{"id":3148,"date":"2017-12-16T10:53:24","date_gmt":"2017-12-16T10:53:24","guid":{"rendered":"http:\/\/grupo.us.es\/compoliticas\/?p=3148"},"modified":"2020-12-16T11:05:22","modified_gmt":"2020-12-16T11:05:22","slug":"public-art-in-africa","status":"publish","type":"post","link":"https:\/\/grupo.us.es\/compoliticas\/public-art-in-africa\/","title":{"rendered":"Public art in Africa"},"content":{"rendered":"<p>Pensa, Iolanda (Ed.) (2017).<\/p>\n<p>Geneva: M\u00e9tis Presses.<\/p>\n<p>ISBN: 2940563160.<\/p>\n<p><a href=\"https:\/\/www.metispresses.ch\/fr\/public-art-in-africa\">Adquirir libro.<\/a><\/p>\n<p><!--more--><\/p>\n<p>Public Art in Africa explore le r\u00f4le et l\u2019impact de l\u2019art sur les transformations urbaines \u00e0 travers la pr\u00e9sentation d\u2019une grande vari\u00e9t\u00e9 d\u2019\u0153uvres d\u2019art contemporain r\u00e9alis\u00e9es depuis 1991 dans la ville de Douala, au Cameroun. Ces projets ont vu le jour dans le cadre des activit\u00e9s de doual\u2019art, qui organise tous les trois ans le Salon Urbain de Douala (SUD) et qui est au coeur de l\u2019exp\u00e9rience de l\u2019art public de la ville.<\/p>\n<p>La investigadora del grupo, Estrella Sendra Fern\u00e1ndez, contribuy\u00f3 con el cap\u00edtulo \u00abArt Festivals in African Cities\u00bb.&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pensa, Iolanda (Ed.) (2017). Geneva: M\u00e9tis Presses. ISBN: 2940563160. Adquirir libro.<\/p>\n","protected":false},"author":6,"featured_media":3149,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[237],"class_list":["post-3148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publicaciones","tag-estudios-visuales-y-critica-de-la-imagen"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/grupo.us.es\/compoliticas\/wp-content\/uploads\/2020\/12\/unnamed-4.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa0lgR-OM","_links":{"self":[{"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/posts\/3148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/comments?post=3148"}],"version-history":[{"count":2,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/posts\/3148\/revisions"}],"predecessor-version":[{"id":3151,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/posts\/3148\/revisions\/3151"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/media\/3149"}],"wp:attachment":[{"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/media?parent=3148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/categories?post=3148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/grupo.us.es\/compoliticas\/wp-json\/wp\/v2\/tags?post=3148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}