n a ambos filmes privilegia el examen hist\u00f3ricamente situado de las intenciones discursivas latentes en estos textos, prestando especial atenci\u00f3n a las formas en las que ambas pel\u00edculas cuestionan aspectos de la cultura audiovisual de la que forman parte.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montero S\u00e1nchez, David (2016). Cauce: Revista Internacional de Filolog\u00eda, Comunicaci\u00f3n y sus Did\u00e1cticas, 39, 417-434. Descargar art\u00edculo.<\/p>\n","protected":false},"author":8,"featured_media":3207,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[256,2],"tags":[237],"class_list":["post-3206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1997-2018","category-publicaciones","tag-estudios-visuales-y-critica-de-la-imagen"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/grupo.us.es\/compoliticas\/wp-content\/uploads\/2020\/12\/sadsdsa.png","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa0lgR-PI","_links":{"self":[{"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/posts\/3206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/comments?post=3206"}],"version-history":[{"count":1,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/posts\/3206\/revisions"}],"predecessor-version":[{"id":3208,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/posts\/3206\/revisions\/3208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/media\/3207"}],"wp:attachment":[{"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/media?parent=3206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/categories?post=3206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/tags?post=3206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}