{"id":203,"date":"2022-04-10T10:05:54","date_gmt":"2022-04-10T10:05:54","guid":{"rendered":"https:\/\/grupo.us.es\/artesdigitales\/?page_id=203"},"modified":"2022-11-16T21:25:18","modified_gmt":"2022-11-16T21:25:18","slug":"guest-speakers","status":"publish","type":"page","link":"https:\/\/grupo.us.es\/artesdigitales\/en\/guest-speakers\/","title":{"rendered":"guest speakers"},"content":{"rendered":"\n
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Yamil Burguener. Argentina<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Yamil Burguener <\/strong>is a multimedia artist, composer, programmer and geek. Argentine, lives in C\u00f3rdoba. It focuses its activity on new media and interactive communication, from the use of various physical interfaces and the programming of algorithms.<\/p>\n\n\n\n

He has presented his works and productions at important festivals and\/or universities: Synthese (Paris), the International Rostrum of Electroacoustic Music (Rome), Mutek (Buenos Aires). Hugh Hodgson School of Music University (Georgia), International Festival of Contemporary Music (Bogot\u00e1). Dorkbot.mvd (Montevideo). University of Offenbach (Frankfurt). Outside! International Exhibition of Contemporary Art. (Cordova). Museum of Contemporary Art (Santiago de Chile). eTOPIA_center for art & technology (Zaragoza), Anilla Cultural MAC (Santiago de Chile), etc. Awarded by the National Fund for the Arts, the Municipality of C\u00f3rdoba, Goethe Institut, UNC, Recoleta Cultural Center, MAMba, CCEC, LimbO, FARME, Radio Nacional, Junta de Andaluc\u00eda (Spain), \u201cCabeza de Vaca\u201d Distinction (C\u00f3rdoba) , Teatro Col\u00f3n, UNESCO MECAD\/ESDi, AECID, Espacio Fundaci\u00f3n Telef\u00f3nica (Buenos Aires), where he won the 1st prize of the MAMbA Award, Fundaci\u00f3n Telef\u00f3nica Arte y Nuevas Tecnolog\u00edas. https:\/\/yamilburguener.com.ar\/<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Elena Castro, Spain<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Elena Castro C\u00f3rdoba (Madrid, 1993) graduated in Philosophy (Complutense University of Madrid) MA Gender, Media and Culture (Goldsmiths University) is a FPU predoctoral researcher at the Complutense University of Madrid where she is doing a doctorate in feminist studies with a thesis on temporalities queer and affect theory. She is also co-mother of Feminist Ontologies, a cultural and artistic production project specialized in virtuality and activities with a feminist perspective.<\/p>\n\n\n\n

As a cultural researcher, she has co-curated\/organized \u00abNueva Sinceridad\u00bb (Injuve 2018, Buenos Aires 2022), \u00abFeminist Ontologies. Divine and precarious youth\u00bb (La Neomud\u00e9jar 2019), \u00abNight Sanctuary\u00bb (Youth Art Hall of the Community of Madrid 2020). He has given workshops, conferences and collaborations at\/with Storm & Drunk (Madrid) UCM (Madrid) Sala Amad\u00eds (Madrid) Sala de Arte Joven de la Comunidad de Madrid (Madrid), Hangar (Barcelona), CAAM (Las Palmas), Quinta da Cruz (Viseu), SAC (Las Palmas), La Casa Encendida (Madrid), Matadero (Madrid), Kirchner Cultural Center (Buenos Aires), Bartlebooth Mag (Madrid\/Galicia), Sala Beckett and UOC (Barcelona), Primavera Pro (Barcelona), TEA (Tenerife) among others. https:\/\/www.ontologiasfeministas.com\/<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Claudia Giannetti, Spain<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Claudia Giannetti <\/strong>is a specialist in contemporary art, aesthetics, media art, and the relation art\u2013science\u2013technology. A theoretician, a writer, and an exhibitions and cultural events curator. She received a multidisciplinary training, that has been crucial in her subsequent professional development: music, Business Science, and History of Art, with a Ph.D. in Art History from the University of Barcelona. She was born in Belo Horizonte.<\/p>\n\n\n\n

In the last 18 years she was director and\/or artistic director of institutions and cultural centers in Spain, Portugal and Germany: Associaci\u00f3 de Cultura Contempor\u00e0nia L’Angelot<\/strong>, Barcelona, the first space in Spain specialized in electronic art; MECAD\\Media Centre of Art & Design<\/strong>, Barcelona; Canariasmediafest \u2013 Internacional Arts and Digital Cultures Festival of Gran Canaria<\/strong>, Las Palmas; F\u00f3rum Eug\u00e9nio de Almeida<\/strong>, \u00c9vora, Portugal; Edith-Russ-Haus for Media Art<\/strong>, Oldenburg, Germany. http:\/\/www.artmetamedia.net\/<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Alicia Iglesias Cumplido <\/strong>has a PhD in Art History from the University of Seville. At this University, she works as a professor and researcher. She belongs to the Vanguardias, \u00daltimas Tendencias y Patrimonio Research group. Her research focuses on contemporary artistic movements, especially Andalusian authors, about which she has several different publications in prestigious magazines. She is a speaker at multiple seminars and congresses. She is also co-director of this event and is preparing a digital arts exhibition in 2023.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Harald Klinke, Germany<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Harald Klinke<\/strong> is currently teaching Digital Art History at the LMU Munich, Germany. He studied art history, media theory, painting, philosophy and business informatics in Karlsruhe, Berlin, G\u00f6ttingen, and Norwich (UK), and received his PhD at the Hochschule f\u00fcr Gestaltung in Karlsruhe. From 2008 to 2009, he worked as a Lecturer of Visual Studies (Bild\u00adwissen\u00adschaft) at the Art History Department at the University of G\u00f6ttingen, where he developed the modules for the key qualification \u201cVisual Literacy\u201d. From 2009 to 2010, he conducted research, supported by a grant from the German Research Foundation, as a Visiting Scholar at Columbia University, New York. He is Editor-in-Chief of the International Journal for Digital Art History and a member of the Program Committee of the DFG Focus Program \u201cThe Digital Image\u201d. In 2021, he completed his habilitation at the LMU Munich with the thesis \u201cInterfaces, Interactions and Infrastructures. Image-based application systems for art history and digital humanities\u201d and is a private lecturer entitled \u201cmodern and digital art history\u201d. https:\/\/www.harald-klinke.de\/<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Jos\u00e9 Luis Molinuevo, Spain<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Jos\u00e9 Luis Molinuevo<\/strong> is Professor of Aesthetics and Theory of the Arts at the University of Salamanca in the Department of Philosophy, Logic and Aesthetics. He received his PhD in Philosophy from the Complutense University of Madrid and carried out carried out research and further studies at the Universities of Bonn and Heidelberg. He has been vice-rector of the University of Salamanca and director of the Ortega y Gasset Foundation’s Centre for Ortega y Gasset Studies. His teaching and research work focuses on the experience of thinking in images as the core of new human technologies.<\/p>\n\n\n\n

\u201cWhat we call thought in images. To try to understand (without emotional concepts, philosophy) this world (time, space) by finding, producing, mixing, images, not reading them (semiotics) or imagining them (Platonism), but experiencing them (aesthetic modernity). Thinking in images is the map of polyaesthetic experiences at a given moment. That\u2019s all\u201d.  https:\/\/joseluismolinuevo.blogspot.com\/<\/strong><\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Everardo Reyes, France<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Everardo Reyes<\/strong> is an Associate Professor in the Department of Information Sciences at Universit\u00e9 Paris 8 Vincennes-Saint-Denis, France. He co-directs the MA\/MSc in Digital Humanities and he is vice-president of the university for digital matters. He is a member of the Paragraphe Lab<\/em> and associate member of the Cultural Analytics Lab.<\/em> His research is focused on the fields of information design, media art, hypermedia, and digital culture. He combines semiotic theory with experimental practice using software, programming languages, and visual computing techniques. He has organized several congresses and exhibitions dedicated to computer art, digital culture, and web studies. He served as the ACM SIGGRAPH 2019 Art Papers Chair and participates actively in the International Symposium of Electronic Arts (ISEA). He has already published more than ten books, including the monograph \u201cThe image-interface: graphical supports for visual information\u201d (Wiley\/ISTE, 2017) and various edited and translated works. https:\/\/www.ereyes.net\/<\/strong><\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Doreen A. Rios<\/em>. Mexico<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Doreen A. R\u00edos<\/strong> (Toluca, M\u00e9xico, 1992) is an independent curator and researcher. His work focuses on digital art, post-digital practices and new materialities. Founder of [ANTI]MATERIA, an online platform dedicated to the research and exhibition of art produced through digital media. She was chief curator of the Center for Digital Culture from 2019 to 2021.
Graduated from the Master’s Degree in Contemporary Curation from Winchester School of Arts, specializing in digital cultures, and from the Bachelor of Architecture from Tec de Monterrey.
She is currently developing a collective research project for the British Council collection, is part of the international selection committee for the Lumen Art Prize and is a mentor for the Full Spectrum Curatorship Program of the IMPAKT Festival in the Netherlands.
At the same time, she is a VJ at Minipixel, a researcher at the Terrestrial Collective Consciousness Unit, and a teacher at CENTRO and at the SAE Institute. https:\/\/doreenrios.com\/<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Edward A. Shanken, USA<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Edward A. Shanken<\/strong> writes and teaches about the entwinement of art, science, and technology with a focus on interdisciplinary practices involving new media. He is Associate Professor at UC Santa Cruz, where he has served as Director of the Digital Arts and New Media (DANM) MFA program. Prior academic posts include: Associate Professor, Digital + Media MFA program at RISD; Associate Professor, DXARTS Ph.D. program at University of Washington; Universitair Docent, New Media MA program, University of Amsterdam; Executive Director, Information Science + Information Studies, Duke University. Fellowships include the National Endowment for the Arts and American Council of Learned Societies. Dr. Shanken earned a Ph.D. and MA in Art History at Duke, an MBA at Yale University, and a BA at Haverford College.<\/p>\n\n\n\n

Recent publications include essays on art and shamanism, sound art and ecology, art historiography, and bridging the gap between new media and contemporary art. His critically praised survey, Art and Electronic Media<\/em><\/strong><\/a> (Phaidon Press, 2009) has been expanded with an extensive, multimedia Online Companion<\/em>: www.artelectronicmedia.com<\/strong><\/a>.  His book, Inventing the Future: Art, Electricity, New Media<\/em> was published in Spanish in 2013 as Inventar el Futuro<\/em><\/strong><\/a>,<\/em> with Portuguese and Chinese translations forthcoming in paper and E-text. He edited and wrote the introduction to a collection of essays by Roy Ascott, Telematic Embrace: Visionary Theories of Art, Technology and Consciousness<\/em><\/strong><\/a> (University of California Press, 2003). His most recent book is Systems<\/em><\/strong><\/a> <\/em>(Whitechapel\/MIT Press, 2015).  http<\/strong><\/a>:\/\/artexetra.com<\/strong><\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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teamLab, Tokyo<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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teamLab<\/strong> (f. 2001) is an international art collective, an interdisciplinary group of various specialists such as artists, programmers, engineers, CG animators, mathematicians and architects, whose collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world. teamLab aims to explore the relationship between the self and the world and new perceptions through art.
teamLab\u2019s works are in the permanent collection of the Museum of Contemporary Art, Los Angeles; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; Asian Art Museum, San Francisco; Asia Society Museum, New York; Borusan Contemporary Art Collection, Istanbul; National Gallery of Victoria, Melbourne; and Amos Rex, Helsinki. https:\/\/www.teamlab.art\/<\/strong><\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Yamil Burguener is a multimedia artist, composer, programmer and geek. Argentine, lives in C\u00f3rdoba. It focuses its activity on new media and interactive communication, from the use of various physical interfaces and the programming of algorithms. He has presented his works and productions at important festivals and\/or universities: Synthese (Paris), the International Rostrum of Electroacoustic […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-203","page","type-page","status-publish","hentry"],"yoast_head":"\n1st. International Conference on Digital Arts. Invited Speakers<\/title>\n<meta name=\"description\" content=\"teamLab, Edward A. 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