{"id":142,"date":"2025-09-26T14:35:02","date_gmt":"2025-09-26T12:35:02","guid":{"rendered":"https:\/\/grupo.us.es\/arteygenero\/?page_id=142"},"modified":"2025-09-26T14:45:53","modified_gmt":"2025-09-26T12:45:53","slug":"exposiciones","status":"publish","type":"page","link":"https:\/\/grupo.us.es\/arteygenero\/?page_id=142","title":{"rendered":"Exposiciones"},"content":{"rendered":"\n<p><strong>COLABORACIONES EN EXPOSICIONES:&nbsp;<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>AURELIA NAVARRO. LA PO\u00c9TICA DE LA INTIMIDAD.&nbsp;<\/strong><\/h3>\n\n\n\n<p>Museo Casa de los Tiros, Granada. Consejer\u00eda de Cultura y Patrimonio Hist\u00f3rico de la Junta de Andaluc\u00eda. Proyectos I+D+i <em>Agencia femenina en la escena art\u00edstica andaluza (1440-1940) <\/em>(PY20_01208. Consejer\u00eda de Transformaci\u00f3n econ\u00f3mica, Industria, Conocimiento y Universidades, Junta de Andaluc\u00eda) y <em>Las artistas en Espa\u00f1a (1804-1939) <\/em>(HAR2017-84399-P. Ministerio de Ciencia e Innovaci\u00f3n). <strong>Del 17 de septiembre al 7 de noviembre de 2021.&nbsp;<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"567\" height=\"880\" src=\"http:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/SEMINARIO-AURELIA-NAVARRO-2.png\" alt=\"\" class=\"wp-image-93\" style=\"width:396px;height:auto\" srcset=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/SEMINARIO-AURELIA-NAVARRO-2.png 567w, https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/SEMINARIO-AURELIA-NAVARRO-2-193x300.png 193w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"459\" src=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/3.png\" alt=\"\" class=\"wp-image-144\" srcset=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/3.png 794w, https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/3-300x173.png 300w, https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/3-768x444.png 768w\" sizes=\"auto, (max-width: 794px) 100vw, 794px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"637\" src=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/2-1.jpg\" alt=\"\" class=\"wp-image-145\" srcset=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/2-1.jpg 850w, https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/2-1-300x225.jpg 300w, https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/2-1-768x576.jpg 768w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>PINTORAS EN ESPA\u00d1A (1859-1926). DE MAR\u00cdA LUISA DE LA RIVA A MARUJA MALLO. <\/strong><\/h3>\n\n\n\n<p>Paraninfo, Universidad de Zaragoza. Del 20 de febrero al 28 de junio de 2014. Organiza: Vicerrectorado de Cultura y Pol\u00edtica Social, Universidad de Zaragoza. Comisariado: Concha Lomba Serrano. Magdalena Ill\u00e1n Mart\u00edn. Cat\u00e1logo: <em>Pintoras en Espa\u00f1a (1859-1926). De Mar\u00eda Luisa de la Riva a Maruja Mallo.&nbsp;<\/em>Vicerrectorado de Cultura y Pol\u00edtica Social, Universidad de Zaragoza. Diputaci\u00f3n Provincial de Zaragoza, 2014, 200 p\u00e1gs. ISBN: 978-84-16028-28-3.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"419\" height=\"738\" src=\"http:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/Captura-de-pantalla-2017-07-14-a-las-13.11.45.png\" alt=\"\" class=\"wp-image-69\" style=\"width:368px;height:auto\" srcset=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/Captura-de-pantalla-2017-07-14-a-las-13.11.45.png 419w, https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/Captura-de-pantalla-2017-07-14-a-las-13.11.45-170x300.png 170w\" sizes=\"auto, (max-width: 419px) 100vw, 419px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"571\" height=\"381\" src=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/4.jpg\" alt=\"\" class=\"wp-image-150\" srcset=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/4.jpg 571w, https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/4-300x200.jpg 300w\" sizes=\"auto, (max-width: 571px) 100vw, 571px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"571\" height=\"381\" src=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/5.jpg\" alt=\"\" class=\"wp-image-151\" srcset=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/5.jpg 571w, https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/5-300x200.jpg 300w\" sizes=\"auto, (max-width: 571px) 100vw, 571px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p><strong>FATALES Y PERVERSAS. MUJERES EN LA PL\u00c1STICA ESPA\u00d1OLA (1885-1930). <\/strong><\/p>\n\n\n\n<p>Paraninfo, Universidad de Zaragoza.&nbsp;Del 21 de abril a 17 de julio de 2016. Organiza: Vicerrectorado de Cultura y Pol\u00edtica Social, Universidad de Zaragoza. Comisariado: Concha Lomba Serrano. Cat\u00e1logo:&nbsp;<em>Fatales y perversas. Mujeres en la pl\u00e1stica espa\u00f1ola (1885-1930). <\/em>Prensas de la Universidad de Zaragoza,&nbsp;Vicerrectorado de Cultura y Pol\u00edtica Social, 2016, 208 p\u00e1gs. ISBN:&nbsp;978-84-16515-55-4.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"699\" height=\"524\" src=\"http:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/EXPO-FATALES-CARTEL.jpg\" alt=\"\" class=\"wp-image-82\" style=\"width:398px;height:auto\" srcset=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/EXPO-FATALES-CARTEL.jpg 699w, https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/EXPO-FATALES-CARTEL-300x225.jpg 300w\" sizes=\"auto, (max-width: 699px) 100vw, 699px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"668\" height=\"444\" src=\"http:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/FATALES-EXPO.png\" alt=\"\" class=\"wp-image-83\" srcset=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/FATALES-EXPO.png 668w, https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/FATALES-EXPO-300x199.png 300w\" sizes=\"auto, (max-width: 668px) 100vw, 668px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>16 MIRADAS SOBRE EL ARTE. MUJERES ARTISTAS EN ESPA\u00d1A (1830-1930).<\/strong> <\/h3>\n\n\n\n<p>Facultad de Geograf\u00eda e Historia, Universidad de Sevilla. Del 5 al 17 de marzo de 2017.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"417\" height=\"555\" src=\"http:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/DSC_5072.jpg\" alt=\"\" class=\"wp-image-80\" srcset=\"https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/DSC_5072.jpg 417w, https:\/\/grupo.us.es\/arteygenero\/wp-content\/uploads\/2025\/09\/DSC_5072-225x300.jpg 225w\" sizes=\"auto, (max-width: 417px) 100vw, 417px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>COLABORACIONES EN EXPOSICIONES:&nbsp; AURELIA NAVARRO. LA PO\u00c9TICA DE LA INTIMIDAD.&nbsp; Museo Casa de los Tiros, Granada. Consejer\u00eda de Cultura y Patrimonio Hist\u00f3rico de la Junta de Andaluc\u00eda. Proyectos I+D+i Agencia femenina en la escena art\u00edstica andaluza (1440-1940) (PY20_01208. Consejer\u00eda de Transformaci\u00f3n econ\u00f3mica, Industria, Conocimiento y Universidades, Junta de Andaluc\u00eda) y Las artistas en Espa\u00f1a (1804-1939) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-142","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/grupo.us.es\/arteygenero\/index.php?rest_route=\/wp\/v2\/pages\/142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grupo.us.es\/arteygenero\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/grupo.us.es\/arteygenero\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/arteygenero\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/grupo.us.es\/arteygenero\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=142"}],"version-history":[{"count":8,"href":"https:\/\/grupo.us.es\/arteygenero\/index.php?rest_route=\/wp\/v2\/pages\/142\/revisions"}],"predecessor-version":[{"id":157,"href":"https:\/\/grupo.us.es\/arteygenero\/index.php?rest_route=\/wp\/v2\/pages\/142\/revisions\/157"}],"wp:attachment":[{"href":"https:\/\/grupo.us.es\/arteygenero\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}